Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A. Michael Baldwin,
A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
The evil vampire villain Radu returns to his hometown Prejnar, after spending years in exile. He steals the precious blood stone which is said to be bleeding from all saints, from his ... See full summary »
"It Came From The Dead" is a vivd and wild ride through time and dimensions, inspired by the stories from the band's music, and from classic tales of Lovecraftian horror. In the late 1800s,... See full summary »
Justin Paul Warren
A. Michael Baldwin,
Mike is released from psychiatry, when he agrees with the doctors that the terrible happenings in his past were just in his imagination. But once he's free, he contacts Redge and they team up to hunt down and eliminate the "Tall Man", who plunders the graveyards and abducts the sleeping with help of his terrible gnomes. A beautiful strange girl starts to appear in Mike's dreams. He assumes she's in danger and needs their help - will they find her before the Tall Man can do her any harm? Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The explosion of the house was done in a single take. See more »
When The Tall Man abducts Liz, throwing her into the back of his hearse and then drives away, Mike and Reggie hop into their car and chase after him, hoping to rescue Liz. When they are along the side of the hearse, they see The Tall Man driving and Mike tells Reggie : "Well, shoot the fucker!". A bad idea since Liz is in the back of the hearse and would face certain death if the driver was killed and no one was left to steer the hearse. See more »
[the Tall Man is planning to inject Liz with embalming fluid, which Reggie has spiked with acid]
[the Tall Man glances up]
Suck on this!
[Mike releases a captured silver sphere, which flies directly to the Tall Man's head and inserts a drill into the front of his skull. A yellowish fluid flies from the back of the sphere, but after it stops, the Tall Man rips the sphere from his head & crushes it like a beer can]
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Final credit (copyright notice): "...violators will face severe civil and criminal penalties and the wrath of the Tall Man." See more »
I saw "Phantasm II" before watching any of the other Phantasm movies, and despite its shortcomings, it converted me into a fan of the series. While it has an effective atmosphere and an interesting array of characters, the plot certainly could have been more carefully written. There is one part where Mike risks his life handling a very dangerous flying sphere and uses it as a key to open some weird door, but the movie fails to show the purpose of opening that door. Sure, it shows you what lies behind the door, but that's it! Mike and his friends don't really do anything in there! Also, the Tall Man goes through the trouble of luring Liz into a trap, but he just throws her against a wall once he catches her. If Liz was such a threat to his evil plans (as the plot asserts), then wouldn't the Tall Man want to make sure she's dead? Still, when you have a couple psychics, an ex-ice cream vendor, a mysterious hitchhiker, an army of dwarves, flying spheres and a rather omnipotent--and scary-looking--old guy called the Tall Man rolled into one picture, the movie promises to be interesting, and it delivers for the most part.
Compared to the other Phantasm movies, I liked "Phantasm II" better than "Phantasm III" and "Phantasm: Oblivion," but it's not quite as good as the original Phantasm.
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