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Sunset (1988)

 -  Crime | Action | Comedy  -  29 April 1988 (USA)
5.7
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Ratings: 5.7/10 from 2,717 users  
Reviews: 27 user | 14 critic

Tom Mix and Wyatt Earp team up to solve a murder at the Academy Awards in 1929 Hollywood.

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Title: Sunset (1988)

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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Cheryl King
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Nancy Shoemaker
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Victoria Alperin
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Christina Alperin
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Captain Blackworth
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Chief Marvin Dibner
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Dutch Kieffer
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Arthur
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Marty Goldberg
Bill Marcus ...
Hal Flynn
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Mooch
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Michael Alperin
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Storyline

Whilst making a silent film about the life of the legendary lawman Wyatt Earp, veteran actor 'Tom Mix' (Bruce Willis) discovers that the real Earp ('James Garner') is on the film set as a technical advisor. The two become friends, but when a murder takes place, the two become partners and set about tracking down the killer. Written by Jonathan Broxton <j.w.broxton@sheffield.ac.uk>

Plot Summary | Add Synopsis

Taglines:

They broke every rule, loved every woman, took every risk and solved the most shocking murder in the history of Beverly Hills. And it's all true. Give or take a lie or two.


Certificate:

R | See all certifications »
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Details

Country:

|

Language:

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Release Date:

29 April 1988 (USA)  »

Also Known As:

Catalina  »

Box Office

Budget:

$19,000,000 (estimated)

Gross:

$4,594,452 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The feature film debut of Dermot Mulroney. See more »

Goofs

One of the musicians in the mariachi band in the restaurant is playing an Ovation guitar; however, no Ovations existed before 1964. See more »

Quotes

Captain Blackworth: [Blackworth and Kieffer hear some noise coming from the kitchen of the "Kit Kat" club] Do you have a cat?
Dutch Kieffer: Not that big.
See more »

Crazy Credits

The final frame of the picture freezes, and the following text appears: "And this is how it really happened. Give or take a lie or two." See more »

Connections

Spoofs Hour of the Gun (1967) See more »

Soundtracks

Black And Tan Fantasy
Performed by Duke Ellington and the Duke Ellington Orchestra
Courtesy of RCA Records
See more »

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User Reviews

 
Great Garner
4 May 2003 | by (Deming, New Mexico, USA) – See all my reviews

This movie has been kicking around on cable TV lately and I've put off watching it because I expected it to be another very stretched version of a buddy cop movie. The story seems made for it. Experienced old real-life marshal Wyatt Earp teaches callus young phony cowboy Tom Mix how to solve a crime. "Dragnet" on a 1920s back lot. But it wasn't that way at all.

It's true enough that Earp (Garner) hung around Hollywood at the time, or maybe a bit earlier. We don't really get to know much about his past. But although Mix (Willis) drove expensive cars and wore flashy suits and big hats, he wasn't a phony. He'd been a real cowboy too, was a great rider, fought in the Spanish-American war, and could take care of himself. Instead of the expected clash between the master and the tyro, we get two guys who pretty much hit it off with one another right away, and show mutual respect.

It's an interesting friendship.

But then the movie turns darker. A murder takes place. There are fist fights (mostly comic) and several shootouts (done seriously). Willis is kind of cocky. Garner displays the laconic off-hand dignity he showed in "Murphy's Romance," or whatever it was. He's an icon here, with that black outfit and mustache. He's never been a flashy actor, but invariably a competent one. Off-screen he's come up with some dandy spontaneous comments about how the social world of Hollywood and the rest of the country is structured. He's got my vote. Willis isn't bad either.

The rest of the cast does yeoman work but no one has roles that are as interesting as those of the two leads. And the murder story fails to grip the viewer, at least this viewer. I didn't really find myself caring who did it, although it was clear from the beginning who the villains were. There was an exception, though, the British actress playing Garner's former lover. She's simply outstanding in a supporting part, and provides a great example of how to be beautiful without being "beautiful."

I wish the film didn't seem kind of -- I suppose lost is the word. It meanders between comedy, drama, and warmth, without seeming to know just what it wants to do. This isn't a total failure on Edwards' part. It holds together as a story but the characters bounce off one another. Henry Mancini, who wrote many scores for Edwards' films, shows his versatility here.

The score is quiet and unobtrusive (except for one or two brass bands that seem to follow Tom Mix around) and is punctuated by contemporary recordings, including one by Duke Ellington. The photography is first rate. It must be getting hard to find locations that look like Southern California looked in the 1920s before the irruption of humans and their artifacts.

It's worth watching. But I don't know where that title came from. "Sunset." What is the sun setting on? Not Earp. He's old but not doddering, and he can shoot and make love even at the "risk of permanent damage." It's not setting on Hollywood, which would continue to book for another two generations or so. I suppose we'll settle for its being one of those generic titles that could mean anything. "Another Dawn." "Guns of Darkness." "On the Edge." "Sunset." "The Muppets Conquer the Mustang Ranch."


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