| Photos (See all 10 | slideshow) |
| Pamela Springsteen | ... | Angela Johnson / Angela Baker | |
| Renée Estevez | ... | Molly Nagle | |
| Tony Higgins | ... | Sean Whitmore | |
| Valerie Hartman | ... | Ally Burgess | |
| Brian Patrick Clarke | ... | T.C. | |
| Walter Gotell | ... | Uncle John | |
| Susan Marie Snyder | ... | Mare | |
| Terry Hobbs | ... | Rob Darrinco | |
| Kendall Bean | ... | Demi | |
| Julie Murphy | ... | Lea | |
| Carol Chambers | ... | Brooke Shote | |
| Amy Fields | ... | Jodi Shote | |
| Benji Wilhoite | ... | Anthony | |
| Walter Franks III | ... | Judd | |
| Justin Nowell | ... | Charlie | |
| Heather Binion | ... | Phoebe | |
| Jason Ehrlich | ... | Emilio | |
| Carol Martin Vines | ... | Diane | |
| Tricia Grant | ... | Girl Sent Home | |
| Jill Jane Clements | ... | Woman in Truck |
Directed by | |||
| Michael A. Simpson | |||
Writing credits | ||
| Fritz Gordon | (written by) | |
| Robert Hiltzik | (based on an original idea by) | |
Produced by | |||
| Robert F. Phillips | .... | associate producer (as Bob Phillips) | |
| Jerry Silva | .... | producer | |
| Michael A. Simpson | .... | producer | |
| Stan Wakefield | .... | executive producer | |
Original Music by | |||
| James Oliverio | |||
Cinematography by | |||
| Bill Mills | (director of photography) | ||
Film Editing by | |||
| John David Allen | |||
Casting by | |||
| Shay Griffin | |||
Art Direction by | |||
| Frank Galline | |||
Makeup Department | |||
| Christina Cobb | .... | special makeup effects assistant | |
| Bill Johnson | .... | special makeup effects artist | |
| Maritza Rodriguez | .... | hair artist | |
| Maritza Rodriguez | .... | makeup artist | |
Production Management | |||
| Michael Hitchcock | .... | executive in charge of production | |
| James Oliverio | .... | post-production supervisor | |
| Robert F. Phillips | .... | production manager (as Bob Phillips) | |
Second Unit Director or Assistant Director | |||
| Patrick Graham | .... | second second assistant director | |
| Catherine Murphy | .... | second assistant director | |
| Jerry Pece | .... | first assistant director | |
Art Department | |||
| Ellen Goldwasser | .... | props assistant | |
| Shad Leach | .... | set designer | |
| Robert Tate Nichols | .... | sets assistant (as Tate Nichols) | |
Sound Department | |||
| Amy Carey | .... | dialogue editor | |
| Mary H. Ellis | .... | location sound mixer (as Mary Ellis) | |
| Bill Fibben | .... | boom operator | |
| Robert Gillespie | .... | sound effects editor | |
| Jim Langwell | .... | dubbing engineer | |
| Dave Wheeler | .... | rerecording engineer | |
Special Effects by | |||
| Dick Cross | .... | special effects rigging: Spectacular Effects International | |
Visual Effects by | |||
| Pat Kilpatrick | .... | title designer: Atlanta Film Effects | |
| Hal Pearson | .... | titles and opticals: Atlanta Film Effects | |
Stunts | |||
| Lonnie R. Smith Jr. | .... | stunt coordinator (as Lonnie Smith) | |
Camera and Electrical Department | |||
| Norman Andrews | .... | second assistant camera | |
| Jeff Becker | .... | best boy electric | |
| Jim Clark | .... | still photographer | |
| Suzanne Colley | .... | still photographer | |
| Dave Elliot | .... | electrician | |
| Eddie Evans | .... | best boy grip | |
| Scott W. Leftridge | .... | dolly grip (as Scott Leftridge) | |
| Bill Phillips | .... | swing man | |
| Robert F. Phillips | .... | additional camera operator (as Bob Phillips) | |
| Keith Sherer | .... | additional camera operator | |
| Keith Sherer | .... | gaffer | |
| Roger Sherer | .... | additional camera operator | |
| Roger Sherer | .... | key grip | |
| Dudley J. Voll | .... | first assistant camera (as Dudley Voll) | |
Casting Department | |||
| Deborah Drust | .... | extras casting | |
| Steve Silva | .... | additional casting consultant | |
Costume and Wardrobe Department | |||
| Laura Paris | .... | wardrobe supervisor | |
| Tracy Thornton | .... | wardrobe assistant | |
Editorial Department | |||
| Dana Middleton | .... | apprentice editor | |
| Pat Miller | .... | negative matcher | |
| Jim Schulte | .... | assistant editor | |
Music Department | |||
| Amy Carey | .... | music editor | |
| James Charles | .... | music recording engineer: OMI Studios, Atlanta | |
| Noreen Farrell | .... | assistant music coordinator (as Noreen Farrell-Herzog) | |
| Robert Gillespie | .... | music recording engineer: OMI Studios, Atlanta | |
Transportation Department | |||
| Russ Blackmon | .... | transportation | |
| Mark Jamieson | .... | driver | |
| Leslie Peterson | .... | driver | |
Other crew | |||
| Lance Alford | .... | security coordinator | |
| Russ Blackmon | .... | locations | |
| Carol Chambers | .... | assistant: Mr. Simpson | |
| Carol Chambers | .... | legs: second unit | |
| Suzanne Colley | .... | accounting assistant | |
| Alison Dean | .... | production secretary | |
| Richard Eisenberg | .... | insurance: Great Northern Brokerage Corp. | |
| Kathy England | .... | insurance: Great Northern Brokerage Corp. (as Kathleen England) | |
| Paul Jones | .... | accounting consultant | |
| Ken McBride | .... | medic | |
| Kristen McGary | .... | script supervisor (as Kris McGary) | |
| Rene Mitchell | .... | production assistant | |
| Aggi Pharo | .... | insurance: Johnson & Higgins | |
| Greg Poulos | .... | dialogue coach | |
| Danny Robinson | .... | production assistant | |
| Jerry Silva | .... | presenter | |
| Rosalie Silva | .... | rights consultant | |
| Barbara J. Simon | .... | assistant: Mr. Silva | |
| Ethlyn Spires | .... | caterer: Production Catering (as Ethelyn Spires) | |
| George Spires | .... | caterer: Production Catering | |
| Lonnie Ramati | .... | production business affairs (uncredited) | |
Thanks | |||
| Bill Anderson | .... | special thanks | |
| Curtis Beck | .... | special thanks: Enigma Records | |
| Tim Bennett | .... | special thanks | |
| Norman Bielowicz | .... | special thanks: director, Georgia Film and Videotape Office (as Norm Bielowicz) | |
| Hoyt Bilbo | .... | special thanks | |
| Linda Brenick | .... | special thanks | |
| John Capron | .... | special thanks | |
| Linda Frascino | .... | special thanks | |
| Donald Harden | .... | special thanks | |
| Jim Langwell | .... | special thanks: Lanco Sound | |
| Harold Marks | .... | special thanks | |
| Donna Smith | .... | special thanks | |
| Ed Spivia | .... | special thanks | |
| Floyd Statham | .... | special thanks | |
| Dave Straub | .... | special thanks | |
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| Sleepaway Camp III: Teenage Wasteland | The Professional: Golgo 13 | The Burning | Friday the 13th | Slaughter High |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Everybody's favorite transvestite serial killer is back with her tongue firmly placed in her cheek and a little something missing from between her legs. This time around, quirky Angela Baker (now being played by Pamela Springsteen) daringly returns to camp once again with a completely different persona; that of an overly blithesome camp counselor with good intentions for her naughty little campers. But her sinister past fails to stay buried as each one of the troublemaking kiddies begin to show their true colors and quickly secure a place on Angela's bad side.
Since the beginning of the slasher craze, the moral being sent out to teenagers wasn't something you'd consider subtle. Getting involved with drugs, alcohol and premarital sex wasn't just a sin in these movies, it was a first class ticket straight to hell by means of brutal slaughter. Failed attempts to instill values in these unlikable little drug-addled fornicating sinners (a.k.a. campers) leaves Angela with no choice but to follow this slasher trend and "weed out the bad". The ongoing mistake of most filmmakers, however, was allowing this sort of teen behavior to seem funny and hip instead of shunned. But in Unhappy Campers, we're given a much needed satirical take as we find ourselves rooting for the crazed killer instead of the victims, which is quite a welcomed departure.
As the campers quickly begin dropping like flies, Angela smoothly covers up her tracks by disguising all the disappearances as nothing more than kids who were sent home for unacceptable behavior. But good girl Molly (played by Renée Estevez) realizes that something isn't quite right. Even though she's the typical virginal sweetheart we're meant to root for, I was very much in favor of Angela's motive and couldn't care less if she murdered a few innocents along the way. That, my friends, is the power of Pamela Springsteen. She somehow manages to put a hold over her audience, allowing her to get away with anything and still be lovable. She made me feel free to point and laugh at the mangled corpses of these idiots and not feel guilty about it. Sure, that's an awful thing to do, but hey these kids really had it coming, especially when they're named after members of the 80's Brat Pack and sport mullets among other things.
Although the death sequences don't have much gore and weren't executed to their full potential (as a result of budget limits I'm sure), they still came off creatively funny and deliciously mean spirited. Using silly one-liners just before brutally disposing her victims, Angela makes sure to get her point across of how uncompromisingly stupid teenagers can be, leaving us laughing and anxiously anticipating her next move. Adding to the satire, there happens to be plenty of girls who love to flash their wobbly bits just about every two seconds for no apparent reason. With acting that could barely pass as decent, there are also plenty of horribly delivered lines of dialogue peppered throughout. Don't be surprised if you're brought to laughter by the unintentional humor more than anything. But as long as you're laughing, who really cares, right? While most horror movie sequels tend to be nothing more than boring and unneeded retreads, writer Fritz Gordon thankfully brought us into new territory with his cheesy yet utterly lovable sense of cruel humor. Although Unhappy Campers isn't exactly a masterpiece and doesn't quite compare to it's predecessor, it still works nonetheless as a fun little guilty pleasure for us die hard slasher fans. After all, the world is a better place with killer Angela on the loose, ain't it?