Winston Connelly wakes up in the middle of the night in an alley with no idea of how he got there. Nor does he know where in Los Angeles he is or why he is wearing a beat-up tuxedo. Through...
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Yvonne de la Vega,
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Winston Connelly wakes up in the middle of the night in an alley with no idea of how he got there. Nor does he know where in Los Angeles he is or why he is wearing a beat-up tuxedo. Through a series of flashbacks, he remembers that he was sidetracked on his way to the prom the night before. In the meantime, he has to figure out what happened to his wallet, his car keys, his date, and why a pimp named "Tito" wants him dead. Written by
Christine Sai-Halasz <email@example.com>
My fondest memory of this film is of watching Reeves and Laughlin dance to George Clinton's "Baby Boy." Reeves, apparently, really is a ballroom dancer, and he is elegance itself in this sequence--right up to the moment when he slips on a wet spot on the floor and falls into a table. The rest of the film is a pleasant diversion, without giving the brainpan much of a workout. It builds humorously enough on its premise--that a cheerleader can learn to love a nerd--then cruises to its inevitable conclusion. Of course, it helps when the nerd is as handsome as Keanu Reeves. Look for Tiny Lister in a small role as the bartender who slips Reeves a mickey. This one has a great soundtrack, by the way, and it demonstrates once again that Reeves is underused as a romantic lead.
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