Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1948 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",... Written by
Christopher Howell (Ckhowell75360@aol.com)
At one point Sydney Pollack let his friend Barry Levinson read the screenplay. Levinson was much taken with it. One evening, whilst driving across the desert, he saw a cluster of windmills on the horizon. He turned to his wife and said that it would make a perfect backdrop for a scene with Charlie and his girlfriend. Seven weeks before shooting, Pollack called Levinson and told him that he should make the movie. With a writers' strike looming, Levinson had to agree immediately. See more »
When the Lamborghinis are being unloaded from the ship the cars have the normal 8.5 x 15 inch front and 12 x 15 inch rear wheels already installed rather than the plain, narrow wheels the factory installs when shipping the cars overseas. See more »
Now it's five and a half weeks and I'm still sitting on four Lamborghinis that can't meet spot emissions standards. Now, how many times you wash out with EPA?
[on a separate line]
Uh, yes sir, they're finally, uh, clearing EPA; uh, just one or two more days.
Three times? You're really on a roll here, my friend; four cars, three times each - that's zip for twelve. What are you, a... mechanic, or a NASA engineer? Now listen, now, I told you I've never dealt with these ...
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Throughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits. See more »
I have seen this movie probably 7 or 8 times in the past three years, wrote a paper about it for my college film class last semester, and basically regard it as my favorite movie of all time. Where to begin with the praise for this movie? Let's start with the acting. Dustin Hoffman is my favorite actor, and has been for a while. I'd watch him in any role. I was amazed at the way he was able to pull off this role. I've never seen a more deserved Oscar win. The vacant stare, the monotone voice, the screaming, it was unbelievable. Each time I watch it I am floored by his talent. Tom Cruise is also good, the villain of the story who undergoes such a subtle change that it's almost not visible until nearly the end. He is, however, perfectly suited for the flashy, egotistical character of Charlie, and I think he did a great job. The directing was unobtrusive and beautiful, for the most part just letting the action unfold, which is exactly the way it should have been done. It's a feel-good movie that does that and more, and I think nothing I've seen in the movies is as touching as the scene in the motel where Charlie discovers who "Rain Man" really is. I give this movie a 9.5 out of 10. Absolutely wonderful.
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