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Storyline
Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk driver. Now a series of murders that cross jurisdictions force them to work together again. That Austin is now dating Caldwell's daughter is not helping the relationship at all. Written by
John Vogel <jlvogel@comcast.net>
Plot Summary
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Taglines:
THE PRESIDIO ARMY BASE, SAN FRANCISCO. When a landmark of historic tradition becomes the scene of a shocking murder, a military commander and a street-tough cop are forced into action... against the killer, the mysterious past, and each other.
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Did You Know?
Goofs
The diamonds are smuggled in bottles of water supposedly because they are invisible when immersed in water. Not true. The diamond index of refraction is very different from that of water. They would easily be seen. If the liquid had been mineral oil, which has a much closer index of refraction to diamonds, then the gems would have been hidden somewhat.
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Quotes
Thug (unknown):
Who the hell do you think you are?
Sgt. Major Ross Maclure:
I'm the Infantry, sonny.
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Connections
Referenced in
Crap Shoot: The Documentary (2007)
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Soundtracks
"Hard Rockin'"
Written by
David Bellamy
Performed by
Bellamy Brothers
Courtesy of Curb Records
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I would be giving this film a 10 out of 10 if it weren't for the relative letdown of the ending which does not quite resonate the way it should have.
But this small disappointment does nothing to erase the first hour of the film which brims with great characterization, great acting and great direction.
Peter Hyams chose to pace his film with two great chase scenes which are so well directed, they should be studied by younger filmmakers who think fast cutting and CGI somehow makes action scenes exciting.
Shot with long takes and real stunts, the car chase is a model of great action directing that takes your breath away even after the tenth viewing. As for the foot chase scene, it is so well-paced (kudos to Hyams' editor Jim Mitchell) that you can still see everything in spite of the frenetic action (again a craft that is totally lost in most of today's disappointing action films) Extra tip of the hat should also go to Bruce Broughton for his inspired and powerful score.