| Cliff De Young | ... | Bill Rockland | |
| Roxanne Hart | ... | Ellen Rockland | |
| Joseph Lawrence | ... | David Rockland (as Joey Lawrence) | |
| Matthew Lawrence | ... | Stevie | |
| Charles Tyner | ... | Old Man Holger | |
| Dennis Redfield | ... | Pete | |
| Robert Romanus | ... | Paul | |
| Myron Healey | ... | Howard (as Myron D. Healy) | |
| Michael Rider | ... | Foreman | |
| Jean Sincere | ... | Ruby | |
| Terry Beaver | ... | Policeman | |
| Greg Norberg | ... | Policeman | |
| Tim Russ | ... | Policeman |
Directed by | |||
| Paul Golding | |||
Writing credits(WGA) | ||
| Paul Golding | (written by) | |
Produced by | |||
| Robert C. Edwards | .... | associate producer | |
| William E. McEuen | .... | executive producer | |
| Patricia A. Stallone | .... | producer | |
Original Music by | |||
| Jay Ferguson | |||
Cinematography by | |||
| Peter Lyons Collister | (director of photography) | ||
Film Editing by | |||
| Gib Jaffe | |||
Casting by | |||
| Irene Cagen | |||
| Meg Liberman | |||
Production Design by | |||
| Holger Gross | |||
Art Direction by | |||
| Maxine Shepard | |||
Set Decoration by | |||
| Greta Grigorian | |||
Costume Design by | |||
| Jacqueline Saint Anne | |||
Makeup Department | |||
| Janeen Davis | .... | makeup artist assistant | |
| Kathryn Fenton | .... | makeup artist (as Kathryn Miles Logan) | |
| Susan J. Kelber | .... | hair stylist | |
Production Management | |||
| Gregory Goodman | .... | post-production supervisor (as Gregory E. Goodman) | |
| Charles Skouras III | .... | production manager (as Charlie Skouras) | |
Second Unit Director or Assistant Director | |||
| Kenneth Edward Brewer | .... | third assistant director (as Ken Brewer) | |
| Joe Camp III | .... | second assistant director | |
| Mike Topoozian | .... | first assistant director | |
| Jeffrey Hilton | .... | second second assistant director (uncredited) | |
Art Department | |||
| Libet Arnold | .... | art department coordinator | |
| Kip Cochran | .... | carpenter | |
| Douglas Dick | .... | construction coordinator | |
| Joe Griffith | .... | storyboard artist (as Joseph F. Griffith Jr.) | |
| Mike Langston | .... | lead painter | |
| Lucianne Lassalle | .... | scenic artist | |
| Mark H. Lee | .... | lead carpenter (as Mark Lee) | |
| Peter Lloyd | .... | visual consultant | |
| David B. Long | .... | construction foreman | |
| Kathleen A. Moloney | .... | set dresser | |
| Michael Muhlfriedel | .... | leadman (as Mick Mulfriedel) | |
| David J. Negron Jr. | .... | storyboard artist (as David Negron Jr.) | |
| Christopher S. Nushawg | .... | set dresser | |
| Bjorn Reddington | .... | set dresser (as Bjorn T. Reddington) | |
| Joel Rivera | .... | lead carpenter | |
| Michael J. Rohen | .... | lead carpenter (as Michael Rohen) | |
| Lauren Roman | .... | painter | |
| Ian Scheibel | .... | property master | |
| Laura Settlemier | .... | set dresser | |
| Robin Thomas | .... | painter | |
| Randy Weightman | .... | assistant property master | |
| Gregor Wilson | .... | art department production assistant | |
| Chris Santini | .... | carpenter (uncredited) | |
Sound Department | |||
| Ken Beauchene | .... | boom operator | |
| Barbara Delpuech | .... | cable person (as Barbara Way) | |
| Gordon Ecker | .... | sound designer (as Gordon A. Ecker Jr.) | |
| Gordon Ecker | .... | supervising sound editor (as Gordon A. Ecker Jr.) | |
| Robert C. Edwards | .... | sound designer | |
| Ellen Heuer | .... | foley artist | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Glenn T. Morgan | .... | sound editor | |
| Robert Nichols II | .... | sound re-recordist (as Robertr L. Nichols) | |
| Greg Orloff | .... | foley re-recordist | |
| Gary Ritchie | .... | sound re-recordist | |
| John Roesch | .... | foley artist | |
| Jeffrey L. Sandler | .... | sound editor | |
| B. Tennyson Sebastian II | .... | sound re-recording mixer | |
| Becky Sullivan | .... | adr editor | |
| Susumu Tokunow | .... | sound mixer | |
| Marvin Walowitz | .... | sound editor | |
| David A. Whittaker | .... | sound editor | |
| Karen G. Wilson | .... | sound editor (as Karen Wilson) | |
| Richard E. Yawn | .... | sound editor | |
Special Effects by | |||
| Richard O. Helmer | .... | special effects | |
Stunts | |||
| Michael Cassidy | .... | stunt coordinator (as Mike Cassidy) | |
Casting Department | |||
| Barbara Harris | .... | casting: loop group | |
| Penny Perry | .... | casting consultant | |
| Anthony Sepulveda | .... | casting assistant: loop group (as Tony Sepulveda) | |
Costume and Wardrobe Department | |||
| Timothy D'Arcy | .... | key costumer (as Tim D'Arcy) | |
| Paulette E. Holmon | .... | set costumer (as Paulette Holmon) | |
Editorial Department | |||
| Rodney Blain Browning | .... | post-production assistant | |
| Norman Buckley | .... | additional editor | |
| Phil Downey | .... | color timer | |
| Jeff Faustman | .... | post-production assistant | |
| Brian Ralph | .... | negative cutter | |
| Tatiana S. Riegel | .... | assistant editor | |
| Diane Seniw | .... | post-production coordinator (as Diane M. Seniw) | |
Music Department | |||
| Mary Patrao | .... | assistant music editor | |
| Allan K. Rosen | .... | supervising music editor | |
Transportation Department | |||
| Chuck Clarke | .... | transportation coordinator | |
| Joseph J. Dawson | .... | transportation assistant | |
| Brian Delahanty | .... | transportation captain | |
Thanks | |||
| Haskell Wexler | .... | thanks | |
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| Persepolis | Gothika | Deep Red | Hate Crime | Jumper |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section |
The idea of a malevolent force living inside the local power lines (and thus, inside your home) is not a bad one. We can probably live with the plot, but what about the movie? The fact that we are treated to multiple shots of stuff like, oh I don't know, the thermostat (accompanied by tense music) to heighten our fear should give you the answer.
Apparently an electrical storm causes something to happen at a substation. Exactly what happens we will never know, because we pretty much see the lightning strike, then spend some time watching different film angles of power lines and equipment overlaid with the opening credits. I think that the lightning strike created "The Pulse," allowing it to travel over the wires finding a safe place to kill people, but do not quote me on that.
Enter Bill, Ellen, and David, the standard (fissionable) elements of a nuclear family. His dad's house might be in a well to do neighborhood, but Bill has installed all sorts of bars on the windows to prevent forced entry. Since the chances of a burglary in this film are probably nil, we can bet they will be unable to leave the cursed house at some point due to Bill's paranoid security measures.
Demonic forces (even ones with polarity) love to torment young children and the little wuss makes a perfect target, so how does it screw with David? By cracking gas mains, making the television go freaky, and eventually turning the home into a flaming death trap. It is all very silly to me, including the grass dying around the house. The current usually stays inside the wires or various appliances, why would plant matter start dying? Guess it just seemed like a "horrific" thing to happen.
If there was ever a movie the Amish would enjoy this is it ("See Jeremiah! Machines are the Devil's work! Now go outside and round up your six brothers for supper."), perhaps that was the audience targeted when it was produced? If so then someone in marketing got fired, probably beat up and then fired now that I think about it.