Rita Rizzoli is a narcotics police officer with a plethora of disguises. When a drug shipment is hijacked, the thieves don't know that the drug is unusually pure and packs of "Fatal Beauty"... See full summary »
A man's best friend is killed on the streets of New York. The man (Robert Ginty) then transforms into a violent killer, turning New York into a great war zone and Christopher George is the only one to stop him.
Jack Sloan is a very wealthy American business man working in Paris who falls in love with a beautiful model. After a seed of doubt is planted by an associate that she is probably after his... See full summary »
Santos attempts to lead a people's revolt in Colombia to overthrow the oppressive El Presidente. When his revolt fails and he is killed, his sister Christina goes to New York to find McBain... See full summary »
Maria Conchita Alonso,
Michael Joseph DeSare
Molly, the shy, romance-starved wife of an arrogant frontier sheriff, finds herself drawn to a prisoner in her husband's jail. This prisoner, a handsome young man named Johnny, plays on ... See full summary »
A drug dealer shoots a corrupt police officer. Though the drug dealer admits his guilt, he pleads self-defense. His lawyer, Roland Dalton, and renegade loner NYPD narcotics agent Richie Marks, pursue evidence in his favor. They encounter difficulties from other corrupt police officers, drug dealers, and various street scum. Dalton's life is further complicated by the fact that the prosecuting attorney is a former lover. Written by
Melissa Portell <firstname.lastname@example.org>
Don't you think it's a little early in the morning for heavy metal?
Gail, Gail, honey, sweetie, I love you, I'm gonna marry you, but you are making me feel very old. This is not heavy metal. This is Hendrix. Genius, maybe, but this is definitely not heavy metal.
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Completely contrived police corruption plot but Sam Elliott and Peter Weller do the best that could be expected under the circumstances. This almost seems like the roller coaster scene and the plane finale were thought up, and then connected somehow with the cartoon like script. Character development beyond Elliott and Weller is sketchy. The entire cops on the drug dealers payroll scenario is exploited way beyond what might make sense. The night shots on 42nd street are terrific, but you simply cannot take "Shakedown" seriously, and with each passing scene things deteriorate as believability flies out the window. The movie has some entertainment value, but do not expect much beyond stunt work and crashes. - MERK
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