Paul is a new kid in town with a robot named "BB". He befriends Samantha and the three of them have a lot of good times together. That is, until Samantha's abusive father throws her down ... See full summary »
A group of bikers, which includes some of the survivors from the original film, embark on a journey by bus to a biker race near the desert of the infamous incidents. However, because of a ... See full summary »
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a ... See full summary »
Dennis Allan is a scientist who visits Haiti on the strength of a rumour of a drug which renders the recipient totally paralyzed but conscious. The drug's effects often fool doctors, who declare the victims dead. Could this be the origin of the "zombie" legend? Alan embarks on a surprising and often surreal investigation of the turbulent social chaos that is Haiti during the revolution which ousted hated dictator "Baby Doc" Duvalier. Often a pawn in a greater game, Alan must decide what is science, what is superstition, and what is the unknown in a anarchistic society where police corruption and witch-doctory are commonplace. Written by
Murray Chapman <email@example.com>
The CD Soundtrack to this film is extremely rare, as it was pressed in limited quantities. Part of this was due to the film's poor release and the fact that the market was transitioning from LP to CD as a mass format, meaning that the number of copies is much smaller than an average soundtrack album run. See more »
The necklace Lucien puts on Dennis' neck before he got poisoned changes the positions between shots. However, in a lower position from back view, higher position from front view. See more »
[Peytraud is menacing Dr Alan with a blowtorch]
You've got a pretty face. The girls must like it. Do you like it, your pretty white face? I asked you a question.
...Yeah... I like it...
I like it too. I'll leave the face...
See more »
[Opening card] In the legends of voodoo the Serpent is a symbol of Earth. The Rainbow is a symbol of Heaven. Between the two, all creatures must live and die. But because he has a soul Man can be trapped in a terrible place Where death is only the beginning. See more »
"The Serpent and the Rainbow" is true horror, a deeply sinister tale just dripping with flavour and atmosphere. It's based on the non-fiction book by Wade Davis, and tells the story of anthropologist Dennis Alan (Bill Pullman) who travels to Haiti for the purpose of investigating what could be causing supposedly dead people to still be alive. He finds himself in a whole lot of trouble, what with his stubborn insistence on solving the mystery and poking his nose into places where other people don't want it. His chief antagonist is local policeman Dargent Peytraud (an effectively scary Zakes Mokae), a man who's not exactly subtle about his malevolent intentions. Fortunately, Dennis has some allies, in the form of crusading doctor Marielle DuChamp (gorgeous Cathy Tyson) and business owner Lucien Celine (Paul Winfield). There are some absolutely great horror moments in this very competently made chiller, and some very vivid characters. Dennis, unfortunately, is an intelligent but not terribly likable protagonist, and Pullman can't do much to make us want to root for him; it's the other actors & characters that really make this sing. Tyson is appealing and Winfield solid as always; Brent Jennings as Mozart, Conrad Roberts as Christophe, Michael Gough as Schoonbacher, Badja Djola as Gaston, Theresa Merritt as Simone, and Paul Guilfoyle as Andrew Cassedy are all fine, especially the engaging Jennings and the haunted Roberts who is able to mine his part for much pathos. Adding to the feel of the piece is its political subtext as the movie takes place during the reign of the notorious "Baby Doc" Duvalier. Makeup and visual effects are nicely done, and the movie has some good zombie action and highly surreal moments. It sizes up as one of the more interesting and entertaining films of Craven's career, projecting a strong sense of doom & gloom; it could have used some more humour, and the finale gets a bit silly, but overall, it's definitely worth a look. Seven out of 10.
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