Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor.
Rex and Saskia are on holiday, a young couple in love. They stop at a busy service station and Saskia disappears. Rex dedicates the next three years trying to find her. Then he receives some postcards from her abductor, who promises to reveal what has happened to Saskia. The abductor, Raymond Lemorne, is a chilling character to whom Rex is drawn by his intense desire to learn the truth behind his lovers disappearance. The truth is more sinister than he dared imagine. Written by
Matthew Stanfield <email@example.com>
The production ran short on money for feeding the cast and crew during filming. According to George Sluizer, he went to some local French underworld figures who lent him money, but also threatened him, in case he wouldn't pay back. See more »
In the flashback near the end of the film when Raymond is talking to the old man near the coffee machine, the old man says he broke a bone in 1940 when he was eleven years old. Raymond states he then must be 59 years old in November, This makes that year 1988. But, at the beginning of the film when Rex is looking for Saskia you can hear the radio announcer talking about the Tour de France race that is happening and he says it is 1984. See more »
You start with an idea in your head, and you take a step... then a second... Soon, you realize you're up to your neck in something intense, but that doesn't matter. You keep at it for the sheer pleasure of it. For the pure satisfaction it might bring you.
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How powerful is this movie? You don't even need to see it to be disturbed by it.
I saw it with a friend when it was released. Then I went home and told my husband about it, and how impressed I was. He's not much of a moviegoer, but he's certainly sensitive to film: His favorites are The Third Man, Maltese Falcon, The Conversation-- all biggies. And when I rented "My Life as a Dog" and he started to watch it with me, he had to leave the room after the first ten minutes or so, saying, "This movie is going to be much too sad." Which, if you've seen that Lasse Hallstrom film, you know he pegged it.
Anyway, he asked about the plot of "The Vanishing." I told him, he listened, and that was the end of it. Or so I thought.
We're at a dinner party later that week, and I mention the movie. Someone asks about it, I start to describe it-- and my husband stops me. He says, "It's too disturbing to even hear the plot again."
I never mentioned it again. Nor have I watched it again, and don't think I ever could. But I am forever glad that I saw it that first time. A gripping story that demands more emotion from the audience than almost any other film I can name.
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