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A Very Old Man with Enormous Wings (1988)
"Un señor muy viejo con unas alas enormes" (original title)

5.8
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Ratings: 5.8/10 from 89 users  
Reviews: 6 user | 1 critic

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Title: A Very Old Man with Enormous Wings (1988)

A Very Old Man with Enormous Wings (1988) on IMDb 5.8/10

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Photos

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Cast

Cast overview, first billed only:
Daisy Granados ...
Elisenda
Asdrúbal Meléndez ...
Pelayo
Luis Alberto Ramírez ...
Father Gonzaga
Adolfo Llauradó ...
Lucky O'Capitone
Márcia Barreto ...
The Spider Woman
Fernando Birri ...
A Very Old Man with Enormous Wings
Silvia Planas ...
Mrs. Eulalia
María Luisa Mayor ...
Myrurgia
Parmenia Silva ...
Pìa
Marabú ...
Talia
René Martinez ...
Usnavy
Rodrigo Utria ...
Anajan
José Miguel Lugo ...
Young Anajan
Adrián García ...
Young Anajan
Raúl Castellanos ...
Neighbor with Donkeys
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Storyline

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Genres:

Drama | Fantasy

Certificate:

Not Rated
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Details

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Release Date:

3 November 1990 (Japan)  »

Also Known As:

A Very Old Man with Enormous Wings  »

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Did You Know?

Soundtracks

Marcha del jucio final
Written by Fernando Birri and José María Vitier
Performed by José María Vitier and His Group
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User Reviews

 
a somewhat crass study of exploitation
13 January 2011 | by (United States) – See all my reviews

Luis Buñuel might have enjoyed this antic fantasy, adapted from a story by Gabriel García Márquez, about an ignorant couple who find the title character (played by director Fernando Birri) washed ashore like driftwood on their crab-infested beach. Is he a fallen angel or simply a freak of nature? No one can say (the old man himself is apparently mute), but after giving him a home in their chicken pen rumors begin to spread of a miraculous visitation, and the unfortunate 'angel' soon becomes both an object of worship and a target of ridicule, sometimes simultaneously. Before too long he's the star attraction in a frenzied carnival midway, competing against the so-called Spider Woman (with her absurd, 'explanatory' semi-porn performance art video) and other sideshow curiosities. The more emotional national characteristics of each country in the Italian-Cuban-Spanish co-production team combine to make it a fast, crude parable of innocence corrupted, blurring the line between religious ecstasy and show-biz hysteria.


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