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Rain Man (1988)

R | | Drama | 16 December 1988 (USA)
Selfish yuppie Charlie Babbitt's father left a fortune to his savant brother Raymond and a pittance to Charlie; they travel cross-country.

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(story), (screenplay) | 1 more credit »
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Won 4 Oscars. Another 22 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dr. Bruner (as Jerry Molen)
Jack Murdock ...
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Dolan Dougherty ...
Marshall Dougherty ...
Patrick Dougherty ...
John-Michael Dougherty ...
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Storyline

Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1949 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",... Written by Christopher Howell (Ckhowell75360@aol.com)

Plot Summary | Plot Synopsis

Taglines:

A journey through understanding and fellowship.

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

16 December 1988 (USA)  »

Also Known As:

Человек дождя  »

Box Office

Budget:

$25,000,000 (estimated)

Gross:

$172,825,435 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Dustin Hoffman insisted that Raymond Babbitt should be an autistic savant, instead of being mentally disabled. His insistence was largely responsible for director Martin Brest quitting the project. See more »

Goofs

When Raymond is hears the strange noise in Charlie's room, we see bright daylight through the curtains in both rooms. Upon being brought back to his room shortly after, Rainman remarks that it is several minutes before 11pm (bedtime). When Charlie turns off the lights for Raymond to go to sleep, the room is totally dark. See more »

Quotes

[first lines]
Charlie: [on telephone] Now it's five and a half weeks and I'm still sitting on four Lamborghinis that can't meet spot emissions standards. Now, how many times you wash out with EPA?
Lenny: [on a separate line] Uh, yes sir, they're finally, uh, clearing EPA; uh, just one or two more days.
Charlie: Three times? You're really on a roll here, my friend; four cars, three times each - that's zip for twelve. What are you, a... mechanic, or a NASA engineer? Now listen, now, I told you I've never dealt with these ...
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Crazy Credits

Throughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits. See more »

Connections

Referenced in 30 Rock: College (2010) See more »

Soundtracks

Beyond the Blue Horizon
(1930)
Music by Richard A. Whiting and W. Franke Harling
Lyrics by Leo Robin
Performed by Lou Christie
Courtesy of Three Brothers Records, A Division of Creed Taylor, Inc.
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Frequently Asked Questions

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User Reviews

 
brilliant when you think about it
6 June 2004 | by (Sweden) – See all my reviews

I was thinking of the way different movies seem to be good. Some have lots of action, others a bunch of special-effects. But then it strikes you, that what represents real depth, real quality is when a movie can be good without those features. When it's the dialogue, the story and the acting that strikes you. This film has really only two characters, all others play only minor roles (Cruise's girlfriend has some importance though). Two characters basically, and one dialogue - that's all you need when you've got a script as good as this, and two such great actors. Only that is brilliant. But this film also has such fine, very true episodes, small stories in the larger film. One example is when Ray watches court TV with the working class woman and her many children out in the countryside...it's such a fine picture, just outstanding. ALL IN ALL A GREAT FILM!


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