A man's best friend is killed on the streets of New York. The man (Robert Ginty) then transforms into a violent killer, turning New York into a great war zone and Christopher George is the only one to stop him.
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Maria Conchita Alonso,
Michael Joseph DeSare
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Lou Diamond Phillips,
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A drug dealer shoots a corrupt police officer. Though the drug dealer admits his guilt, he pleads self-defense. His lawyer, Roland Dalton, and renegade loner NYPD narcotics agent Richie Marks, pursue evidence in his favor. They encounter difficulties from other corrupt police officers, drug dealers, and various street scum. Dalton's life is further complicated by the fact that the prosecuting attorney is a former lover. Written by
Melissa Portell <firstname.lastname@example.org>
Don't you think it's a little early in the morning for heavy metal?
Gail, Gail, honey, sweetie, I love you, I'm gonna marry you, but you are making me feel very old. This is not heavy metal. This is Hendrix. Genius, maybe, but this is definitely not heavy metal.
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Gigantic action scenes go unevenly with the thriller story.
Behold! Another movie about crooked New York cops and the two unorthodox cop and lawyer that gives them the shakedown. The story was alright, but the action scenes were tremendous. In fact, they were too good for a movie that had a very solemn thriller aspect in addition to having trouble picking up the pace at points. Things will go slow and then bam! Some wild action scene occurs. This also makes the ending, ala True Lies, far too ridiculous to really enjoy. Perhaps, if the story was all about Sam Elliots character, the quiet and rugged cop who doesn't ask too many questions, it would seem fitting as an explosive cop shootout kind of movie. But the film is transplanted into the courtroom with subtlies of Peter Weller's character, a lawyer, who is defending the drug dealer accused of killing a cop who is part of a whole line of New York's finest shmoozing the city's notorious drug dealers.
This movie wasn't too bad, and probably enjoyable for those who like cheap, 80s cop thriller movies without too much regard to writing. If they'd have kept up with the action scenes, it'd made a fine action/suspense film. And, without all the action, it'd made a fine thriller. It just changes tempo too often is all.
4 of 8 people found this review helpful.
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