"JOURNEY OF HANUMAN" Preserves moments still existing in India that have not been disturbed by globalization and are connected with the antique spiritual knowledge of India. I wanted to ... See full summary »
After an excerpt from 'Baraka (1992)', featuring the music of Dead Can Dance, we see them in concert in Santa Monica CA, alternated with interview sequences with the lead members (Lisa ... See full summary »
Dead Can Dance,
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
A spiritual love-story set in the majestic landscape of Ladakh, Himalayas. Samsara is a quest; one man's struggle to find spiritual Enlightenment by renouncing the world. And one woman's ... See full summary »
Koyannisqatsi wasn't a copy of anything, so why would anyone expect Powaqqatsi to be a copy of it? Fortunately, I saw this film on the big screen without seeing its predecessor, and I was delighted. The movie begins with a shot of an African diamond mine. You see a miner ascending a ladder in slow-motion, carrying a bag of mud on shoulders, accompanied by a heavy, pounding music. The effects and the music work together to highlight the miner's tiredness and strain. Other images follow, most of them from the "third world." In each case the focus is not a thing, but a quality.
Powaqqatsi revolutionized my concept of the world -- Go ahead and laugh! The film shows a vastness and variety and energy in the world that was beyond anything I could have imagined when I went into the theater. Everything is presented for what it is; there's no Western narrator to reassure you and tell you what everything means. There is perhaps no higher praise for a film than saying it changed the way I think, and Powaqqatsi deserves that praise.
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