Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor.
A Portuguese immigrant in Holland dies in an accident and is buried in a cemetery in Amsterdam. Soon he discovers that his soul won't rest in peace until his body is laying down in his ... See full summary »
Rex and Saskia are on holiday, a young couple in love. They stop at a busy service station and Saskia disappears. Rex dedicates the next three years trying to find her. Then he receives some postcards from her abductor, who promises to reveal what has happened to Saskia. The abductor, Raymond Lemorne, is a chilling character to whom Rex is drawn by his intense desire to learn the truth behind his lovers disappearance. The truth is more sinister than he dared imagine. Written by
Matthew Stanfield <firstname.lastname@example.org>
Raymond tells Rex that when he was a teenager, he jumped from a balcony and lost two of his fingers. However, the adult Raymond clearly has 10 fingers for the duration of the movie. See more »
You start with an idea in your head, and you take a step... then a second... Soon, you realize you're up to your neck in something intense, but that doesn't matter. You keep at it for the sheer pleasure of it. For the pure satisfaction it might bring you.
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"The Vanishing" is one of my favorite movies, probably in my top ten. I first saw it in 1990 in San Francisco. Without giving anything away, the end of this Dutch/French film contains an extraordinarily diabolical twist, and at the theater at which I saw it, the projector crapped out with about 15 minutes left. Everyone was issued a free pass to come back, which I did the next day, having barely been able to get the creepy story out of my head. I couldn't wait to see what happened at the film's conclusion. Fifteen years later, it still makes me shudder sometimes. The American remake with Jeff Bridges and Kiefer Sutherland should, in my opinion, be avoided at all cost; the ending was changed, no doubt to suit the bottom-line aspirations of some brain-dead producer. But the European original is full of great acting (particularly from the villain, Bernard-Pierre Donnadieu), a tight storyline, and, of course, a wickedly brilliant ending. It's a film worthy of Hitchcock.
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