Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor.
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Rex and Saskia are on holiday, a young couple in love. They stop at a busy service station and Saskia disappears. Rex dedicates the next three years trying to find her. Then he receives some postcards from her abductor, who promises to reveal what has happened to Saskia. The abductor, Raymond Lemorne, is a chilling character to whom Rex is drawn by his intense desire to learn the truth behind his lovers disappearance. The truth is more sinister than he dared imagine. Written by
Matthew Stanfield <email@example.com>
Tim Krabbé, who wrote both the novel and the screenplay that was adapted from it, based the story on a newspaper article that he accidentally read about a female tourist who disappeared from a bus trip after buying chewing gum at a gas station in France. The police had searched for two nights without finding a trace of the girl. Ten years later, Krabbé did extensive research and found that the girl had turned up alive and well one day later; she had simply boarded the wrong bus. Krabbé even called her to thank her for providing him with the inspiration for the story. See more »
After the discussion with Lieneke and her departure, Rex sits in front of the computer and a mic is visible in the lower left corner. See more »
My nightmare. I had it again last night.
That you're inside a golden egg and you can't get out, and you float all alone through space forever.
Yes, the loneliness is unbearable.
No. This time there was another golden egg flying through space.
And if we were to collide, it'd all be over.
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"The Vanishing" is one of my favorite movies, probably in my top ten. I first saw it in 1990 in San Francisco. Without giving anything away, the end of this Dutch/French film contains an extraordinarily diabolical twist, and at the theater at which I saw it, the projector crapped out with about 15 minutes left. Everyone was issued a free pass to come back, which I did the next day, having barely been able to get the creepy story out of my head. I couldn't wait to see what happened at the film's conclusion. Fifteen years later, it still makes me shudder sometimes. The American remake with Jeff Bridges and Kiefer Sutherland should, in my opinion, be avoided at all cost; the ending was changed, no doubt to suit the bottom-line aspirations of some brain-dead producer. But the European original is full of great acting (particularly from the villain, Bernard-Pierre Donnadieu), a tight storyline, and, of course, a wickedly brilliant ending. It's a film worthy of Hitchcock.
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