A man's best friend is killed on the streets of New York. The man (Robert Ginty) then transforms into a violent killer, turning New York into a great war zone and Christopher George is the only one to stop him.
Santos attempts to lead a people's revolt in Colombia to overthrow the oppressive El Presidente. When his revolt fails and he is killed, his sister Christina goes to New York to find McBain... See full summary »
Maria Conchita Alonso,
Michael Joseph DeSare
The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
An intergalactic fighting competition between champions of various worlds has traditionally been won by a species much larger and stronger than humans. Entering the contest, a human finds ... See full summary »
A drug dealer shoots a corrupt police officer. Though the drug dealer admits his guilt, he pleads self-defense. His lawyer, Roland Dalton, and renegade loner NYPD narcotics agent Richie Marks, pursue evidence in his favor. They encounter difficulties from other corrupt police officers, drug dealers, and various street scum. Dalton's life is further complicated by the fact that the prosecuting attorney is a former lover. Written by
Melissa Portell <firstname.lastname@example.org>
The films Stunt Coordinator, legend Alan Gibbs had planned a special roll-over car stunt for himself to do, but he got sick (of cancer) during the making of the film. The producers waited for the last minute to shoot the roll-over scene, IF he would got better but when Alan Gibbs suddenly died, Jack Gill , who had taken over as Stunt Coordinator, had to perform the stunt instead. See more »
Don't you think it's a little early in the morning for heavy metal?
Gail, Gail, honey, sweetie, I love you, I'm gonna marry you, but you are making me feel very old. This is not heavy metal. This is Hendrix. Genius, maybe, but this is definitely not heavy metal.
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Since its theatrical release, "Shakedown" has all but been forgotten by the public. Having just watched it again after more than twenty five years since I first saw it, I think I know why it has faded into obscurity. Don't get me wrong, it's not a terrible movie. For starters, it looks great, with expert cinematography and lighting despite being made with a somewhat conservative budget. And director James Glickenhaus, like in his other movies, definitely shows he can direct action - the action scenes in this movie are very well done.
But a closer look at the movie soon reveals some big flaws. While Sam Elliot shows his trademark weary charm and makes his character appealing, his co-star Peter Weller doesn't fare so well. Weller is kind of stiff, maybe because his character is eventually made to be not so likable despite being in a lead protagonist position. The screenplay (also by Glickenhaus) is also kind of a mess, with important characters disappearing for long periods of time, as well as the central story moving extremely slowly (or not at all) for equally long periods of time.
Is the movie worth seeing? In some circumstances, yes. If you actively seek it out and/or pay good money to see it, chances are you'll be disappointed. But if it crosses your path during a slow day for free, you'll probably find it helps pass the time in an acceptable manner.
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