| Reb Brown | ... | Dave Ryder | |
| John Phillip Law | ... | Flight Cmdr. Elijah Kalgan | |
| James Ryan | ... | MacPhearson | |
| Cameron Mitchell | ... | Cmdr. Alex Jansen | |
| Cisse Cameron | ... | Dr. Lea Jansen (as Cissy Cameron) | |
| Graham Clarke | ... | Capt. Scott Devers (as Graham Clark) | |
| Billy Second | ... | Flight Lt. Lemont | |
| Rufus Swart | ... | 3rd Engineer Steve Codell | |
| Arthur Hall | ... | Mortuary Keeper | |
| Norman Anstey | ... | Joseph Enforcer | |
| Rick Skidmore | ... | Chief Engineer | |
| Guy Pringle | ... | Kalgan's Bodyguard | |
| Claudia Jacobs | ... | Female Lieutenant | |
| Evan J. Klisser | ... | Mohawk - Enforcer | |
| Chip Mitchell | ... | Blake - Enforcer | |
| Gary D. Sweeney | ... | Ranger - Enforcer | |
| Mark Grayton | ... | Max - Enforcer | |
| Dennis Robbins | ... | Norris - Enforcer | |
| Kevin Kirby | ... | Sid - Enforcer | |
| Keith Carey | ... | Draker - Enforcer | |
| Colton Green | ... | Colton - Enforcer | |
| Chris Low | ... | Zone - Enforcer | |
| Neil Carrick | ... | Trask - Enforcer | |
| David Rogan | ... | Fritz - Enforcer | |
| Madeleine Reynal | ... | Jennera (as Madyelene Reynel) | |
| Camille Mitchell | ... | Jennera's Voice (voice) | |
| Naomi Goldberg | ... | Twana | |
| Vera Mcullen | ... | Bellerian #1 | |
| Lisa Alexander | ... | Bellerian #2 | |
| Jeanet Moltke | ... | Bellerian #3 | |
| Ginette Reynel | ... | Bellerian #4 | |
| Laura Fremont | ... | Bellerian #5 |
Directed by | |||
| David Winters | |||
| Neal Sundstrom | (co-director) | ||
Writing credits | ||
| Maria Dante | (written by) (as Maria Danté) | |
| Ian Yule | uncredited | |
Produced by | |||
| John De Kock | .... | executive producer (as John DeKock) | |
| Hope Holiday | .... | executive producer | |
| Debi Nethersole | .... | associate producer (as Debbie Nethersole) | |
| Jonathan Vanger | .... | co-associate producer | |
| David Winters | .... | producer | |
Original Music by | |||
| Tim James | |||
| Mark Mancina | |||
| Steve McClintock | |||
Cinematography by | |||
| Vincent G. Cox | |||
| Andrew Parke | (bellerian sequences) | ||
Film Editing by | |||
| Bill Asher | |||
| Charlotte Konrad | |||
| Catherine Meyburgh | |||
Casting by | |||
| Laura Drake | (bellerian sequences) | ||
Production Design by | |||
| Geoffrey Hill | (as Geoff Hill) | ||
Set Decoration by | |||
| Roy Rudolphe | |||
Costume Design by | |||
| Yvonne De Necker | |||
Makeup Department | |||
| Briane Caitlan | .... | assistant makeup artist: bellerian sequences | |
| Debi Nichiol | .... | hair stylist | |
| Debi Nichiol | .... | makeup artist | |
| Tori Parker | .... | hair stylist: bellerian sequences | |
| Monica Silvera | .... | makeup artist: bellerian sequences | |
Production Management | |||
| Catherine Dunn | .... | unit production manager: bellerian sequences | |
| Michael J. Harker | .... | post-production supervisor | |
| Debi Nethersole | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Evan J. Klisser | .... | second assistant director (as Evan Klisser) | |
| Mark D. West | .... | first assistant director (as Mark West) | |
Art Department | |||
| Mace Bacon | .... | construction assistant: Bellerian sequences | |
| Kim Bailey | .... | art assistant: Bellerian sequences | |
| Kirk Banke | .... | construction assistant: Bellerian sequences | |
| Dicky Claassen | .... | production buyer (as Dicky Classens) | |
| Kevin Davis | .... | construction supervisor: Bellerian sequences | |
| Stephen Duvall | .... | construction assistant: Bellerian sequences | |
| Daniel Frey | .... | construction assistant: Bellerian sequences | |
| Mary Ashe Gavin | .... | property master: Bellerian sequences | |
| Gene Hunter | .... | construction assistant: Bellerian sequences | |
| Robert Jew | .... | storyboarder: Bellerian sequences | |
| Jerry Jones | .... | construction assistant: Bellerian sequences | |
| Kevin Kirby | .... | construction assistant: Bellerian sequences | |
| Mike Lowry | .... | construction assistant: Bellerian sequences | |
| Ben Madumo | .... | stand-by props | |
| Ann Monn | .... | art director: Bellerian sequences | |
| Graeme Orwin | .... | property master | |
| David Robertson | .... | art department buyer | |
| Phil Ward | .... | construction assistant: Bellerian sequences | |
| Tiff Winton | .... | assistant set decorator: Bellerian sequences (as Tiffanie Winton) | |
| Jerry Witt | .... | construction assistant: Bellerian sequences | |
Sound Department | |||
| Brian Courcier | .... | sound editor | |
| Eric Ericson | .... | sound mixer: bellerian sequences | |
| Warren Grisham | .... | sound re-recording mixer | |
| Conrad Kuhne | .... | sound mixer (as Konrad Khune) | |
| Chris Marten | .... | boom operator | |
| Bill Oliver | .... | sound re-recording mixer | |
| Karen Perron | .... | boom operator: bellerian sequences | |
Special Effects by | |||
| Rick Cresswell | .... | special effects coordinator | |
| Alan Ford | .... | special effects assistant | |
| Mike Vander Walt | .... | powderman (as Mike van der Walt) | |
Visual Effects by | |||
| Margo Gerber | .... | assistant editor: visual effects | |
| C.K. Horness | .... | assistant editor: visual effects (as Cindy Horness) | |
| Cindy Kenlein | .... | assistant editor: visual effects | |
| Jerry Kitz | .... | compositing | |
| Jerry Kitz | .... | special optical effects | |
| Chris Dawson | .... | visual effects animation photography (uncredited) | |
Stunts | |||
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
| Scott J. Ateah | .... | stunts (as Scott Ateah) | |
| Roly Jansen | .... | stunt coordinator (as Roley Jansen) | |
| Roly Jansen | .... | stunts (as Roley Jansen) | |
Camera and Electrical Department | |||
| Mace Bacon | .... | key grip: bellerian sequences | |
| Peter Belcher | .... | second assistant camera | |
| Mike Bienstock | .... | second assistant camera: bellerian sequences | |
| Marc Brower | .... | second camera operator | |
| Edgar Browns | .... | dolly grip: bellerian sequences | |
| Kevin 'Rambo' Fitzgerald | .... | grip/electrician: bellerian sequences | |
| Kevin Gibb | .... | gaffer | |
| Andrew Hallbach | .... | grip/electrician: bellerian sequences | |
| Mike Lappins | .... | gaffer: bellerian sequences (as Mike Lapins) | |
| Graham McFarlane | .... | clapper loader | |
| Ishmail Moeng | .... | grip (as Ishmail) | |
| Peter Palmer | .... | focus puller | |
| Peter Palmér | .... | focus puller (as Peter Palmer) | |
| Meila Penn | .... | still photographer: bellerian sequences | |
| Rydo | .... | grip | |
| Gary D. Scott | .... | first assistant camera: bellerian sequences (as Gary Scott) | |
| Fuzzy Skinner | .... | best boy | |
| Tony Slotar | .... | key grip | |
| Anthony Smith | .... | grip/electrician: bellerian sequences | |
Costume and Wardrobe Department | |||
| Marcella Guymon | .... | seamstress: bellerian sequences | |
| Christian McCabe | .... | wardrobe assistant (as Christian Mcabe) | |
| Michele Minailo | .... | wardrobe: bellerian sequences | |
| Rose | .... | wardrobe assistant | |
Editorial Department | |||
| Kathy Nyburg | .... | assistant editor | |
Music Department | |||
| Steve Kempster | .... | score engineer | |
Transportation Department | |||
| Harry Knapp | .... | transportation captain | |
Other crew | |||
| Christoff Assefi | .... | production assistant: bellerian sequences | |
| Neal Borman | .... | location assistant | |
| Gary Copeland | .... | assistant to producer | |
| Kathy English | .... | production secretary | |
| Trevor Fish | .... | location manager | |
| Benita Fourie | .... | production receptionist | |
| Mary Ashe Gavin | .... | continuity: bellerian sequences | |
| Ken Hamano | .... | script supervisor: bellerian sequences | |
| Doupie MacFarlane | .... | production runner | |
| Ron Mull | .... | caterer | |
| Amy Powell | .... | production runner: bellerian sequences | |
| Paul S. Rowlston | .... | production assistant (as Paul Rowlston) | |
| Christofina Shange | .... | office assistant | |
| Maureen Turpin | .... | production accountant | |
| Isabel van NieKirk | .... | cashier (as Isabella Van Niekerk) | |
| Mark Warner | .... | caterer: bellerian sequences | |
| Beverley Wilbraham | .... | continuity (as Bev Wilbraham) | |
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I actually quite enjoyed this film. Well, I enjoyed laughing at Mike and the Robots comments on it anyhow. The film itself is just the worst kind of awful you can imagine.
For a start, the budget for any real effects was obviously non-existent, so they stole LOTS of shots from Battlestar Galactica. These scenes occur early on in the movie mostly, and lead you to think that (apart from the plagiarism)it might not be too terrible. Wrong! After the initial ten minutes the Galactica stock-footage is rarely seen again, but the inside of various industrial buildings is seen almost constantly. I was thinking "Ah, a late 70's, early 80's era film" where any old chemical or power plant interior would do as "futuristic" sets. Wrong again! This "movie" was made in 1988, not even twenty years ago! It's like the makers went through a time warp to the late 70's, made the film, then brought it back for our delight.
But the plagiarism, in another form, continues right through the movie. The sound effects of the lasers are ripped straight from Battlestar Galactica again, and also, later on, the sound of the lasers from Battle Beyond the Stars makes an appearance.
Then there is the acting. Or rather, the awful lack of it. Particularly bad is Chunk Benchpress (aka Reb Brown) who lumbers around the sets trying to look dashing and heroic, then spoils the image by screaming like his 'nads have been caught in a food processor. The love interest for Chunk is old enough to be his mother (or maybe even grandmother!) and bares altogether too much flesh for someone of her advancing years and plastic surgery.
The commander of the ship on which the mutiny takes place is Cameron Mitchell, an actor of some note. What the Hell he was thinking in being in this is anybody's guess. But, bad though his choice of movie is, it's nothing compared to the ridiculous Father Christmas beard he's made to wear. It looks sooooo real nobody will be able to tell its a fake. Not!
And finally, the main cast is rounded off by John Phillip Law, another actor who has some credit to his name (At least prior to this turkey). Obviously he yearned for his wacky Barbarella days again and signed up for this abomination. I could never decide here whether he was actually trying to act or just hamming everything up. Suffice to say his maniacal cackling at even the slightest provocation ceases to be funny after the tenth or twentieth time.
Other things to watch out for are the stupid golf carts done up to look like futuristic transportation. The cheap body shells wobble like they're only held on with tape and the "chase" scenes are just hysterical. It's like you've tuned into a re-run of The Banana Splits Show. Try humming "Tra-la-lah, La-la-la-lah!" as you watch and its even funnier.
I won't mention the plot, because there really isn't one to speak of. Just a flimsy premise that people who were actually born in space are more likely to yearn for a real planet to live on than those who came from a planet, which sounds counter-intuitive to me. Or in other words, just plain dumb.
Watch it as an MST3K episode and this one is great. Without their comments it might be rather too much to handle for any normal person. It thoroughly deserves its place in the bottom 100 of the IMDb. You have been warned!