"JOURNEY OF HANUMAN" Preserves moments still existing in India that have not been disturbed by globalization and are connected with the antique spiritual knowledge of India. I wanted to ... See full summary »
A unique look at total eclipses, capturing the experience within the scenery of a wide range of settings around the planet, from ancient ruins to city skylines. Totality is constantly ... See full summary »
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
RASA YATRA evokes the beauty of pilgrimage and explores the essence of devotion in Hindu culture through non-linear narrative. Rasa is Sanskrit for "juice" or "taste". Yatra means "journey"... See full summary »
The film provides a metaphorical visual meaning to the verses of an ancient spiritual composition that has been sung and chanted across the globe. Our understanding of the divine has ... See full summary »
Godfrey Reggio was uncomfortable using the latest film-making technology considering that his theme was back-to-basics living. However, he countered this by realizing that technology is unavoidably ingrained into our way of life. See more »
This film is, according to its director, a look at a "global culture"; a visual assessment of the response of the "third world" to the force of globalization and the pressure to modernize. He says there are both good points and bad points to be observed, and hopes to portray the creativity and industriousness with which people around the world respond to the demands of their environments.
I do not see this. I see a moving, and beautiful film, but not about this. I see the destructive effects of the ever-increasing commodification of nature, life, and labor, on people as they are forced to abandon their homes and livelihoods to nationalist projects and capital ventures. I see (to use Karl Polanyi's words) the uprooting of peoples and places, and the destructive forces of market enterprise disguised under tropes of progress and modernity.
Yes. Human beings are creative and industrious, and have dealt with these problems in unique and fascinating ways. But, rather than simply celebrating the Beauty of Human Life, in all it's glory, let this film be a call to recognize this beauty, and recognize its value as intrinsic, as part and parcel to the livelihoods of the people it is embodied within.
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