The old Commandant Lassard, leader of the Police Academy (1984), goes to Florida to receive an award. In the city arrives also the cynic Captain Harris who wants to take Lassard's job. ... See full summary »
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
An update of the 1977 comedy, Dick and Jane are living the good life. That is until Dick (Jim Carrey) loses his job shortly after getting a promotion that convinced his wife Jane (Téa Leoni) to quit her job. The money is gone, and the house ends up in foreclosure. Dick decides to turn to a hilarious life of crime to pay the bills with his lovely wife by his side. Then together they decide it's ... See full summary »
Big and Little Enos are opening a sea food restaurant. They bet Sheriff Buford T. Justice that he cannot drive from Miami to the Enos ranch in Texas in a given amount of time. If Buford loses he has to give up his badge.
The old Commandant Lassard, leader of the Police Academy (1984), goes to Florida to receive an award. In the city arrives also the cynic Captain Harris who wants to take Lassard's job. Harris wants to place himself in a favourable light in front of the high military hierarchy but, at the airport, Lassard exchanges his bag with another one... Written by
Tognacci Sebastiano <email@example.com>
The book that Captain Harris is seen holding whilst "congratulating" Commandant Lassard on his mandatory retirement is a hardback copy of "3 Cheers for Me", the first novel in the Bandy Papers series written by Donald Jack. See more »
As the criminals are plotting to find the commandant you can see one of the henchman eating an actual powder donut in his left hand. When he moves back into his seat he reveals the prop donut in his right hand. See more »
[Captain Harris, with the word Dork burned into his chest, approaches a bar where Cmndt. Lassard, Chief Hurst, Chief Murdock, and the Mayor of Miami are seated]
Capt. Thaddeus Harris:
Oh Mr. Mayor, excuse me sir. I don't mean to insult your city, but the people on this beach are very rude and hostile.
Mayor of Miami:
Well, I'm sorry to hear that... Captain Dork!
[the gentlemen at the bar break down in laughter, and Harris finally realizes what has been burned on to his chest]
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Michael Winslow becomes the Miami Sound Machine while the gang try to catch more than just rays.
If you're a fan of the Police Academy movies, or even if you've just been forced to endure them for reasons you'd rather not go into, then the fifth film in the series isn't the worst film you'll ever see. It's not the worst film in the series. It is certainly below average though.
Most of the gang return, though this is the first instalment without Steve Guttenberg or his character (Mahoney) in the mix, and this time the flimsy plot concerns Commandant Lassard (George Gaynes) heading to sunny Miami for a tribute to his good work. He takes along the regular cast members and also manages to pick up the wrong luggage at some point, luggage that belongs to some incompetent robbers who would really like to get their stolen goods back.
I'd be lying if I said that I didn't chuckle on a few occasions while watching this movie but the laughs came despite the obvious, weak gags. Familiarity doesn't always breed contempt though I'm sure others completely disagree with me on that point. Although they're looking a bit tired by now, Michael Winslow, Marion Ramsey, David Graf, Bubba Smith, Leslie Easterbrook, G. W. Bailey, Lance Kinsey and even George R. Robertson (who played Chief/Commissioner Hurst in six of the movies) still manage to coast along with their portrayal of characters that audiences have grown to enjoy spending time with. Matt McCoy as Nick Lassard (the commandant's nephew) is a major weak link, just too bland to prove an able replacement for the character of Mahoney, but Rene Auberjonois almost makes up for this in the last half hour or so when his villain gets to engage in some great banter while trying to evade capture.
Writer Stephen Curwick and director Alan Myerson both fail to bring anything worthwhile to the series. The former provides a limp script that works best when rehashing the gags we've all seen before while the latter just doesn't put any real effort into the execution of the material. But, then again, who could come in at this point and make the whole thing feel fresh and new again? Probably nobody, which tells you all you need to know about how much mileage there was to be had in the first place.
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