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12 reviews in total

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5 out of 6 people found the following review useful:
Sooo much better than Broadcast News, 23 February 2004

Author: John Cook from London

This is really worth rediscovering - Turner and co really throw themselves into it and (shock) Reeve sends himself up excellently (particularly good in the 'vertigo in the lift' scene.

As revealed elsewhere, it's a remake of The Front Page - in fact right now can't think of a better way to spend a rainy afternoon than a double bill of these two in front of a nice fire :-)

So - not going to change your life - but I'll cheer you up.

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7 out of 10 people found the following review useful:
Very funny, 16 January 2003

Author: Wayne Malin (wwaayynnee51@hotmail.com) from United States

Updating of "The Front Page" to 1988. Star reporter Christy (Kathleen Turner) on the Satellite Network News is burnt out. She takes a vacation and meets big, hunky, rich Blaine (Christopher Reeve) and falls in love (only in movies...). She plans to leave work to marry Blaine, but her ex-husband and boss Sully (Burt Reynolds) is unwilling to let her go and tries to sabotage their plans any way he can.

Not as good as 1940s "His Girl Friday" but not as bad as the 1970s "The Front Page"--it really does work. It's quick, loud and never stops moving (especially at the end). It also helps that the entire cast is in full throttle--Turner, Reeve and Reynolds are relaxed, eager and full of energy--they really put across the movie. Turner and Reynolds especially are surprising--who knew they could do comedy? And Reeve kids his goody two-shoes image and his Superman character (he's afraid of heights in this one). Also Ned Beatty has quite a few funny moments as a slimy politician.

The updating from the newspaper world to cable TV occasionally doesn't work and there are some really contrived situations here and there but not enough to destroy the movie. Also quite dated--get a look at those HUGE cordless phones! Still I enjoyed this film a lot.

A bomb (sadly) in its day--this deserves rediscovery.

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2 out of 2 people found the following review useful:
Great late 80's comedy, 14 July 2006

Author: JohnLonce from United States

This is my favorite comedy from the 1980's. I really wish this movie was out on DVD but for now I have to settle for my old VHS of it. It is a remake of the old Cary Grant "His Gal Friday" movie from the 1940's. Christopher Reeve, Burt Reynolds & Kathleen Turner play off one another and have great chemistry together. One funny scene has Christopher Reeve in a glass elevator having a panic attack because he has a fear of heights. This movie also stars Chris Reeve's "Superman I & II" co-star Ned Beaty as a crooked politician running for governor. All in all, this a highly fast passed, really funny comedy. I very much recommend renting this from your local video store.

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2 out of 2 people found the following review useful:
Underrated and overlooked (**REVISED**), 10 March 2003

Author: tvscalvin

*** This review may contain spoilers ***

SPOILER This movie should be (but hardly ever is) judged on its own merits as opposed to as a remake of "His Girl Friday" an "The Front Page". It is a fast paced movie full of twists and turns and political satire that I still find hilarious and edgy. Part of what makes it work is that the story takes place at a Chicago-based cable news network. The newspaper, which was regarded as the most up-to-date medium in "The Front Page," is mocked by news anchors as primitive while they check their makeup.

Kathleen Turner is Christine Colleran, the tough news anchor with a conscience; Burt Reynolds hilariously plays Sully, her ex-husband/boss who unscrupulously scouts stories while being badgered by the Ted Turner-esque head of the network to put on more "smutless fires". Christopher Reeve plays Christine's one-dimensional yuppie fiance, Blaine Bingham. Henry Gibson makes a surprising turn as the timid Ike Roscoe, who is on death row for killing his son's drug dealer (who happened to be an undercover cop).

The story revolves around Roscoe's execution: the gung-ho Attorney General (Ned Beatty) wants Roscoe executed so he can win the upcoming Governor's election. The Governor (a Reagan-esque Charles Kimbrough) wants to pardon Roscoe so he can win the election. TV reporters are scrambling like rats around a carcass looking for a hot (and preferably exclusive) scoop. The only people who seem concerned for Roscoe himself are Christine and Roscoe's attorney girlfriend, Pamela, derisively referred to as "the conscience of America."

Meanwhile, Sully is trying to stop Christine from quitting the news business so she can live with Blaine in New York. First, Sully has his interns book all New York-bound flights leaving within the next 24 hours. Then he has Blaine subjected to strip searches and sends the acrophobic Blaine to a skyscraper with a glass elevator. Then Sully tries one last tactic to seduce Christine back into the news business, and subsequently back into his life: to have her do one last interview with Ike Roscoe. It would bring in monster ratings, and oh yeah, it might get the guy pardoned or whatever.

And if you're looking for a history lesson, watch Christine talking to Blaine on her "cell phone."

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3 out of 4 people found the following review useful:
Nice Updating of the Front Page, 9 March 2001

Author: rollo_tomaso (rollo_tomaso@excite.com) from Houston, TX

I thought the updating of the Front Page to the electronic era was surprisingly relevant and poignant. Henry Gibson is a standout in an excellent cast. The laughs and stories are updated for modern audiences and lose surprisingly little in the translation. The chemistry between Reynolds and Turner is pretty hot. All in all quite entertaining.

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1 out of 1 people found the following review useful:
Saved from oblivion by a bright ending, 31 October 2007

Author: gcd70 from Melbourne, Australia

*** This review may contain spoilers ***

Ted Kotcheff's attempt to send up the mass media (especially television) is yet another disappointment from a director who has shown talent previously. "Switching Channels" is for the most part rather corny, and if it wasn't for the marked improvement at the end of the film, it would have been very dull indeed.

Kathleen Turner and Burt Reynolds make good sparring partners, and the supporting cast (which includes Christopher Reeve, Ned Beatty and Henry Gibson) are fair, but none of them are good enough to really lift proceedings.

A movie that has its moments, but nowhere near enough of them.

Monday, February 8, 1993 - Video

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3 out of 5 people found the following review useful:
Umpteenth version of the Front Page, 13 December 1998

Author: Stefan Kahrs from Canterbury, England

This umpteenth version of the Front Page story made the quite appropriate adaptation from newspaper journalism to television.

Although the character names have been changed we have no problems identifying the main characters of the Front Page. As in His Girl Friday, Hildy is played by a woman and Kathleen Turner was the ideal choice for this role at the time. Burt Reynolds takes on the Walter Burns character, but he neither has the charm of Cary Grant [His Girl Friday] nor the comic timing of Walter Matthau [Front Page, The (1974)] - but then, who has? The only serious miscasting is Christopher Reeve who just can't match the whimpish Ralph Bellamy.

All in all it's not as good as the previous (excellent) versions, but it is still quite enjoyable. A story with that many remakes normally has a stinker amongst the lot, but this one has not (so far).

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great screenplays win every time, 7 October 2010

Author: debruyn-864-236127 from Australia

Nobody expects greatness from actors like Burt Reynolds and Chris Reeves but they do have a certain charm and together with the wonderful Kathleen Turner, a competent director, some good character actors and a great script have produced an hilarious movie. As other reviewers have noted, the chemistry between Reynolds and Turner brings a lot to the movie and even though the dialogue has been completely re-written it works as well as it did in 1940 for Cary Grant in His Girl Friday (the second movie version of The Front Page and one of the funniest movies of all time). Interestingly, my DVD is called Scoop (rather than Switching Channels) - who knows why the name was changed but the choice of name is amusing. It seems likely that it is a reference to the eponymous Evelyn Waugh novel written in 1938 satirising the press.

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Love the movie. DVD ???, 29 August 2005

Author: jmpruitt from United States

I really enjoyed this movie.

It has been a few years since I saw it but we were watching Superman recently and it made me think about it.

All three of the leads are so good at playing this type of comedy. Sure it is no Oscar material but if that is all you are looking for in a movie then you will not watch many movies.

If you want a good clean fun movie - this is one.

It was nice to see these actors play something different.

Anybody know about this coming out on DVD anytime?

Thanks. John

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2 out of 4 people found the following review useful:
Smutless fires...film at 7 & 9 p.m., 25 March 2002
Author: tgreene_msp from Northeastern US

Anyone can make any sort of commentary on how this film didn't live up to its heritage as the "umpteenth" remake of the movie "His Girl Friday", or the original "The Front Page", but in this case, I prefer to take the film on its own merits, especially in light of how things have been since its release.

First of all, no one has to get on a soapbox and talk about how the chief supporting actor of this film (Chris Reeve) has been in the time since its release. The movie "Speechless", with Mike Keaton and Geena Davis in my opinion stands as a much better reference point, if one is looking for one, for Mr. Reeve's work before his accident. Instead, I like to look at his role in this as seeing how he was moving away from his Superman stereotype. The man has worked with some of Hollywood's A & B list leading men over the last twenty years, ranging from Michael Caine to Morgan Freeman. While he was no Ralph Bellamy in this film, I don't recall anyone saying he was supposed to be when the film was made. After all, he was only supposed to play the type of character Ralph played in the earlier remake, and if they had wanted Ralph's nod on the film, (Especially since he was the only surviving castmember) why didn't they get him to play the Network Owner's part?

Then there is Burt Reynolds' character. While I don't think they gave him the best lines they could have in some scenes, I felt, and still feel that he played the part of the Station Manager/ex-husband in a role that was not out of range for him. However, if you want to sit there and compare him to Cary Grant's role, I ask that you do one thing before you do so. Go out and rent "His Girl Friday", and then fast forward to the scene where Cary goes "Oh, Walter!", and then try to imagine how easy it would have been to get Burt to do that scene in the same way.

Finally, but in no means last, there is the heroine of the movie, played by Kathleen Turner. Ms. Turner has always played capable women who can be independent when they need to be, and continued to do so here. One scene of note in this movie is her reaction to the story about kazoo players and the President of the United States at the beginning of the film. When you consider the fact that Hollywood has repeatedly told us that modern broadcast journalism's motto is "if it bleeds, it leads", and they seem to be living up to that on the local news broadcasts, I as a viewer would want the person giving me the news to crack up on a story about Kazoo players, long before they ever did about someone going postal at a Luby's Cafeteria.

The point in the movie where one can draw a strong similarity between the original remake and this one begins in the the interview at the prison. The scene here does not play out as a remake of the same lines and dialogue as the original said by new people, and one does have to admit that you can't exactly go in too many different directions with that as part of your storyline.

Also, in my opinion, the story does demonstrate much more detail about one thing that the Grant-Russell movie only touched on. There is a changing of the guard going on in the business. The older seasoned journalists in the main story have or are changing positions. Sully has moved on to Producer, and is now fighting a constant battle over lead stories, rather than deadlines. An example of this is where he makes the comment to his boss, in jest, about having a team going all over Chicago looking for "Smutless fires". Christy is also following the "grass is greener" principle, as she is leaving SNN for a job as morning anchor in New York, a show with a Willard Scott-type weatherman and fake furniture.

In my opinion, the only ones who really weren't well-developed as well as they could have been were Ned Beatty and Charles Kimbrough's characters. While it was interesting to see a man who would later go on to play a television journalist in a long running TV series (Kimbrough was "Jim Dyle" on Murphy Brown), the portrayal of them as a simple-minded Governor, and a crooked-dealing DA both running for governor seemed to me to be a mixed message over which story should have been covered. Everyone likes a good political debate, but at what cost, or should that be whose cost?

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