As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
A Mumbai teen, who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1948 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",... Written by
Christopher Howell (Ckhowell75360@aol.com)
Steven Spielberg considered directing. He began making notes in order to prepare for the project. The reason he backed out is because his friend George Lucas needed him to start work on Indiana Jones and the Last Crusade (1989). So Spielberg left the project and gave his notes to Barry Levinson. Sydney Pollack was the next director to work on the film. He ditched an action sequence in which Charlie saves Raymond from some thugs but he wasn't keen on the idea of a road movie. See more »
After Ray gets on the train to go home, the scene of Charlie looking is in a loop, as evidenced by his head weaving back and forth. See more »
Now it's five and a half weeks and I'm still sitting on four Lamborghinis that can't meet spot emissions standards. Now, how many times you wash out with EPA?
[on a separate line]
Uh, yes sir, they're finally, uh, clearing EPA; uh, just one or two more days.
Three times? You're really on a roll here, my friend; four cars, three times each - that's zip for twelve. What are you, a... mechanic, or a NASA engineer? Now listen, now, I told you I've never dealt with these ...
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Throughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits. See more »
I have seen this movie probably 7 or 8 times in the past three years, wrote a paper about it for my college film class last semester, and basically regard it as my favorite movie of all time. Where to begin with the praise for this movie? Let's start with the acting. Dustin Hoffman is my favorite actor, and has been for a while. I'd watch him in any role. I was amazed at the way he was able to pull off this role. I've never seen a more deserved Oscar win. The vacant stare, the monotone voice, the screaming, it was unbelievable. Each time I watch it I am floored by his talent. Tom Cruise is also good, the villain of the story who undergoes such a subtle change that it's almost not visible until nearly the end. He is, however, perfectly suited for the flashy, egotistical character of Charlie, and I think he did a great job. The directing was unobtrusive and beautiful, for the most part just letting the action unfold, which is exactly the way it should have been done. It's a feel-good movie that does that and more, and I think nothing I've seen in the movies is as touching as the scene in the motel where Charlie discovers who "Rain Man" really is. I give this movie a 9.5 out of 10. Absolutely wonderful.
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