With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
Inspired by Charles Dickens' "Oliver Twist". A homeless kitten named Oliver, roams the streets of New York, where he is taken in by a gang of homeless mutts who survive by stealing from others. During one of these criminal acts, Oliver meets a wealthy young girl named Jenny Foxworth. This meeting will forever change his life. Written by
Despite his name being in the title of the movie, Oliver has no name until about 33 minutes into the movie. See more »
In shots of the front of Jenny's house, there appears to be no mail slot, nor a place for a mail slot. Later in the movie, Fagin's note is placed in a mail slot which we see from an interior shot. See more »
You pretty pups all over the city / I have your hearts and you have my pity / Pretty is nice, but still it's just pretty / Perfect, my dears, is me.
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Curiously endearing Disney animated feature inspired by "Oliver Twist", transposing the Dickensian favorite fairly successfully to a modern-day New York setting - with the villainous Bill Sykes as a mobster (flanked by a couple of vicious mastiffs). Stylistically, it lies somewhere between LADY AND THE TRAMP (1955) and the adult-oriented films of Ralph Bakshi (without the sex and violence, naturally); as such, it stands oddly alongside the studio's usual fare from this rather lame era - and its vitality can now be seen to have foreshadowed the renaissance in quality (and critical appraisal) which they witnessed soon after, beginning with THE LITTLE MERMAID (1989). The anthropomorphic characters (which generally swamp the humans - Fagin is very much a good guy here, if still pitiful) are quite nicely fitted to class stereotypes: hence, we get a Hispanic chihauha (with an eye for the ladies) and a posh bulldog, among others, while Dodger is basically an updated version of Tramp and Oliver himself a cute but very brave kitten. The familiar and involved plot is all but jettisoned (especially in its second half) in favor of boisterous action and character comedy, with a bouncy score and rapid pace to match. In the end, it proved surprisingly good - and, at just 74 minutes, short enough not to overstay its welcome.
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