When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug ... See full summary »
A collection of characters threaten to cross paths, unknowingly, during a night in the big city. The film focuses on two hit men (Reynolds and Forsythe) who are bound to collide with Cates,... See full summary »
Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things ... See full summary »
When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug dealers. She gets rescued by vice cop Church who is accused of staging the aborted bust. Ex-ballplayer turned drug dealer Roger is in tight with corrupt vice cops and their superiors And the fireworks start popping. Written by
Richard Jones <firstname.lastname@example.org>
The film was originally planned to have a large Christmas opening in theaters, but Kings Road decided to do more editing after disastrous first studio screening. This caused the film to miss its release date. See more »
Here's a film I reckon, was judged quite unfairly, if harshly. Although it's no hit, it's still a lot of fun, with danger at many a turn, and a worthwhile view. What makes the film work is the bonding and excellent casting of Minelli and Reynolds. Starting out very much like Code Of Silence, one of the producers attached to that, worked on this one. We have a drug buy, gone to s..t and a very p..sed off Captain who pushes Burt's buttons, not a good thing to do. A psychotic (Remar) highjacks the shipment, Minelli a hooker with heart, witness to Remar's features. She was with a sicko client in the next room, of this ritzy hotel when this mayhem went down, resulting in a score of Burt's men being taken down. Now Burt's demoted, working as a rent a cop, his new job has him undercover in Santa Claus guise. With a few attempts made on Minelli's life, running scared, she implores Burt's services, which at first, he's so very much reluctant, zero tolerance I'm talking, as she is a stroke of bad luck for him as far as his career prospects go. With the story that moves unhurriedly along, the building of the relationship, between our leads, I really liked. Minelli provides a lot of laughs, where things even turn romantic, something that had to happen I guess. Minelli's larger than life character sold the film, where Burt is just Burt here. He's done far better work. There are moments you think, he really doesn't care. Australia's own John Stanton (Bellamy) makes an appearance, as a bad guy, and it was good to see him in this, his second overseas flick, after that so called dud Taipan. It's good to see Bernie Casey re team with Burt after Sharky's Machine. On the surface, Rent a Cop appears pretty weak and washy, and this is cause of Burt and Liza's antics, stuffing about, straying away the business of the story, but it has a good moments of action, well executed in a not a half bad flick. You get laughs, like you don't expect, and it's quite the adventure with our two, where we owe most of our thanks to the wonderful Liza. For Burt fans especially, and others who don't enjoy a not so bad action flick. Love the instrumental theme song.
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