| Photos (See all 10 | slideshow) |
| James Wilby | ... | Mr. Ashton | |
| Imogen Stubbs | ... | Megan David | |
| Susannah York | ... | Mrs. Narracombe | |
| Kenneth Colley | ... | Jim (as Ken Colley) | |
| Jerome Flynn | ... | Joe Narracombe | |
| Lee Billett | ... | Nick | |
| Oliver Perry | ... | Rick | |
| Harry Burton | ... | Garton | |
| Sophie Ward | ... | Stella Halliday | |
| John Elmes | ... | Mr. Halliday | |
| Camilla Power | ... | Sabina Halliday | |
| Juliette Fleming | ... | Freda Halliday | |
| Sukie Smith | ... | Betsy | |
| John Savident | ... | Bank Clerk | |
| Rachel Joyce | ... | Post Office Girl |
Directed by | |||
| Piers Haggard | |||
Writing credits(in alphabetical order) | ||
| John Galsworthy | story "The Apple Tree" | |
| Penelope Mortimer | writer | |
Produced by | |||
| Danton Rissner | .... | producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Kenneth MacMillan | |||
Film Editing by | |||
| Ralph Sheldon | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Leo Austin | |||
Art Direction by | |||
| Diane Dancklefsen | |||
| Richard Elton | |||
Costume Design by | |||
| Jenny Beavan | |||
Makeup Department | |||
| Christine Allsopp | .... | makeup assistant | |
| Carole Bennett | .... | assistant hair stylist | |
| Eileen Fletcher | .... | makeup assistant | |
| Nick Forder | .... | chief makeup artist (as Nicholas Forder) | |
| Stevie Hall | .... | chief hair stylist | |
| Connie Reeve | .... | assistant makeup artist | |
| Stephen Rose | .... | assistant hair stylist | |
| Tracy Smith | .... | assistant hair stylist (as Tracey Smith) | |
Production Management | |||
| Christabel Albery | .... | production supervisor | |
| Dennis A. Brown | .... | executive in charge of production | |
Art Department | |||
| Bob Betis | .... | painter | |
| Gordon Billings | .... | dressing prop | |
| Alan Booth | .... | construction manager | |
| Dave Buck | .... | stagehand | |
| Bob Eames | .... | stand-by carpenter (as Robert Eames) | |
| Steve Hedinger | .... | lettering artist | |
| Robert Hill | .... | stand-by prop | |
| Steve Macdonald | .... | dressing prop (as Stephen McDonald) | |
| Peter Mann | .... | carpenter | |
| Maxie McDonald | .... | property master | |
| Dave Midson | .... | dressing prop (as David Midson) | |
| Fred Myatt | .... | chargehand | |
| Mickey Pugh | .... | stand-by prop | |
| Fred Round | .... | carpenter | |
| Mike Sotheran | .... | painter | |
| Graham Tew | .... | property buyer | |
| John Tregear | .... | stand-by stagehand | |
| Dave Westcott | .... | stand-by painter | |
| Sidney Wilson | .... | stagehand | |
Sound Department | |||
| David Hildyard | .... | sound recordist | |
| Peter Musgrave | .... | dubbing editor | |
| Keith Pamplin | .... | boom operator | |
| John Pitt | .... | sound maintenance engineer | |
| John Poyner | .... | dubbing editor | |
| Bill Rowe | .... | dubbing mixer | |
| Jim Shields | .... | dubbing editor | |
Camera and Electrical Department | |||
| Graham Attwood | .... | still photographer | |
| Paul Borg | .... | best boy | |
| Tony Breeze | .... | focus puller (as Anthony Breeze) | |
| Tony Hester | .... | gaffer | |
| Keith Hunt | .... | electrician | |
| Tom Lowen | .... | stand-by rigger | |
| John Murphy | .... | electrician | |
| Mick O'Connell | .... | electrician | |
| Peter Richardson | .... | electrician | |
| Roy Russell | .... | camera grip | |
| Jonathan Sykes | .... | clapper loader | |
| Malcolm Vinson | .... | camera operator | |
Casting Department | |||
| Sarah Trevis | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jane Burton | .... | wardrobe assistant | |
| Sylvia Grainger | .... | wardrobe assistant | |
| Steve Hubbard | .... | wardrobe assistant | |
| William Pierce | .... | wardrobe assistant | |
| Janet Tebrooke | .... | wardrobe mistress | |
| Richard Schoen | .... | set costumer (uncredited) | |
Editorial Department | |||
| Neil Farrell | .... | assistant editor | |
Music Department | |||
| Geoff R. Brown | .... | assistant music editor | |
| Daniel Farrell | .... | assistant music editor | |
| Greg Fulginiti | .... | music engineer | |
| Robert Hathaway | .... | music editor | |
Transportation Department | |||
| Frank Buisson | .... | unit driver | |
| Joe Drinkeld | .... | transportation | |
| Terry Reece | .... | unit driver | |
Other crew | |||
| Joanna Collins | .... | location manager | |
| Julie Davies | .... | runner | |
| Kevin De La Noy | .... | runner | |
| Jill Ernest | .... | accountant secretary | |
| Robert Fabbri | .... | runner | |
| Bob Feather | .... | security officer | |
| Harriet Fenner | .... | production coordinator | |
| Ben Ford | .... | horse and carriages | |
| Maria Ford | .... | horse and carriages | |
| Linda Glatzel | .... | unit nurse | |
| Tarn Harper | .... | assistant accountant | |
| John Holmes | .... | animal handler | |
| Doreen Landry | .... | publicist | |
| Susan Leh | .... | publicity controller | |
| Ben Montanio | .... | production controller | |
| Angus More Gordon | .... | runner (as Angus More-Gordon) | |
| Skates Naiman | .... | coordinator: Los Angeles (as Sandi Naiman) | |
| Tim Neate | .... | animal handler | |
| Mike Pears | .... | security officer | |
| Annie Penn | .... | script supervisor (as Annie Wotton) | |
| Peter Robey | .... | insurer | |
| Samantha Thomas | .... | runner | |
| Sue Wall | .... | production accountant | |
| Joan Washington | .... | dialogue coach | |
| Fleur Whitlock | .... | runner | |
| Kimi Zabihyan | .... | contact: London | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
This film, though little noticed by the general moviegoing public, is a beautifully photographed and acted masterpiece. It is a bittersweet tale of lost love, based on a short story ("The Apple Tree") by John Galsworthy. Most of the film, in writer Penelope Mortimer's skillful adaptation, is presented as a flashback -- sandwiched by an introduction and coda that are devastatingly poignant. Piers Haggard directs with a lighthanded touch that makes the characters seem utterly real. I cannot recommend this film too highly. Every time I view it, I am overwhelmed anew by its intense vision of human nature. A gem!