| Cliff De Young | ... | Bill Rockland | |
| Roxanne Hart | ... | Ellen Rockland | |
| Joseph Lawrence | ... | David Rockland (as Joey Lawrence) | |
| Matthew Lawrence | ... | Stevie | |
| Charles Tyner | ... | Old Man Holger | |
| Dennis Redfield | ... | Pete | |
| Robert Romanus | ... | Paul | |
| Myron Healey | ... | Howard (as Myron D. Healy) | |
| Michael Rider | ... | Foreman | |
| Jean Sincere | ... | Ruby | |
| Terry Beaver | ... | Policeman | |
| Greg Norberg | ... | Policeman | |
| Tim Russ | ... | Policeman |
Directed by | |||
| Paul Golding | |||
Writing credits(WGA) | ||
| Paul Golding | (written by) | |
Produced by | |||
| Robert C. Edwards | .... | associate producer | |
| William E. McEuen | .... | executive producer | |
| Patricia A. Stallone | .... | producer | |
Original Music by | |||
| Jay Ferguson | |||
Cinematography by | |||
| Peter Lyons Collister | (director of photography) | ||
Film Editing by | |||
| Gib Jaffe | |||
Casting by | |||
| Irene Cagen | |||
| Meg Liberman | |||
Production Design by | |||
| Holger Gross | |||
Art Direction by | |||
| Maxine Shepard | |||
Set Decoration by | |||
| Greta Grigorian | |||
Costume Design by | |||
| Jacqueline Saint Anne | |||
Makeup Department | |||
| Janeen Davis | .... | makeup artist assistant | |
| Kathryn Fenton | .... | makeup artist (as Kathryn Miles Logan) | |
| Susan J. Kelber | .... | hair stylist | |
Production Management | |||
| Gregory Goodman | .... | post-production supervisor (as Gregory E. Goodman) | |
| Charles Skouras III | .... | production manager (as Charlie Skouras) | |
Second Unit Director or Assistant Director | |||
| Kenneth Edward Brewer | .... | third assistant director (as Ken Brewer) | |
| Joe Camp III | .... | second assistant director | |
| Mike Topoozian | .... | first assistant director | |
| Jeffrey Hilton | .... | second second assistant director (uncredited) | |
Art Department | |||
| Libet Arnold | .... | art department coordinator | |
| Kip Cochran | .... | carpenter | |
| Douglas Dick | .... | construction coordinator | |
| Joe Griffith | .... | storyboard artist (as Joseph F. Griffith Jr.) | |
| Mike Langston | .... | lead painter | |
| Lucianne Lassalle | .... | scenic artist | |
| Mark H. Lee | .... | lead carpenter (as Mark Lee) | |
| Peter Lloyd | .... | visual consultant | |
| David B. Long | .... | construction foreman | |
| Kathleen A. Moloney | .... | set dresser | |
| Michael Muhlfriedel | .... | leadman (as Mick Mulfriedel) | |
| David J. Negron Jr. | .... | storyboard artist (as David Negron Jr.) | |
| Christopher S. Nushawg | .... | set dresser | |
| Bjorn Reddington | .... | set dresser (as Bjorn T. Reddington) | |
| Joel Rivera | .... | lead carpenter | |
| Michael J. Rohen | .... | lead carpenter (as Michael Rohen) | |
| Lauren Roman | .... | painter | |
| Ian Scheibel | .... | property master | |
| Laura Settlemier | .... | set dresser | |
| Robin Thomas | .... | painter | |
| Randy Weightman | .... | assistant property master | |
| Gregor Wilson | .... | art department production assistant | |
| Chris Santini | .... | carpenter (uncredited) | |
Sound Department | |||
| Ken Beauchene | .... | boom operator | |
| Barbara Delpuech | .... | cable person (as Barbara Way) | |
| Gordon Ecker | .... | sound designer (as Gordon A. Ecker Jr.) | |
| Gordon Ecker | .... | supervising sound editor (as Gordon A. Ecker Jr.) | |
| Robert C. Edwards | .... | sound designer | |
| Ellen Heuer | .... | foley artist | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Glenn T. Morgan | .... | sound editor | |
| Robert Nichols II | .... | sound re-recordist (as Robertr L. Nichols) | |
| Greg Orloff | .... | foley re-recordist | |
| Gary Ritchie | .... | sound re-recordist | |
| John Roesch | .... | foley artist | |
| Jeffrey L. Sandler | .... | sound editor | |
| B. Tennyson Sebastian II | .... | sound re-recording mixer | |
| Becky Sullivan | .... | adr editor | |
| Susumu Tokunow | .... | sound mixer | |
| Marvin Walowitz | .... | sound editor | |
| David A. Whittaker | .... | sound editor | |
| Karen G. Wilson | .... | sound editor (as Karen Wilson) | |
| Richard E. Yawn | .... | sound editor | |
Special Effects by | |||
| Richard O. Helmer | .... | special effects | |
Stunts | |||
| Michael Cassidy | .... | stunt coordinator (as Mike Cassidy) | |
Casting Department | |||
| Barbara Harris | .... | casting: loop group | |
| Penny Perry | .... | casting consultant | |
| Anthony Sepulveda | .... | casting assistant: loop group (as Tony Sepulveda) | |
Costume and Wardrobe Department | |||
| Timothy D'Arcy | .... | key costumer (as Tim D'Arcy) | |
| Paulette E. Holmon | .... | set costumer (as Paulette Holmon) | |
Editorial Department | |||
| Rodney Blain Browning | .... | post-production assistant | |
| Norman Buckley | .... | additional editor | |
| Phil Downey | .... | color timer | |
| Jeff Faustman | .... | post-production assistant | |
| Brian Ralph | .... | negative cutter | |
| Tatiana S. Riegel | .... | assistant editor | |
| Diane Seniw | .... | post-production coordinator (as Diane M. Seniw) | |
Music Department | |||
| Mary Patrao | .... | assistant music editor | |
| Allan K. Rosen | .... | supervising music editor | |
Transportation Department | |||
| Chuck Clarke | .... | transportation coordinator | |
| Joseph J. Dawson | .... | transportation assistant | |
| Brian Delahanty | .... | transportation captain | |
Thanks | |||
| Haskell Wexler | .... | thanks | |
|
|
|
|
|
| Persepolis | Gothika | Deep Red | Hate Crime | Jumper |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section |
This one wasn't so much frightening as it was an interesting attempt at a horror/sci-fi mix. I think the script needed a little juking, a few more twists and turns and genuinely suspenseful moments, before I could recommend it. There was a little too much macro-photography of wires melting, and not enough attention paid to the characters (one of the major ones is inexplicably written out of the story before the climax.) I never thought I'd say this, but Joey Lawrence actually gives a good performance, and there are some nice, subtle moments-- particularly some strong observations about family. I was never scared, but the ambiguity & unusual premise kept me interested. I think POLTERGEIST was much more effective in creating horror in inanimate objects. Still, a good try. 6/10.