| Photos (See all 16 | slideshow) |
| Christie Brinkley | ... | (archive footage) | |
| David Brinkley | ... | (archive footage) | |
| Pope John Paul II | ... | (archive footage) | |
| Dan Rather | ... | (archive footage) | |
| Cheryl Tiegs | ... | (archive footage) |
Directed by | |||
| Godfrey Reggio | |||
Writing credits(in alphabetical order) | ||
| Godfrey Reggio | writer | |
| Ken Richards | writer | |
Produced by | |||
| Shyam Benegal | .... | international producer: India | |
| Francis Ford Coppola | .... | executive producer | |
| Tom Garrett | .... | co-producer | |
| Yoram Globus | .... | executive producer | |
| Menahem Golan | .... | executive producer | |
| Marcel Kahn | .... | associate producer | |
| Mandeep Kakkar | .... | international producer: India | |
| Mel Lawrence | .... | producer | |
| George Lucas | .... | executive producer | |
| Tom Luddy | .... | associate producer | |
| Kurt Munkacsi | .... | producer | |
| Godfrey Reggio | .... | producer | |
| Lawrence Taub | .... | producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Graham Berry | |||
| Leonidas Zourdoumis | |||
Film Editing by | |||
| Iris Cahn | |||
| Miroslav Janek | |||
| Alton Walpole | |||
Production Management | |||
| William O'Dwyer Fogtman | .... | production leader: Serra Pelada, Brazil | |
Sound Department | |||
| Jeff Rona | .... | sound effects editor (as Jeffrey Rona) | |
| Greg Smith | .... | assistant sound recordist | |
| Gary Summers | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Edward A. Gutentag | .... | assistant camera | |
| Murray Van Dyke | .... | assistant camera | |
Editorial Department | |||
| Gay Browning | .... | first assistant editor | |
| Claire Bush | .... | assistant editor | |
Music Department | |||
| Seymour Barab | .... | musician: cello | |
| John Moses | .... | musician | |
| Kurt Munkacsi | .... | music production | |
| Michael Riesman | .... | musical director | |
| Jeff Rona | .... | musician: keyboards and synthesiser (as Jeffrey Rona) | |
Other crew | |||
| Philip Glass | .... | script consultant | |
| Ray Hemenez | .... | research director | |
| Juliusz Kossakowski | .... | unit coordinator | |
| William O'Dwyer Fogtman | .... | unit coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
This film is, according to its director, a look at a "global culture"; a visual assessment of the response of the "third world" to the force of globalization and the pressure to modernize. He says there are both good points and bad points to be observed, and hopes to portray the creativity and industriousness with which people around the world respond to the demands of their environments.
I do not see this. I see a moving, and beautiful film, but not about this. I see the destructive effects of the ever-increasing commodification of nature, life, and labor, on people as they are forced to abandon their homes and livelihoods to nationalist projects and capital ventures. I see (to use Karl Polanyi's words) the uprooting of peoples and places, and the destructive forces of market enterprise disguised under tropes of progress and modernity.
Yes. Human beings are creative and industrious, and have dealt with these problems in unique and fascinating ways. But, rather than simply celebrating the Beauty of Human Life, in all it's glory, let this film be a call to recognize this beauty, and recognize its value as intrinsic, as part and parcel to the livelihoods of the people it is embodied within.