The Outside Chance of Maximilian Glick (1988)

User Rating:

6.6/10   

Director:

Allan A. Goldstein

Writers:

Phil Savath (writer)
Morley Torgov (novel)

Release Date:

19 January 1990 (USA)

Genre:

Comedy | Drama | Music

Plot:

A young Jewish adolescent from an overbearing family likes a Christian girl and is helped by a fun-loving rabbi.

Plot Keywords:

Piano | Canada | 1950s | Jew | Small Town

Awards:

2 wins & 5 nominations

Cast

Jan Rubes	...	Augustus Glick
Aaron Schwartz	...	Henry Glick
Sharon Corder	...	Sarah Glick
Susan Douglas Rubes	...	Bryna Glick
Ken Zelig	...	Morris Moskover
Howard Jerome	...	Zelig Peikes
Noam Zylberman	...	Maximilian Glick
Alec McClure	...	Sandy Lubchuk
Matthew Ball	...	Sarge Sargent
Nigel Bennett	...	Derek Blackthorn
Joan Nakamoto	...	Shizuku Blackthorn
William Marantz	...	Rabbi Kaminsky
Casey Chisick	...	Bobby Rosenberg
Allan Stratton	...	Prof. LaCoste
Rosalie Rudelier	...	Mrs. Rosenberg

Also Known As:

Bright Spark (Australia) (video title)
La fugue de Maximilien Glick (Canada: French title)

Runtime:

97 min

Country:

Canada

Language:

English

Color:

Color

Certification:

USA:G

Filming Locations:

Winnipeg, Manitoba, Canada

Company:

National Film Board of Canada (NFB)

Movie Connections:

Followed by "Max Glick" (1990)

An powerful, yet amusing look at cultural and self identity

This film is a marvel. In the story of a young Jewish boy in a small town, we see a wonderful fable about ethnic identity and individuality. In this fun story of an insecure kid and a maverick Rabbi who change a town of subtle bigots, we learn about those themes in a subtle, but profound way.

The key conflict is how his, and the young rabbi's, sense of identity, both self and ethnic runs counter to the older generation's perception of those issues. To the older generation, being Jewish means to remain invisible, as if to be ashamed of what they are. Any one deviating from that is shut out and feared. Max and the young rabbi on the other hand, represent a new generation with a real sense of security in their religion and a willingness to share it with outsiders.

The example is shown most distinctly in how the generations celebrate. The old one's are sombre and quiet affairs that are from the outsiders, whereas the younger ones dance and play with an infectious joy that teach those same outsiders the beauty of Jewish culture and do more to help Jewish people than the fear the elders have.

Only when the older generation realizes this, is a peace made when they learn that you can protect your way of life by sharing far more than you can by shutting out.

To have a message as profound as this in a film with all the laughs and beauty is a rarity that you owe it yourself to see.