Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1948 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",... Written by
Christopher Howell (Ckhowell75360@aol.com)
Warner Brothers had, at one point, the opportunity to make both "Rain Man" and Forrest Gump (1994) but ended up with neither because of concerns they were too similar. Peter Guber and Jon Peters' production company, which had picked up the script for "Rain Man", had a first look deal with the studio. However, Roger Birnbaum, an executive with the production company, felt that because Warner Brothers was also developing "Forrest Gump", they would likely let "Rain Man" die if they were to pick it up, because of the script's perceived similarity. So, reportedly, he purposely gave a weak pitch to the studio in the hopes that they would reject it and allow it to be pitched to another studio. This did in fact occur and United Artists ended up making the film. After the movie's enormous success, Warner Brothers decided to pass on "Forrest Gump" because they felt that audiences would be unlikely to go to a movie with such a similar theme as "Rain Man". "Forrest Gump," which most people would consider to be an entirely different type of film than "Rain Man", ended up being made by Paramount and became one of the most successful movies of all time, grossing almost $330,000,000 in U.S. theaters. See more »
From the time they left the farmhouse in western Oklahoma, they supposedly passed some country with mountains in the background (west) between there and Amarillo, Texas. There are no mountains in that part of western Oklahoma (though some small ones exist farther south near Lawton and Altus) - and the nearest "mountain" on that route would be Tucumcari Mountain. See more »
Now it's five and a half weeks and I'm still sitting on four Lamborghinis that can't meet spot emissions standards. Now, how many times you wash out with EPA?
[on a separate line]
Uh, yes sir, they're finally, uh, clearing EPA; uh, just one or two more days.
Three times? You're really on a roll here, my friend; four cars, three times each - that's zip for twelve. What are you, a... mechanic, or a NASA engineer? Now listen, now, I told you I've never dealt with these ...
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Throughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits. See more »
I was thinking of the way different movies seem to be good. Some have lots of action, others a bunch of special-effects. But then it strikes you, that what represents real depth, real quality is when a movie can be good without those features. When it's the dialogue, the story and the acting that strikes you. This film has really only two characters, all others play only minor roles (Cruise's girlfriend has some importance though). Two characters basically, and one dialogue - that's all you need when you've got a script as good as this, and two such great actors. Only that is brilliant. But this film also has such fine, very true episodes, small stories in the larger film. One example is when Ray watches court TV with the working class woman and her many children out in the countryside...it's such a fine picture, just outstanding. ALL IN ALL A GREAT FILM!
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