| Jonna Lee | ... | Pauleen Anderson | |
| Melinda Dillon | ... | Sharon Anderson | |
| John Pleshette | ... | Mel Erman | |
| Kris Kamm | ... | Cory Parker | |
| Ben Frank | ... | Lou Gates | |
| Dennis Howard | ... | Del Anderson | |
| Stephen Schnetzer | ... | Danny Calloway | |
| Richard Cox | ... | Brad Pullman | |
| Nadine Van der Velde | ... | Nora (as Nadine Van Der Velde) | |
| Randy Hamilton | ... | Vince | |
| Peppi Sanders | ... | Vicki | |
| Melissa Michaelsen | ... | Patricia | |
| Neil Billingsley | ... | Don | |
| Ana Auther | ... | Chrissie | |
| Mark Gluckman | ... | Roy | |
| Traci Davis | ... | Mary Lou | |
| Bob Sorenson | ... | Dave | |
| Richard Alexander | ... | Man #1 (as Dick Alexander) | |
| Diana Lamb | ... | Waitress (as Diana Baines) | |
| Tammy Bass | ... | Convention Girl | |
| Kenneth Bridges | ... | Detective | |
| Jody Carter | ... | Mary | |
| Cheli Ann Chew | ... | Woman #1 (as Cheli Ayn Chew) | |
| Douglas Cotner | ... | Doctor (as Doug Cotner) | |
| Crissy Cummings | ... | Annette | |
| Jo Ellen Geske | ... | Lady at Party | |
| Richard Glover | ... | Phil | |
| Lucky Hayes | ... | Susan | |
| Linda Rae Jurgens | ... | Woman Presenter | |
| Sheila Lane-Limon | ... | Carolyn | |
| Jeff Mabee | ... | Waiter | |
| Steven Mastroieni | ... | Maitre'D | |
| Burke Rhind | ... | Man #2 | |
| Sheila Paige Roth | ... | Maureen | |
| Carrie Schultz | ... | Lisa | |
| Stephen Yoakam | ... | Jerry |
Directed by | |||
| Sandor Stern | |||
Writing credits | ||
| Thanet Richard | (written by) and | |
| Sandor Stern | (written by) | |
Produced by | |||
| Mark Bacino | .... | associate producer | |
| Allen S. Epstein | .... | executive producer (as Allen Epstein) | |
| Jim Green | .... | executive producer | |
| Albert J. Salzer | .... | supervising producer | |
| Milton Sperling | .... | producer | |
Original Music by | |||
| Richard Bellis | |||
Cinematography by | |||
| Michael D. Margulies | (director of photography) | ||
Film Editing by | |||
| Robert F. Shugrue | |||
Casting by | |||
| Meryl O'Loughlin | |||
Production Design by | |||
| Kandy Stern | (as Kandy Berley Stern) | ||
Set Decoration by | |||
| Marcia Calosio | |||
Costume Design by | |||
| Katherine Dover | |||
Makeup Department | |||
| Julie Fehl | .... | hair supervisor | |
| Julie Fehl | .... | key makeup artist | |
Production Management | |||
| Albert J. Salzer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| J. Tom Archuleta | .... | second assistant director | |
| Daisy Gerber | .... | first assistant director | |
| Dennis H. Ranke | .... | second assistant director | |
Art Department | |||
| Roger Pancake | .... | property master | |
| Star Fields | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Richard I. Birnbaum | .... | production sound mixer | |
| Tom Ruff | .... | adr mixer (uncredited) | |
Casting Department | |||
| Darlene Wyatt | .... | casting: Phoenix | |
Costume and Wardrobe Department | |||
| Joyce Anne Gilstrap | .... | costume supervisor | |
| Merry Lowry-Donner | .... | costume supervisor (as Merry Lynn Lowry) | |
Music Department | |||
| John Beal | .... | orchestrator | |
| John Beal | .... | music supervisor (uncredited) | |
Other crew | |||
| Faye Brenner | .... | script supervisor | |
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| Dead Ringers | Porn 'n Chicken | Jo Jo Dancer, Your Life Is Calling | Amy Fisher: My Story | The Temptations |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
I remember quite clearly the flurry of Los Angeles news reports regarding the self-inflicted death of adult film actress Shauna Grant whose real name was Colleen Applegate. Oh yes, they made a BIG deal about "the pornography business" and how "degrading it is" and how "this always happens" to "those kind of people" when Shauna was found with a self inflicted gunshot wound and later died.
This TV picture is based 'somewhat' on Shauna's life, but what makes this quickly made TV semi-bio pic a head above others is that it never holds the Adult/Porno Film industry totally responsible, instead it showed how a young woman was seduced into the glitz and glamor of being in entertainment.
The one line which is so important is when the character in this film, Pauleen Anderson, goes into a Los Angeles restaurant with a man who wants to be her "manager" which he tells her is much more than her "agent" and tells her, "It doesn't matter what kind of films you make as long as they are profitable." That's the seduction, much more than the adult films and the drugs.
Here's another young, naive woman with a seemingly All-American Mid-West perfect family, falling into "the trap". This movie made you think it could be Shauna Grant, who was on everyone's minds at the time, or as the years pass and they still show this film, could be any young woman. She overindulged, she had no real friends, she lied to herself, she had talent, she wanted to succeed on her own, she did degrade herself, she really wasn't mature enough to make good decisions for herself and when she thought she could hide under another ANOTHER self, she found out it was still her. The older man she thought she could be with, left her (albeit because of prison) like all the other men in her life. And to top it off, he ended up not "trusting" her -- like all the other men in her life. This all added up to a tragic ending of...a life.
For its time, its subject matter and companion piece to all of us who were wondering about Shauna Grant's situation/life, "Shattered Innocence" is a very good effort for the indulgent 80's if you remember or know what the origin of the film was for. As years go by, it will take on a different view for all who watch.
Since Shauna's tragedy...there are still more of the same in a line of young women to follow such as -- Gia, Savannah, etc., etc. different entertainment industry avenues but basically the same old story. And we'll be seeing more TV/Feature Film/Cable stories about these ladies as well.
I guess the point is to watch these films and make sure its not our daughters, or daughters of those we know, that may eventually end up in one.