Red Nights (Video 1988) Poster

(1988 Video)

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Late 80' direct-to-video film noir
lazarillo17 December 2007
This direct-to-video effort from the late 80's/early 90's is movie kind of like "Mortal Passions", a low-budget and vaguely sexy movie that is doomed to be lost among a glut of "erotic thrillers" that flooded the low-end video market about that time. Like that movie though it is a slightly different animal, definitely low-budget but longer on plot with interests beyond the purely prurient. It could kind of be seen as a late 80's version of a film noir with a downbeat, fatalistic atmosphere, but set in La-la Land during the 80's yuppie cocaine craze.

A young man (Christopher Parker) has come to LA from the Midwest to see a friend and try to get into acting. His acting dreams, of course, don't pan out though, and he finds his friend strung-out on cocaine and in debt to an obnoxious cocaine dealer named "Bruce". He briefly falls in love with an equally struggling, semi-porno actress, but their relationship quickly goes south because, among other things, she has to stop during sex to take phone calls from her agent. His only real friend is a local bartender played by 70's exploitation tough guy, William Smith. Eventually tragedy occurs and he turns into a "Taxi Driver" vigilante type.

Christopher Parker won't remind anybody of Robert DeNiro, nor will the rest of the cast. Smith is good, but he has a pretty small role. The girlfriend "Betty" has a nice body, but it's pretty unclear whether the character herself is a bad actress or the actress playing her is. The sleazy coke dealer is pretty realistic and convincing though. Like most "erotic thrillers" this has plenty of nudity in it, including a gratuitous strip-club scene, but it's real raison d'etre seems to be as a scathing criticism of cold and heartless Hollywood and all the innocent dreams that get broken there. It is fairly realistic I guess (except I seriously doubt someone would accidentally walk into an audition for MALE porno actors, like the protagonist does here). Good luck finding this, but see if you get a chance.
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1/10
A LOW PERFORMANCE ON A LOW BUDGET.
rsoonsa29 March 2004
Twenty-two year Randy Douglas (Christopher Parker) travels from New Hampshire to Hollywood to attain cinema stardom, and is met in the film capital by an old New England friend, David, who promptly introduces the artless youth to local night life, with which Randy seems only too eager to participate, although quickly becoming aware that fame as a movie star will be very difficult to achieve. This is, of course, a general theme utilized in countless motion pictures, but this production does not begin to satisfy fundamental requirements of continuity, instead developing into an exploitation affair, with virtually all shooting being done on and about Hollywood Boulevard as Randy is exposed to caricatures of Hollywood's common types, all depicted with jaundice in a work that lacks character development and motivation. The point that is apparently to be made is one offering irony, but the film is poorly scripted and directed with a result that insufficient sympathy or even interest is warranted for any of the characters, whose behaviour lack rationale and at times is ridiculous, as during a scene wherein police personnel engaged by a barricaded suspect situation allow untrained civilians to become directly involved. Scoring is provided in cookie cutter fashion by Tangerine Dream and the acting is, taken all in all, uninspired, although Tom Badal creates his part well as a narcotics dealer with whom Randy unwillingly becomes entangled; good work, also, is apparent from many of the crew in spite of a skimpy budget, but overmuch emphasis upon sleaze clearly lowers the worth of the picture.
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Hollywood cliches -Grade Z division
lor_30 April 2023
Warning: Spoilers
My review was written in June 1988 after watching the movie on TWE video cassette.

"Red Nights" is a rather tame entry in the Hollywood expose genre, chronicling the disillusionment and tragedy of a would-be movie actor struggling in tinseltown. Pic hasd predictably gone the direct-to-video route.

Innocent-looking Christopher Parker portrays Randy, a kid from New Hampshire who once had a role in a locally lensed tv movie, who arrives in Hollywood with hopes of a career in Westerns. His best buddy David (Brian Matthews) already has fallen into the drug scene, with evil Bruce (Tom Badal) putting the screws on him to push the stuff.

Randy falls in love with a cute blonde, Betty (Patti Bauer) whom he meets at a party, but is crushed when he finds out this aspiring actress makes ends meet by acting in porno films, produced by of all people Jac Carte, the comic cast here as a sleazeball.

Hero's downward spiral accelerates as he doesn't show up for work at a novelty shop run by William Smith, quits his acting workshop and holes up in his shabby apartment. Climax occurs as he goes after Bruce for deadly revenge after the drug kingpin has David killed; unnecessary flashback structure tells the whole story from the point at which Randy is under siege by the police.

Filmmaker Izhak Hanooka gets convincing performances but his story is one long cliche, shedding no new light on the tawdry image of the film capital. Final irony of a reporter asking Randy: "I hear you're an actor?" as the police hustle him to the hoosegow -cut to a closeup of Randy on the tv screen newscast, featured at last, is cornball.

Parker and Matthews are effective, with Badal as the heavy with a weird laugh adding an unusual wrinkle to the proceedings. Tangerine Dream's trademark pulsating score punches up the action.
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