| Photos (See all 36 | slideshow) |
Directed by | |||
| Richard Donner | |||
Writing credits(WGA) | ||
| Mitch Glazer | (written by) & | |
| Michael O'Donoghue | (written by) | |
| Charles Dickens | (novel "A Christmas Carol") (suggestion) | |
Produced by | |||
| Richard Donner | .... | producer | |
| Peter Frankfurt | .... | associate producer | |
| Raymond Hartwick | .... | co-producer (as Ray Hartwick) | |
| Jennie Lew Tugend | .... | associate producer | |
| Art Linson | .... | producer | |
| Stephen J. Roth | .... | executive producer (as Steve Roth) | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Michael Chapman | |||
Film Editing by | |||
| Fredric Steinkamp | |||
| William Steinkamp | |||
Casting by | |||
| David Rubin | |||
Production Design by | |||
| J. Michael Riva | |||
Art Direction by | |||
| Virginia L. Randolph | |||
Set Decoration by | |||
| Linda DeScenna | |||
Costume Design by | |||
| Wayne A. Finkelman | (as Wayne Finkelman) | ||
Makeup Department | |||
| Thomas R. Burman | .... | special makeup effects artist (as Tom Burman) | |
| Bari Dreiband-Burman | .... | supervising makeup artist | |
| Bob Grimaldi | .... | hair stylist: New York (as Robert Grimaldi) | |
| Edward Jackson | .... | makeup artist: New York | |
| Rolf John Keppler | .... | special makeup effects artist | |
| Robert Norin | .... | makeup artist | |
| Stephen Robinette | .... | hair stylist | |
| Marlene D. Williams | .... | hair stylist supervisor (as Marlene Williams) | |
Production Management | |||
| Raymond Hartwick | .... | unit production manager (as Ray Hartwick) | |
| Roger Paradiso | .... | unit production manager: New York | |
Second Unit Director or Assistant Director | |||
| Tommy Burns | .... | additional second second assistant director (as Thomas Burns) | |
| Donald J. Lee Jr. | .... | second second assistant director: New York | |
| Gaetano Lisi | .... | first assistant director: second unit, New York | |
| Richard Patrick | .... | additional second assistant director: New York | |
| Mic Rodgers | .... | second unit director | |
| Adele Simmons | .... | additional second second assistant director | |
| James W. Skotchdopole | .... | second assistant director | |
| Chris Soldo | .... | assistant director | |
| Gabriela Vázquez | .... | second second assistant director | |
| Michael Thau | .... | second unit director (uncredited) | |
Art Department | |||
| Jack E. Ackerman | .... | assistant property master | |
| Michael Bird | .... | property master: New York | |
| Paul J. Campanella | .... | production painter | |
| Ralph Cava | .... | scenic chargeperson: New York | |
| Anthony Feola | .... | labor foreperson (as Tony Feola) | |
| David L. Glazer | .... | assistant property master (as David Glazer) | |
| Alan Hicks | .... | set decorator: New York (as John Alan Hicks) | |
| Richard Leon | .... | property person | |
| Tom McCown | .... | property person | |
| Ric McElvin | .... | lead person | |
| Erik L. Nelson | .... | property master | |
| Lee Orlikoff | .... | property person | |
| Nancy Patton | .... | set designer | |
| Tony Piller | .... | property person | |
| Ken Scaife | .... | construction supervisor | |
| Robert Scaife | .... | construction coordinator (as Bob Scaife) | |
| Terry Scott | .... | construction foreperson | |
| Alex Scutti Jr. | .... | on-set plasterer (as Alex Scutti) | |
| Tom Southwell | .... | illustrator (as Thomas Southwell) | |
| Ron Strang | .... | scenic artist | |
| William James Teegarden | .... | set designer (as William Teegarden) | |
| Matt Thompson | .... | labor foreperson | |
| Ed Verreaux | .... | illustrator (as Edward S. Verreaux) | |
| John Villarino | .... | construction supervisor | |
| Mike Villarino | .... | construction foreperson (as Michael Villarino) | |
| Dianne Wager | .... | set designer | |
| Leslie Warren | .... | art department coordinator (as Leslie C. Warren) | |
| Tom Warren | .... | art director: New York (as Thomas Warren) | |
| Clyde Zimmerman | .... | paint foreperson | |
| Michael Denering | .... | scenic artist (uncredited) | |
Special Effects by | |||
| Albert Delgado | .... | special effects foreperson | |
| Steven C. Foster | .... | special effects (as Steven Foster) | |
| Allen Hall | .... | special effects coordinator (as Allen L. Hall) | |
| Gary L. Karas | .... | special effects | |
| Joe Montenegro | .... | special effects | |
| Bill Traynor | .... | special effects: New York (as William Traynor) | |
| Mike Menzel | .... | special effects technician (uncredited) | |
| Grant Reid | .... | location assistant: special effects (uncredited) | |
Visual Effects by | |||
| Eric Brevig | .... | visual effects supervisor | |
| C. Marie Davis | .... | visual effects editor (as Marie Davis) | |
| Jim Dixon | .... | network computer animation | |
| David Goldberg | .... | model shop supervisor (as Dave Goldberg) | |
| Jeff Matakovich | .... | optical supervisor | |
| Craig Newman | .... | effects production supervisor | |
| Michael Shea | .... | motion control photographer (as Mike Shea) | |
| James Valentine | .... | rotoscope supervisor | |
| Allen Blaisdell | .... | visual effects camera operator (uncredited) | |
| George Muhs | .... | visual effects (uncredited) | |
| Michelle Porter | .... | visual effects coordinator (uncredited) | |
| Kathleen Quaife-Hodge | .... | special effects animator (uncredited) | |
| Jody Rogers | .... | visual effects editor (uncredited) | |
| Michael Talarico | .... | motion control technician (uncredited) | |
Stunts | |||
| Gene Harrison | .... | stunts | |
| Larry Nicholas | .... | stunts | |
| Hugh Aodh O'Brien | .... | stunts (as Hugh A. O'Brien) | |
| Mic Rodgers | .... | stunt coordinator | |
| Mic Rodgers | .... | stunts | |
Casting Department | |||
| Lisa Beach | .... | casting assistant | |
| Franklyn Warren | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jennifer Butler | .... | costumer | |
| Philip Maldonado | .... | costumer | |
| Antonio Martínez | .... | costumer | |
| Jennifer L. Parsons | .... | costume supervisor (as Jennifer Parsons) | |
| Nava R. Sadan | .... | costumer | |
| Guy Tanno | .... | costumer: men, New York | |
| Rose Trimarco | .... | costumer: women, New York (as Rose Cuervo) | |
Editorial Department | |||
| Stuart Baird | .... | post-production consultant | |
| Debra Goldfield | .... | assistant editor | |
| Terry Haggar | .... | color timer | |
| Karl F. Steinkamp | .... | assistant film editor | |
| Michael T. Wilson | .... | assistant film editor | |
Music Department | |||
| David Anderle | .... | music supervisor | |
| Bob Badami | .... | music editor | |
| Steve Bartek | .... | orchestrator | |
| Tom Boyd | .... | musician: oboe soloist | |
| George Doering | .... | musician | |
| Robert Fernandez | .... | scoring mixer | |
| Jimmy Iovine | .... | music supervisor | |
| Steven Scott Smalley | .... | orchestrator | |
| Shirley Walker | .... | conductor | |
| Dan Goldwasser | .... | soundtrack producer (uncredited) | |
Transportation Department | |||
| Dan Anglin | .... | transportation coordinator | |
| Ron Hinsley | .... | transportation captain | |
| Harry J. Leavey | .... | transportation captain: New York (as Harry Leavey) | |
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| A Christmas Carol | Scrooge | Day of the Wacko | The Muppet Christmas Carol | Groundhog Day |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This is my favorite "adaptation" of A Christmas Carol. It's also my favorite Christmas movie. A lot of people say that Bill Murray's character of Frank Cross is unlikeable. Would you prefer a warm and fuzzy Scrooge for the first half? Then there are those who say that the end is sappy. The ending is what I like the most. And Murray's acting is much better than other Scrooges, who usually overact. Murray manages to be over-the-top with his cruelty while still making his acting believable. Cross is truly Scrooge-like, reveling in the death of an old woman caused by his commercial because it's free publicity. Another common comment is that Carol Kane steals the scene as the Ghost of Christmas Present. Not true. The chemistry between Murray and Kane ensures that they share the screen perfectly. This is a wonderful movie. I can't understand why anyone would say otherwise. Bobcat Goldthwait puts in a great performance as a disgruntled employee fired on Christmas Eve. The best part is the end. This movie has what has to be the happiest ending in the history of movies. He understands the meaning of Christmas, gets a new lease on life, gets the girl, the little boy talks, and everybody sings a song. Danny Elfman provides the score, doing a brilliant job as always. A beautiful movie all around. A+