| William Beckwith | ... | Thomas Seaton | |
| Christine Moore | ... | Alexandra Parkman | |
| Mavis Harris | ... | Sister Angela | |
| Max Jacobs | ... | George Parkman | |
| Tim Gail | ... | Bill King | |
| George Krause | ... | Ben | |
| Ruth Collins | ... | Cathy | |
| Amy Brentano | ... | Brett | |
| Jeanne Marie | ... | Judy | |
| Gary Warner | ... | Detective Dann Carr | |
| Iraida Cruz | ... | Mrs. Quinto | |
| Roseanna Peterson | ... | Alison Deveraux | |
| Cameron Kell | ... | Frances Parkman | |
| Nicole Sislian | ... | Tina | |
| Phil Murphy | ... | Bishop McCabe | |
| Scott Rhodes | ... | Sam Phelan | |
| T.J. Glenn | ... | Detective Davis (as Glen James) | |
| Gloria Galo | ... | Mrs. Valdez | |
| Roy MacArthur | ... | Abbot Godwin | |
| Miriam Zucker | ... | Nancy Deans | |
| Zenon Zeleniuch | ... | Mr. Deans (as Zenon Zelenich) | |
| Hershey Snyder | ... | Father Daniel | |
| Gregory Sullivan | ... | Lawrence | |
| James Hogue | ... | Father William | |
| Jim Cirile | ... | Norman (as James M. Cirile) | |
| Jeanette Smith | ... | Disciple | |
| Tom Smolinski | ... | Disciple | |
| Mims Mattair | ... | Disciple | |
| Shira Daemon | ... | Disciple | |
| Florence Galperin | ... | Disciple | |
| Dawn Carpenter | ... | Disciple | |
| Leo Marks | ... | Monk | |
| Bill Poore | ... | Monk | |
| Mark Schiffman | ... | Monk | |
| Timothy Barcheck | ... | Monk | |
| Kurt Sinclair | ... | Monk (as Kurt Schwoebel) | |
| Roy Innocenti | ... | Monk | |
| David Dahl | ... | Monk | |
| Gunter Stern | ... | Monk | |
| Marshal L. Herault | ... | Hansom Cab Driver | |
| Barbara Summerville | ... | Mrs. Brown | |
| Rafael Guadalupe | ... | Hip Dude |
Directed by | |||
| Roberta Findlay | |||
Writing credits | ||
| Ed Kelleher | (written by) and | |
| Harriette Vidal | (written by) | |
Produced by | |||
| Walter E. Sear | .... | producer | |
Original Music by | |||
| Walter E. Sear | |||
Cinematography by | |||
| Roberta Findlay | |||
Production Design by | |||
| Eddie Heath | |||
Makeup Department | |||
| Ed French | .... | special makeup effects artist | |
| Dan Frye | .... | makeup effects technician | |
Production Management | |||
| Walter E. Sear | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Len Jacobs | .... | assistant director | |
Sound Department | |||
| Jeffrey J. Haboush | .... | sound re-recording mixer | |
| Greg P. Russell | .... | sound re-recording mixer | |
Stunts | |||
| T.J. Glenn | .... | stunt coordinator | |
| Scott Leva | .... | stunt double | |
| Scott Leva | .... | stunts | |
| Scott Rhodes | .... | stunts | |
Camera and Electrical Department | |||
| Jonathan Burkhart | .... | assistant camera | |
| Regina Franchi | .... | still photographer | |
| David Phillips | .... | gaffer | |
Other crew | |||
| James M. Cirile | .... | assistant to the producer | |
| Rafael Guadalupe | .... | production coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| not your average bad b movie | ms_jade_li |
| A good bad movie | Sro100 |
| scary!!!! | IAmElizabethSparrow |
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| So Sweet, So Dead | Don't Open Till Christmas | Edmond | Trade | Eyes Wide Shut |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Okay, so we've got Roberta Findlay ("Tenement: Game of Survival", "Snuff") directing a cheesy 80's horror movie revolving on a brotherhood of devilish monks sacrificing young women to Satan himself and drinking their blood in order to remain immortal. How bad could this possibly be? Correction; it's unquestionably going to be extremely bad, but the right question to ask should be: How is this not going to be entertaining? What we have here is pure late-80's trash-gold, with a completely nonsensical and laughably incoherent plot, tacky make-up effects, gratuitous nudity and a whole lot of gibberish about Our Lord Satan! The script of "Prime Evil" is wonderfully incompetent and aimlessly skips from one theme onto the other without any form of continuity. The film opens in the year thirteen-hundred-forty something with a bunch of monks turning to Satanism because they're angry with God for allowing the Black Plague to kill millions of people. This was obviously a brilliant career move because the story suddenly jumps forward in time 600 years and all the monks contained their same age and virility. But the next winter sacrifice is coming up and one of the cult members suggests using his granddaughter because she's still a virgin. Meanwhile, the leader of the cult engaged a convicted killer to randomly kidnap the granddaughter's best friends and then finally there's also a sub plot about a devoted nun going undercover in the cult by order of the Catholic Church. This last sub plot is actually the most hilarious, since Sister Angela is hardly ever mentioned anymore after her initiation rites. This is why I personally love 80's horror movies! There are so many ideas yet they all just loosely connect together. There's no atmosphere of suspense whatsoever and even the whole devil-worshiping concept seems redundant. They're just a posse of bloodthirsty priests craving to cut open voluptuous young girls. There's fairly little gore until the climax arrives and that reddish puppet with horns, supposedly representing Lucifer, is just plain pitiable. The acting performances are horrible, but I don't suppose you expected it any other way. Boring, however, it was not.