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Otto - Der Neue Film (1987)

5.8
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Ratings: 5.8/10 from 1,036 users  
Reviews: 2 user | 2 critic

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Title: Otto - Der Neue Film (1987)

Otto - Der Neue Film (1987) on IMDb 5.8/10

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Cast

Cast overview, first billed only:
Otto Waalkes
Anja Jaenicke ...
Anna
Ute Sander ...
Gabi Drösel
Friedrich Schoenfelder ...
Professor Edelsen
Dirk Dautzenberg ...
Aettich
Joachim Kemmer ...
Schmieriak
Georg Blumensaat ...
Amboss
Ronald Nitschke ...
Polizist
Karl Schulz ...
1. Möbelpacker
Hans Martin Stier ...
2. Möbelpacker (as Martin Stier)
H.H. Müller ...
Begleiter Edelsen
Dieter Landuris ...
1. Fußballfan (as Dieter Landuris - Gripstheater)
Thomas Ahrens ...
2. Fußballfan (as Thomas Ahrens - Gripstheater)
Claus-Peter Damitz ...
3. Fußballfan (as Claus-Peter Damitz - Gripstheater)
Urs Remond ...
1. Schönling
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Storyline

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Plot Keywords:

sequel

Genres:

Comedy

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Details

Country:

Language:

Release Date:

16 July 1987 (West Germany)  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

| (Remix for video release)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In one scene Otto wants access to a premier show but gives the required password "The Magnificent Seven" to the wrong person. The person dryly responds: "Come back when you're with the other six dwarfs." Otto Waalkes went on to star in two "7 Zwerge" (7 Dwarves) movies. See more »

Connections

Spoofs The Terminator (1984) See more »

Soundtracks

I Heard It Through the Grapevine
Written by Norman Whitfield, Barrett Strong
Performed by Marvin Gaye
Courtesy of Motown Record Corporation / BMG Ariola Hamburg
See more »

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User Reviews

 
ONLY OCCASIONALLY AMUSING
23 May 1999 | by (Amsterdam, The Netherlands) – See all my reviews

Otto Waalkes has his funny moments, but 80 minutes of him is a very big overdose. There are several parodies to enjoy, but the one on the Terminator seems to go on and on. Not extremely funny but very well done are the parodies on the jeans commercials; and this is may be the first film with Hell's Angels talking about Mozart's Requiem and the conducting style of Herbert von Karajan. Why the "Hitchcock music" by Bernard Herrmann had to be pirated for this comedy will probably never be cleared. In short: only occasionally amusing.


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