| Ted Vernon | ... | Corbin | |
| Michael David Simms | ... | Curry (as Michael Simms) | |
| Richard Vidan | ... | Jack | |
| Kristina Sanborn | ... | Roxanne | |
| Victoria Christian | ... | Kellie | |
| David James Campbell | ... | Al (as David Campbell) | |
| B.J. Turner | ... | Bert | |
| Dax Vernon | ... | Dax the Dog | |
| Tony Santory | ... | Jakob Fowler | |
| Phil Zenderland | ... | Norman Fowler | |
| Mike Balog | ... | Benjamin Fowler | |
| Don Herbert | ... | Radio Newscast (voice) | |
| Howard E. Haller | ... | Helicopter Pilot / Base (voice) | |
| Bambi Darro | ... | Kellie (voice) (as Dyanne DiRosario) |
Directed by | |||
| William Wesley | |||
Writing credits | ||
| William Wesley | (story) | |
| Richard Jefferies | (screenplay) and | |
| William Wesley | (screenplay) | |
| Larry Stamper | (additional dialogue) & | |
| Marcus Crowder | (additional dialogue) & | |
| Stephen Gerard | (additional dialogue) | |
Produced by | |||
| Ted Vernon | .... | executive producer | |
| William Wesley | .... | producer | |
| Cami Winikoff | .... | producer | |
Original Music by | |||
| Terry Plumeri | |||
Cinematography by | |||
| Peter Deming | |||
Film Editing by | |||
| William Wesley | |||
Production Design by | |||
| Gary Roberts | |||
Art Direction by | |||
| Clifford Guest | |||
Costume Design by | |||
| Beverly Parks | |||
Makeup Department | |||
| Norman Cabrera | .... | special makeup effects artist | |
| Laura Krewatch | .... | hair stylist | |
| Laura Krewatch | .... | makeup artist | |
| Mimi Palazon | .... | special makeup effects assistant (as Maria Palazon) | |
| Brian Voight | .... | special makeup effects assistant | |
Production Management | |||
| Joseph H. Earle | .... | post-production supervisor | |
| Frederic Shore | .... | executive in charge of production (as Fredric Shore) | |
| Barry H. Waldman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Elizabeth Marsh | .... | second assistant director | |
| Barry H. Waldman | .... | assistant director | |
Art Department | |||
| Tony Bondanella | .... | set dresser | |
| Nicklas Farrantello | .... | property master (as Nick Farrantello) | |
| Neil Felder | .... | assistant art director | |
| Mayo Sanchez | .... | assistant property master | |
Sound Department | |||
| Denis Dutton | .... | sound editor (as Dennis Dutton) | |
| Jeff Gall | .... | dialogue editor | |
| Robert Glenn | .... | sound editor | |
| Paul Heslin | .... | sound editor | |
| John Post | .... | supervising sound editor | |
| Gregory Roble | .... | boom operator | |
| Mark A. Rozett | .... | sound re-recording mixer (as Mark Rozett) | |
| William Shaffer | .... | sound mixer (as Bill Shaffer) | |
| Clark Will | .... | dialogue mixer: re-recording | |
| Hiroaki 'Zom' Yamamoto | .... | sound re-recording mixer | |
| Cathy McKelvey | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| J.B. Jones | .... | special effects | |
Stunts | |||
| Liz Marsh | .... | stunts | |
Camera and Electrical Department | |||
| Jorge Ballestros | .... | grip | |
| David Browner | .... | first assistant camera | |
| Carlos Cabrera | .... | grip | |
| Louis DePriest | .... | gaffer | |
| Troy Enriquez | .... | key grip | |
| David L. Gordon | .... | second assistant camera | |
| Ron Halpern | .... | assistant camera: second unit | |
| Tom Jewett | .... | photographer: second unit (as Thomas Jewett) | |
| Mark Karen | .... | first assistant camera | |
| Ernie Marc | .... | second assistant camera | |
| Eric Moss | .... | best boy | |
| Rick Rico | .... | best boy | |
| Monika Sula | .... | still photographer | |
| Ray Volmer | .... | grip | |
Costume and Wardrobe Department | |||
| Juliet Provo | .... | costume supervisor | |
Editorial Department | |||
| Allen Cappuccilli | .... | assistant editor | |
| Jeff Chaves | .... | colorist (digital color correction) | |
| Raúl Dávalos | .... | associate editor (as Raul Davalos) | |
| Kim Kralj | .... | assistant editor | |
| Gina Mittelman | .... | assistant editor | |
| Linda Symcox | .... | assistant editor | |
| A. Lori Tucci | .... | assistant editor (as Lori Tucci) | |
Music Department | |||
| Frank McKelvey | .... | music editor | |
| Terry Plumeri | .... | conductor | |
| Terry Plumeri | .... | orchestrator | |
Other crew | |||
| Mike Balog | .... | caterer | |
| Nora Coleman | .... | production secretary | |
| Elvis Cruz | .... | production assistant | |
| Cheryl Fox | .... | script supervisor | |
| Nuria Guardada | .... | production assistant | |
| Chris Houghton | .... | production assistant | |
| Charlotte Kehoe | .... | production coordinator | |
| Joel Lackey | .... | advisor: night vision | |
| Karen Lamont | .... | caterer | |
| Beth Marsh | .... | craft service | |
| Michael Richartz | .... | production assistant | |
| Edward Schilowitz | .... | production assistant | |
Thanks | |||
| Ron Abraham | .... | special thanks | |
| Juan Arocha | .... | the producers wish to thank | |
| Dorothy Bergmann | .... | special thanks | |
| John Ferrara | .... | the producers wish to thank | |
| George Fredlund | .... | the producers wish to thank | |
| Linda Lenzen | .... | the producers wish to thank | |
| W.A. McCormick | .... | special thanks | |
| Ray McRae | .... | the producers wish to thank | |
| Burt Moss | .... | special thanks | |
| Alan D. Peller | .... | special thanks | |
| Scott Pender | .... | the producers wish to thank | |
| Albert Shore | .... | special thanks | |
| Lynn Shore | .... | special thanks | |
| Don Solomon | .... | special thanks | |
| Danny Vazquez | .... | the producers wish to thank | |
| Ben Winikoff | .... | special thanks | |
| Harold Winikoff | .... | special thanks | |
| Jean Winikoff | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
'Scarecrows' is one of those little known horror films you read about in message boards and on sites reviewing the obscurest movies in the genre. It also has one of those artworks that really catches your eye and keeps bugging you until you finally see it for yourself. It's developed a cult following over the last 20 years and has since been released on a remastered DVD. It's also one of those films available in R and Un-rated versions, the latter said to have a lot more gore. But is it really all that good? Does it deserve the attention it's been getting? Well, to a certain degree yes, but after seeing it I feel it is a tad overrated.
Pros: A subtle, eerie score. The lack of light really helps give the movie a spooky atmosphere. The performances are adequate. Starts slow, but the pace picks up and moves fine. A good job on the look of the scarecrows, who make some other 80s movie monsters look like pansies. The people behind this film do a pretty good job of keeping things, like the kills for instance, unpredictable. Some chilling moments.
Cons: We don't really get to know the characters well enough to care about them. In the first half some scenes are very hard to make out. No explanation, or even speculation, whatsoever on how the scarecrows come to life or why. The actress playing Kelly gives new meaning to the word overacting. Not exactly an original idea.
Final thoughts: I really do like this movie, it's just that it's not nearly as amazing as a lot of people make it sound. Casual moviegoers and ones looking for something more action packed will be bored, but if you're someone who likes something with a slow build up, a simple story, real chills, and a feeling of doom then this may be for you.
My rating: 3/5