| Photos (see all 14 | slideshow) | Videos |
| Bart the Bear | ... | The Kodiak Bear | |
| Youk the Bear | ... | The Bear Cub | |
| Tchéky Karyo | ... | Tom | |
| Jack Wallace | ... | Bill | |
| André Lacombe | ... | Le chasseur aux chiens |
Directed by | |||
| Jean-Jacques Annaud | |||
Writing credits | ||
| James Oliver Curwood | (novel "The Grizzly King") | |
| Gérard Brach | (screenplay) | |
Produced by | |||
| Claude Berri | .... | producer | |
| Pierre Grunstein | .... | associate producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Philippe Rousselot | |||
Film Editing by | |||
| Noëlle Boisson | |||
Casting by | |||
| Mary Jo Slater | |||
Production Design by | |||
| Toni Lüdi | |||
Art Direction by | |||
| George Dietz | |||
| Antony Greengrow | |||
| Heidi Lüdi | |||
| Hans Jürgen Schmelzle | |||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Françoise Disle | |||
| Corinne Jorry | |||
Production Management | |||
| Leonhard Gmür | .... | production manager | |
| Robin Mounsey | .... | unit production manager: second unit | |
| Kurt von Vietinghoff | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Xavier Castano | .... | first assistant director | |
| Xavier Castano | .... | second unit director | |
| Florian Nilson | .... | second second assistant director | |
Art Department | |||
| Michael Fechner | .... | swing gang | |
Sound Department | |||
| Fabienne Alvarez-Giro | .... | sound editor | |
| Roberto Garzelli | .... | sound editor | |
| Bernard Leroux | .... | sound re-recording mixer | |
| Eric Mauer | .... | sound editor | |
| François Musy | .... | sound mixer | |
| Laurent Quaglio | .... | sound designer | |
| Jonathan Sorrell | .... | synclavier operator | |
| Claude Villand | .... | sound re-recording mixer | |
Special Effects by | |||
| Joachim Grüninger | .... | animatronics technician | |
| Uli Nefzer | .... | floor supervisor | |
Visual Effects by | |||
| Frederic Moreau | .... | optical effects | |
| Bretislav Pojar | .... | dream sequence animation | |
| Rolf Giesen | .... | visual effects consultant (uncredited) | |
Camera and Electrical Department | |||
| Luigi Bernardini | .... | assistant camera | |
| Dominique Delguste | .... | additional second assistant camera | |
| Arnaud Duboisberanger | .... | cinematographer: second unit | |
| Jérôme Peyrebrune | .... | first assistant camera | |
Editorial Department | |||
| Eric LeGarçon | .... | editor trainee | |
| Yvan Lucas | .... | color timer | |
Music Department | |||
| Billy Byers | .... | orchestrator | |
| Alexander Courage | .... | orchestrator | |
| William Flageollet | .... | music mixer | |
| Eric Lipmann | .... | music consultant | |
| Eric Mauer | .... | composer: additional music | |
| Laurent Quaglio | .... | composer: additional music | |
| Carlo Savina | .... | conductor | |
| Jonathan Sorrell | .... | musician: keyboards and programming | |
Other crew | |||
| Monty Diamond | .... | production consultant | |
| Steve Martin | .... | animal trainer | |
| Marie-Florence Roncayolo | .... | script supervisor | |
| Doug Seus | .... | bear trainer | |
| Lynne Seus | .... | bear trainer | |
| Roman Stefanski | .... | movement | |
| Mak Wilson | .... | lead puppeteer | |
| Clint Youngreen | .... | bear trainer | |
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| Brother Bear | Homeward Bound: The Incredible Journey | Old Yeller | The Wizard of Oz | The Jungle Book |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb France section |
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We rarely see in our contemporary world simple, subtle films regarding nature which in turn give us a true essence of the meaning and beauty of life. All we absorb out of proportion day by day from watching television and films is the violence, vulnerability and sexual tendencies of the human being. The 60's and 70's were infested with the drugs and sex appeal trend and the 80's crammed more action macho flicks than one can count sheep. However, it was the 90's and the turn of the millennium that exploded into the CGI craze and destroyed the film industry, reducing it into a commercial quick-produce supermarket in which quality films came close to none-existent and where violence was more popular than ever before.
A rare example of subtle contemporary masterful film making is 'L'Ours', better known in English translation as 'The Bear'. Jean-Jacques Annaud, the man behind the most extraordinary of prehistoric based films, 'Quest For Fire', stunned the world with his unparalleled mesmerizing vision of a natural world destroyed by man in what virtually is a film without dialogue. Yet it is an experience that will play with your emotions and warm your heart, right up to the chilling finale.
The story is set around the 1800's and revolves around an orphaned bear cub and its struggle to survive the harsh wilderness of British Columbia following the death of its mother. Alone and with no survival skills, the bear cub must learn the necessities of life the hard way. That is until it meets a tough, lone, but wounded Grizzly bear whose endeavor to survive is all the same after mountain hunters, blinded by their hunger for wealth, pursue their valuable skins. The two Grizzlies form a bond more powerful than the guns that pursue them in which the cub learns all the hardships of life first hand and grows to stand up for itself against the vast, relentless world that it lives in. Does man, the pursuer, become one with nature and understand the value of life?
Very few films without dialogue have captured the imagination that 'The Bear' has inscribed in my memory. Following the film's conclusion, I made a pledge to myself that one day I will be going to British Columbia myself. The cinematography was excruciatingly beautiful - I felt like I was there throughout the whole duration of the picture. The music was so uplifting and poignant throughout, that it completely drained me of my emotions - especially the finale!
Tcheky Karyo (famous French actor) playing one of the hunting mountain men who comes to terms with nature, plays his role convincingly, but there was no better performance than that of the starring bear cub and its much larger assistant. Their commanding presence leaves us laughing, crying and despising. All were simply natural expressions and worked on a documentary level, giving this film immaculate credibility.
The subtlest of all films I have ever seen, I recommend this to anybody who likes the occasional escape from reality to a world where life makes all the more sense. A definitive addition in my collection and an escape I will be taking for years to come. A masterwork of epic proportions and a classic in its genre. May the film industry bestow upon us more of these pleasures in the near future!