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Stealing Heaven (1988)

 -  Drama | History | Romance  -  28 April 1989 (USA)
6.9
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Ratings: 6.9/10 from 472 users  
Reviews: 14 user | 2 critic

Abelard, a respected philosopher and teacher in 12th-century Paris, is hired to tutor the intelligent and beautiful Heloise. They soon fall in love, but must hide their affection because ... See full summary »

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Title: Stealing Heaven (1988)

Stealing Heaven (1988) on IMDb 6.9/10

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Cast

Cast overview, first billed only:
...
...
Heloise
...
Fulbert
Bernard Hepton ...
Bishop
...
Suger
Patsy Byrne ...
Agnes
Cassie Stuart ...
Petronilla
Philip Locke ...
Poussin
Victoria Burgoyne ...
Prostitute
Antonia Cutic ...
Landlady
Diana Belinic ...
Girl in street
Davor Fejzagic ...
Boy in street
Mark Jax ...
Jourdain
Timothy Watson ...
François (as Tim Watson)
Andrew H. McLean ...
Gerard (as Andrew McLean)
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Storyline

Abelard, a respected philosopher and teacher in 12th-century Paris, is hired to tutor the intelligent and beautiful Heloise. They soon fall in love, but must hide their affection because Abelard is sworn to celibacy. Written by Eric Sorensen <Eric_Sorensen@fc.mcps.k12.md.us>

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Genres:

Drama | History | Romance

Certificate:

R | See all certifications »
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Release Date:

28 April 1989 (USA)  »

Also Known As:

Stealing Heaven  »

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(uncut)

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Trivia

The following actors were on the ideas list for The Ancient Priest, John Gill, Alan MacNaughton, Hugh Latimer, Preston Lockwood, Trevor Peacock, John Moffatt, Edward Petherbridge, Nicholas Selby and Stuart Latham. See more »

Soundtracks

Sic Mea Fata Canendo Solor
(uncredited)
Traditional
Arranged by Nick Bicât and David Wulstan
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User Reviews

 
A Romance in which philosophies clash.
21 September 2000 | by (TN) – See all my reviews

An historically-based film focusing on the romance between Abelard and Heloise which highlights two philosophical outlooks on life.

Abelard, though a first-class thinker, accepted the premise of the Church--that one's life belongs to God, that sex is evil, that happiness on earth isn't possible. But yet he acted against that premise--he fell in love with a woman of reason: Heloise. Abelard's implicit premise, the one he subconsciously held, was in fact pro-life and pro-earth. He loved Heloise because she reflected the things he valued most deeply: Intelligence, beauty, and happiness. But since those things are not valued but are in fact derided by the Church, Abelard believed that his feelings for Heloise were wrong, were worthy of guilt.

Heloise, on the other hand, never accepted the anti-life, anti-pleasure, anti-earth philosophy of the Church. She scoffed at religion, challenged its teachers, and refused to accept things on faith. She held reason, beauty and happiness in high esteem. She saw in Abelard a reflection of her highest values, and, consequently, she acted to gain those values. She never felt guilty about her love for Abelard. She never apologized. She never wavered.

The movie is wonderful because it demonstrates two contrasting philosophical views on life. But since the predominant view in Abelard's and Heloise's time was based on faith, mysticism and obedience to authority, unfortunately life, happiness and love were casualties. Watch this film with your lover and say a word of thanks to REASON, FREEDOM, and SCIENCE that you two don't live in the atmosphere that those two did.


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