There's nothing wrong with the Marshetta family that a little felony can't cure. Rupert doesn't want to follow in his father's blue-collar footsteps, so he and his quirky friend kidnap his ... See full summary »
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class ... See full summary »
David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations ... See full summary »
After returning from the war, Paul and a young woman meet on a bus as she's headed home from college to help with the grape harvest and face her Old World domineering dad. The woman has not... See full summary »
There's nothing wrong with the Marshetta family that a little felony can't cure. Rupert doesn't want to follow in his father's blue-collar footsteps, so he and his quirky friend kidnap his father for ransom, only nobody wants him back. Written by
Earlier in the movie, Rupert puts a lighted electric ice cream cone on the roof of the Twin Twisters diner, and as he and Carla step back and admire it, we see that the sign on the rooftop of the diner reads "Carla's Twin Twisters" - with the name "Carla's" appearing in twinkling lights. Yet a few scenes later when Rupert drives up on his motorbike, the "Carla's" portion of the sign is no longer there, and the sign reads only "Twin Twisters." See more »
This unlikely sleeper poses an essential question for disenchanted teenagers: is quality time with your family better than being chained to the door of a refrigerator? For coal-miner's son Keanu Reeves the answer is a no-brainer: his father is a Vietnam War veteran turned ultra-conservative; his feisty mother is having an affair with dad's best buddy; and his only friend is a socially marginalized, die-hard hippie. Meanwhile everyone thinks Reeves has problems, but he's only trying to avoid conforming to Middle America's messy ideas about normality. And since a rebel in the 1980s needs some sort of cause, he invents one: kidnapping his own father and holding him hostage. There's more than one contrivance in the otherwise original and unpredictable screenplay: the young protagonist's mechanical aptitude and closet intellect (he likens himself to Socrates, who was killed for daring to tell the truth) don't fit his delinquent image, and the kidnapping scheme carries the plot too far into fantasy. But if nothing else the film is an offbeat satire of modern domestic friction, and a refreshing change of pace from the usual condescending screen treatments of adolescent angst.
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