Harper's autobiographical novel is almost out, his girlfriend Robin desires commitment, and he's best man at the wedding of Lance, a pro athlete. He goes to New York early (Robin will come ... See full summary »
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Craig and Smokey are two guys in Los Angeles hanging out on their porch on a Friday afternoon, smoking and drinking, looking for something to do. Encounters with neighbors and other friends... See full summary »
Madea returns in another comedy in which she gets sent to "the big house". Regardless of the circumstances, she gives her trademark advice and wisdom to her friends and family as they learn... See full summary »
Cheryl Pepsii Riley,
"We've Already Said Goodbye (Before We Said Hello)"
Music and Lyrics by Raymond Jones
String Arrangements by Claire Fisher
Performed by Pieces of Dream with Portia Griffin
James Lloyd - Piano
Curtis Harmon - Drums
Cedrick Napoleon - Bass Guitar Branford Marsalis - Tenor Saxophone Portia Griffin - Vocals
Produced by Raymond Jones
Zubaidah Music Inc. (ASCAP)
Branford Marsalis appears courtesy of CBS Records, Inc. See more »
I had not seen Spike Lee's School Daze in 13 years, the first weekend of its release. This movie has a very special meaning to African Americans like me who were college students in the 80s. The school setting acts as a microcosm of black life as a whole. The social issues it tackles are all too familiar to black life: light skin vs. dark skin, college kids vs. the surrounding economically disadvantage community, and the social responsibility of African Americans to Africans across the entire black diaspora among others.
Watching it in 1988 I thought the dance sequences were too long, but in 2001 I now see their worth. The DVD is visually beautiful, while being gritty in spots where it should thanks to the beautiful work of the great Ernest Dickerson. This was a huge leap for Spike as a director, coming from a $175,000 budget for She's Got To Have It to School Daze.
This film does a great job of giving us some of the inner workings of Black Greek letter organizations. It also shows what abuse people will go through to belong. I was actually living School Daze when I saw it in 1988, so I come from that perspective. It was thrilling to figuratively see myself on that screen in 1988.
If you are looking for Academy Award winning performances, then this isn't the film for you, although there are some really fine actors in the film. If you haven't ever lived this existence, it is really hard to appreciate School Daze. I have a great appreciation for Spike, the era, and the story Spike has written and brought to the screen.
Most folks don't get the ending "Wake Up" scene, but it absolutely belongs. The entire movie and most of Spike's works are wake up calls to America, but specifically to the black community.
21 of 22 people found this review helpful.
Was this review helpful to you?