A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1948 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",... Written by
Christopher Howell (Ckhowell75360@aol.com)
Steven Spielberg considered directing. He began making notes in order to prepare for the project. The reason he backed out is because his friend George Lucas needed him to start work on Indiana Jones and the Last Crusade (1989). So Spielberg left the project and gave his notes to Barry Levinson. Sydney Pollack was the next director to work on the film. He ditched an action sequence in which Charlie saves Raymond from some thugs but he wasn't keen on the idea of a road movie. See more »
Throughout the movie, several cars are seen tailgating the Buick trying to get into the shot, and their positions vary from scene to scene. See more »
Now it's five and a half weeks and I'm still sitting on four Lamborghinis that can't meet spot emissions standards. Now, how many times you wash out with EPA?
[on a separate line]
Uh, yes sir, they're finally, uh, clearing EPA; uh, just one or two more days.
Three times? You're really on a roll here, my friend; four cars, three times each - that's zip for twelve. What are you, a... mechanic, or a NASA engineer? Now listen, now, I told you I've never dealt with these ...
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Throughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits. See more »
I was thinking of the way different movies seem to be good. Some have lots of action, others a bunch of special-effects. But then it strikes you, that what represents real depth, real quality is when a movie can be good without those features. When it's the dialogue, the story and the acting that strikes you. This film has really only two characters, all others play only minor roles (Cruise's girlfriend has some importance though). Two characters basically, and one dialogue - that's all you need when you've got a script as good as this, and two such great actors. Only that is brilliant. But this film also has such fine, very true episodes, small stories in the larger film. One example is when Ray watches court TV with the working class woman and her many children out in the countryside...it's such a fine picture, just outstanding. ALL IN ALL A GREAT FILM!
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