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Still Life: The Fine Art of Murder (1990)

Still Life (original title)
The alleys of downtown Manhattan become a modern killing field when corpses begin turning up, disfigured and gruesomely posed to appear as pieces of art.In the frightening climate of the "... See full summary »

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Cast

Cast overview, first billed only:
...
Peter Sherwood
...
Nellie Ambrose
...
Teddy Bullock
...
Billy
Sam Malkin ...
Frank
Lubomir Mykytiuk ...
Lieutenant Topolski
Dave McKay ...
Dave (cameraman)
...
Officer #2
Ted Loviscek ...
Stan
Beverly Murray ...
Performance Space Lady
Eric Murphy ...
Al
Elena Kudara ...
Maggie Stefanova
Lawrence Mayles ...
Confessed Art Killer
Jane Schoettle ...
Margaret
Gene Mack ...
Man in Beret
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Storyline

The alleys of downtown Manhattan become a modern killing field when corpses begin turning up, disfigured and gruesomely posed to appear as pieces of art.In the frightening climate of the "Art Killer", Peter Sherwood, a struggling musician, is hired to compose for a patron of the arts, and thinks his dreams are coming true. But as the body count continues to rise, the clues surrounding the murders oddly begin to lead police closer and closer to Peter and his new job. Suddenly, all eyes are on Peter and he must scramble to find the real killer - before he becomes his next masterpiece. Written by Anonymous

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Taglines:

Art Imitating Death. See more »

Genres:

Horror | Thriller

Certificate:

PG-13 | See all certifications »
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Details

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Release Date:

9 November 1990 (Canada)  »

Also Known As:

Still Life: The Fine Art of Murder  »

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film's trailer features a scene not featured in the final cut of the film, and also reveals the identity of the killer. See more »

Quotes

[first lines]
Nellie Ambrose: The Art Killer has struck again. Another homeless man has been found shot to death through the forehead and turned into a macabre piece of modern art. This time, similar to the last, the murderer artist has left his mark: a sign near the body inscribed "A.K.": Art Killer.
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User Reviews

 
With Little Talent Available, Very Little Is Accomplished.
7 August 2005 | by (Mountain Mesa, California) – See all my reviews

Filmed in a Toronto that is meant to depict New York City, this carelessly produced low-budget piece is loosely organized from its beginning, with most of its shortcomings stemming from a scenario concerning a serial killer operating in a rundown artist's loft district, the victims being indigents who, after being shot in the head, are ensconced within over-sized picture frames and arranged as pastiches of popular paintings, e.g., Whistler's Mother, with an accompanying "A.K." (Art Killer) signature. A painfully untalented musician, Peter Sherwood (Jason Gedrick), whose uninventive electronic ability with keyboard and sampler fails to bring him fiscal success, his live-in girlfriend Nellie (Jessica Steen), and their performing artist pal Teddy (Stephen Shellen) reside within the stricken area amid the homicide hullabaloo, with Nellie a New York television journalist reporting upon the slayings as they occur. A trifling attempt is made to depict how the killer has become a "popular" figure with fringe members of the citizenry, and Nellie and Teddy each enjoys benefits from publicity, but when Peter is assaulted by a pair of non-lethal "A.K." copycats and subsequently attached to a frame in a junkyard, this particular media event has come too near the trio for their comfort. Additionally, local police, essentially it would seem limited in number to one rather seedy detective, have begun to suspect Sherwood of being "A.K." as some type of disturbed ploy with which to further his stuttering music career, and personal forms of danger increase for Peter and his kidnapped lover. With a working title of ART KILLER FRAMED wisely changed, this film, despite its macabre theme and trappings of violence, lacks that important ingredient of suspense, critical to all genres, since even a semi-comatose viewer will have solved the case in short order, and no character as portrayed will gain audience sympathy. Direction is soft, particularly noticeable when players are forced to weakly ad lib, and post-production efforts fail to correct flaws, notably relative to the generally poorly written dialogue and other sound issues, and the unimpressive actors obviously lack oversight; requisite attention to planning plainly was not available for this work.


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