The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
Offbeat fashion student Betsy Hopper and her strait-laced investment-banker fiancé, Jake Lovell, just want an intimate little wedding reception, but Betsy's father, Eddie, a Long Island ... See full summary »
Sully is the producer of a cable news network program. Christy is his ex-wife and best reporter. Her desire to quit the news business and marry Blaine, a sporting goods manufacturer comes as an innocent man is about to be executed. Sully's attempts to keep her in town and break up her upcoming marriage happen against the backdrop of a botched execution, a prison break and a possible pardon. Written by
John Vogel <email@example.com>
While pleading her case that Ike was deep down a nice guy, Pamela says "He has the softest hands, he made the Eifel Tower out of tooth picks" In a previous scene, when Ike is being led back to his cell after being interviewed, the tooth pick Eifel tower can be seen on the table next to his bed. See more »
Several times during the movie, the name of the network that Christina and Sully work for is mentioned. Sometimes it's Satellite Network News, other times it's Satellite News Network. See more »
It's obvious from the get-go that SWITCHING CHANNELS is a HIS GIRL Friday remake for the '80s (can't escape it, it's beat-for-beat), but the magic of this movie's opening, say, 30 minutes is that the performances of the three stars draw you right in and make you forget the other movie. Kathleen Turner throws herself right into comic absurdity as a cracking- yup news anchor, and Christopher Reeve is one he'll of a vain buffoon. He does it so well. But Burt Reynolds lights up as he stomps around the newsroom, and his back-and-forth patter with Turner is genuinely funny. He even plays the good ol' boy charm to the hilt with a mischievous twinkle on his eye. It's beautiful stuff, I've never seen something like that from him.
But the movie sadly does not maintain this terrific sense of humor, even s the cast is tripping over themselves in the name of screwball mayhem. It's not bad, just that the second half never rises above amusing.
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