An intelligent pulse of electricity is moving from house to house. It terrorizes the occupants by taking control of the appliances, either killing them or causing them to wreck the house in...
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Based on the Ed Gein case, a deranged rural farmer becomes a grave robber and murderer after the death of his possessive mother whom he keeps her corpse, among others, as his companions in his decaying farmhouse
An intelligent pulse of electricity is moving from house to house. It terrorizes the occupants by taking control of the appliances, either killing them or causing them to wreck the house in an effort to destroy it. Then it travels along the power lines to the next house, and the terror restarts. Having thus wrecked one household in a quiet neighbourhood, the pulse finds itself in the home of a boy's divorced father whom he is visiting. It gradually takes control of everything, badly injures the stepmother, and traps father and son, who must fight their way out. Written by
Cynan Rees <email@example.com>
The Rockland's address in 1947 Kenwood, that is one year after Kenwood Electronics started. See more »
When David first arrives at the house a mic is visible for a moment above him and Ellen. The mic then pulls away being hidden by an archway. See more »
It ain't a thing, it's a signal...... a pulse, kinda like a voice. So what you've got to do is to get rid of anything in your house that might have ears to hear it.
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When the Columbia Pictures logo is shown before the movie starts, there's the rather distinct sound of a flame burst which is dubbed into the soundtrack as the torch on the Columbia logo ignites. This is a reference to the Pulse in the film taking control. See more »
This one wasn't so much frightening as it was an interesting attempt at a horror/sci-fi mix. I think the script needed a little juking, a few more twists and turns and genuinely suspenseful moments, before I could recommend it. There was a little too much macro-photography of wires melting, and not enough attention paid to the characters (one of the major ones is inexplicably written out of the story before the climax.) I never thought I'd say this, but Joey Lawrence actually gives a good performance, and there are some nice, subtle moments-- particularly some strong observations about family. I was never scared, but the ambiguity & unusual premise kept me interested. I think POLTERGEIST was much more effective in creating horror in inanimate objects. Still, a good try. 6/10.
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