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Directed by | |||
| Barry Levinson | |||
Writing credits(WGA) | ||
| Barry Morrow | (story) | |
| Ronald Bass | (screenplay) and | |
| Barry Morrow | (screenplay) | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Stu Linder | |||
Casting by | |||
| Louis DiGiaimo | |||
Production Design by | |||
| Ida Random | |||
Art Direction by | |||
| William A. Elliott | |||
Set Decoration by | |||
| Linda DeScenna | |||
Costume Design by | |||
| Bernie Pollack | |||
Makeup Department | |||
| Edwin Butterworth | .... | makeup artist (as Ed Butterworth) | |
| Rick Sharp | .... | key makeup artist | |
| Joy Zapata | .... | hair stylist | |
Production Management | |||
| Gerald R. Molen | .... | unit production manager | |
Art Department | |||
| Edward Aiona | .... | property master (as Edward A. Aiona) | |
| James Hegedus | .... | production illustrator | |
| Tom McCown | .... | set dresser | |
| Ric McElvin | .... | leadman | |
| James F. Orendorff | .... | construction foreman (as Jamie Orendorff) | |
| George Stokes | .... | construction coordinator | |
| John Alvin | .... | poster artist (uncredited) | |
| Nancy Gilmore | .... | set dresser (uncredited) | |
| Ron Yates | .... | set designer (uncredited) | |
Sound Department | |||
| Richard Beggs | .... | sound designer | |
| Richard Bryce Goodman | .... | sound mixer | |
| Craig Harris | .... | special sound processor | |
| Pieter Hubbard | .... | sound editor (as Pieter S. Hubbard) | |
| David J. Hudson | .... | sound re-recording mixer (as David Hudson) | |
| Bruce Lacey | .... | sound editor | |
| John A. Larsen | .... | sound editor | |
| Jimmy Ling | .... | sound editor | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Sarah Monat | .... | foley effects | |
| Bill Phillips | .... | supervising sound editor | |
| John Phillips | .... | sound editor | |
| Terry Porter | .... | sound re-recording mixer | |
| Hal Sanders | .... | sound editor | |
| Edward M. Steidele | .... | foley effects (as Edward Steidele) | |
| Marian Wilde | .... | assistant sound designer | |
| Jeffrey Wilhoit | .... | sound editor (as Jeff Wilhoit) | |
| Carl Fischer | .... | boom operator (uncredited) | |
| Jay Wilkinson | .... | sound editor (uncredited) | |
Special Effects by | |||
| Donald Myers | .... | special effects supervisor (as Don Myers) | |
Visual Effects by | |||
| Mark Sullivan | .... | matte painter | |
Stunts | |||
| Frank Abel | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Brian W. Armstrong | .... | first assistant cameraman (as Brian Armstrong) | |
| David Canestro | .... | best boy (as David M. Canestro) | |
| John J. Ellingwood | .... | second assistant cameraman (as Jack Ellingwood) | |
| Norman Harris | .... | lighting technician (as Norm Harris) | |
| M. Todd Henry | .... | camera operator | |
| David Katz | .... | video playback | |
| Ron Kenyon | .... | best boy | |
| Robin P. Knight | .... | key grip (as Robin Knight) | |
| Nicholas S. McLean | .... | second assistant cameraman | |
| Howard Rose | .... | first assistant cameraman | |
| Stephen Vaughan | .... | still photographer | |
| Kenneth Zunder | .... | camera operator | |
| Robert McCarthy | .... | rigging gaffer (uncredited) | |
| Randy Nolen | .... | panaglide operator (uncredited) | |
| Peter Van Eynde | .... | dolly grip (uncredited) | |
Casting Department | |||
| Marie Rowe | .... | additional casting | |
Costume and Wardrobe Department | |||
| Sue Moore | .... | costumer | |
| James W. Tyson | .... | costumer (as James Tyson) | |
| Marie Boller | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Blair Daily | .... | assistant editor | |
| Rhody Davis | .... | post-production coordinator | |
| Thomas R. Moore | .... | additional editor | |
| Dale E. Grahn | .... | color timer (uncredited) | |
Music Department | |||
| Al Clay | .... | music recordist | |
| James Flamberg | .... | music editor | |
| Allan Mason | .... | music supervisor | |
| Jay Rifkin | .... | music recordist | |
Transportation Department | |||
| Bill Gray | .... | transportation coordinator | |
| Bob Johnson | .... | picture car coordinator (as Bob Johnson Sr.) | |
| Steven R. Molen | .... | transportation captain (as Steven Molen) | |
| Tim Abbatoye | .... | second transportation captain (uncredited) | |
| Maxwell R. Johnson II | .... | transportation captain (uncredited) | |
| Roger Wooge | .... | transportation (uncredited) | |
Thanks | |||
| Ted Bafaloukos | .... | special thanks | |
| Roger Birnbaum | .... | special thanks | |
| Ken Friedman | .... | special thanks | |
| Kim Peek | .... | special thanks | |
| Peggy Siegal | .... | special thanks | |
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| My Own Private Idaho | Big Fish | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | Midnight Run | My One and Only |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
Tom Cruise stars as a used car salesman, who is angry when his father's inheritance is left to his older autistic brother (Dustin Hoffman), whose existence had not been revealed to him.
The film is built around its two assured central performances. Hoffman gives an excellent portrayal of a man with autism, totally unable to comprehend the real world around him. Cruise is no less impressive. While he is essentially playing to type, his character's attitude changes so gradually throughout the film that you barely notice, and without Cruise's subtle performance this transformation would be much less credible.
This is a highly commendable film, which, despite tackling a tricky subject, refuses to succumb to sentimentality. In giving autism such publicity, the film has hopefully helped to lessen the stigma brought on by ignorance of this condition.
Rain Man's great success is that it shows the way forward for issue driven movies in Hollywood. Its success at the box office demonstrates that taking a risk can pay off in spades, provided that the film is good enough.