Rita Rizzoli is a narcotics police officer with a plethora of disguises. When a drug shipment is hijacked, the thieves don't know that the drug is unusually pure and packs of "Fatal Beauty"... See full summary »
A man's best friend is killed on the streets of New York. The man (Robert Ginty) then transforms into a violent killer, turning New York into a great war zone and Christopher George is the only one to stop him.
Santos attempts to lead a people's revolt in Colombia to overthrow the oppressive El Presidente. When his revolt fails and he is killed, his sister Christina goes to New York to find McBain... See full summary »
Maria Conchita Alonso,
Michael Joseph DeSare
Jack Sloan is a very wealthy American business man working in Paris who falls in love with a beautiful model. After a seed of doubt is planted by an associate that she is probably after his... See full summary »
A drug dealer shoots a corrupt police officer. Though the drug dealer admits his guilt, he pleads self-defense. His lawyer, Roland Dalton, and a "blue jean cop", Richie Marks, pursue evidence in his favor. They encounter difficulties from other corrupt police officers, drug dealers, and various street scum. Dalton's life is further complicated by the fact that the prosecuting attorney is a former lover. Written by
Melissa Portell <email@example.com>
Was originally set to be distributed by De Laurentiis Entertainment Group before Universal acquired the film after DEG fell under bankruptcy. See more »
I met the love of my life... only I killed her dog before I got the chance to tell her. Man, she was everything I ever wanted. We met at Shakespeare in the park. Told her I was a lawyer. That line seemed to work for you. Rained like hell that day. I had an umbrella. We went back to her apartment. She went to the bathroom; I sat on the couch. She had this great big damned dog. Dog had a ball. I threw it. Dog brought it back. I threw it again... harder. I'll never forget the sound of that dog's ...
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Completely contrived police corruption plot but Sam Elliott and Peter Weller do the best that could be expected under the circumstances. This almost seems like the roller coaster scene and the plane finale were thought up, and then connected somehow with the cartoon like script. Character development beyond Elliott and Weller is sketchy. The entire cops on the drug dealers payroll scenario is exploited way beyond what might make sense. The night shots on 42nd street are terrific, but you simply cannot take "Shakedown" seriously, and with each passing scene things deteriorate as believability flies out the window. The movie has some entertainment value, but do not expect much beyond stunt work and crashes. - MERK
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