5.9/10
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Shakedown (1988)

R | | Action, Crime, Drama | 6 May 1988 (USA)
A legal attorney and renegade cop team up to stop a corrupt cop.

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Cast

Cast overview, first billed only:
...
Michael Jones
...
Patrick O'Leary
George Loros ...
...
Officer Kelly (as Tom Waites)
...
...
Ruben
...
...
Gail Feinberger
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Sean Phillips (as John McGinley)
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Susan Cantrell
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Irma
Walter Flanagan ...
Prison Guard
...
Dean Howland
...
Big Leroy (as Judd Henry Baker)
...
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Storyline

A drug dealer shoots a corrupt police officer. Though the drug dealer admits his guilt, he pleads self-defense. His lawyer, Roland Dalton, and renegade loner NYPD narcotics agent Richie Marks, pursue evidence in his favor. They encounter difficulties from other corrupt police officers, drug dealers, and various street scum. Dalton's life is further complicated by the fact that the prosecuting attorney is a former lover. Written by Melissa Portell <mportell@s-cwis.unomaha.edu>

Plot Summary | Add Synopsis

Taglines:

When the bad guys have taken over... and the good guys are the worst of all... Whatever you do, don't call the cops. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 May 1988 (USA)  »

Also Known As:

Blue Jean Cop  »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$10,068,039 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(PAL) | (PAL)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A theater marquee shows Fatal Beauty (1987), which also co-starred Sam Elliott. See more »

Quotes

Richie Marks: No, actually it's fuck you asshole!
See more »

Connections

References China Girl (1987) See more »

Soundtracks

Looking For Love
Performed by Nikki Ryder
Produced by Jonathan Elias
Music and Lyrics by Jonathan Elias and John Waite
See more »

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User Reviews

 
The best cops that money can buy ............
1 August 2010 | by (United States) – See all my reviews

Completely contrived police corruption plot but Sam Elliott and Peter Weller do the best that could be expected under the circumstances. This almost seems like the roller coaster scene and the plane finale were thought up, and then connected somehow with the cartoon like script. Character development beyond Elliott and Weller is sketchy. The entire cops on the drug dealers payroll scenario is exploited way beyond what might make sense. The night shots on 42nd street are terrific, but you simply cannot take "Shakedown" seriously, and with each passing scene things deteriorate as believability flies out the window. The movie has some entertainment value, but do not expect much beyond stunt work and crashes. - MERK


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