Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder ... See full summary »
Margarethe von Trotta
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in ... See full summary »
Joaquim de Almeida,
A Scottish woman who attends school in Paris comes home for the summer and helps take in the straw, where she meets an attractive and simple man. They begin a torrid affair despite the ... See full summary »
Reporter Judith Wilkes leaves her husband and two sons in Sydney and goes to Malaysia to cover the story of the Vietnamese boat people. She becomes romantically involved with Kanan, and ... See full summary »
A millionaire past his prime and his young wife arrive in Kenya circa 1940 to find that the other affluent British expatriates are living large as the homefront gears up for war. They are ... See full summary »
Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant ... See full summary »
When I recently compared "Country Life" with "Uncle Vanya", The Chekhov play from which it was loosely derived, the connection was at least tangible. Margaretha von Trotta's Italian version of "Three Sisters" contains so little of the original as to be barely recognizable. True, there are still three sisters and a brother, each unfulfilled in their various ways, but the Chekhovian leitmotiv of wanting to be somewhere else is never mentioned so that the main idea behind the play is missing. So forget Chekhov - at least there is a very fine filmed version by Laurence Olivier. Von Trotta's "Three Sisters" therefore has to stand as something completely different on its own terms. In actual fact it rather wobbles. This is one of those respectable European art-house movies with a few big names such as Fanny Ardant and Greta Scacchi to help it along. Its settings, a baroque university building and a misty flat landscape with sparsely planted trees give it a classy look. Its score, string music rather classically poised with just a hint of romanticism also contributes to the respectable aura. It all adds up to what a friend of mine delightfully dubbed "the Laura Ashley school of cinema". "Three Sisters" is worthy, nice to look at but ultimately rather dull. Only one character engaged my sympathy - the brother who is obliged to abandon his chance of a music career at the behest of his selfish wife and go into banking which he detests. I thought him a dope at first but felt like cheering when he finally rounds on her. For one brief scene this rather uninteresting film suddenly springs to life, but too late to prevent it from sinking is its inertia.
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