When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real. When the root takes life they seem to have gained a child; but its appetite is much greater than a ... See full summary »
A horror movie testing two approaches to running an insane asylum - absolute freedom versus control and punishment - within the context of a world that combines the worst of both. Jean ... See full summary »
Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk ... See full summary »
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution). Some ... See full summary »
A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade ... See full summary »
A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed ... See full summary »
A three-part depiction of various forms of communication. 'Factual Discussion' depicts three heads (made up of fruit, kitchen utensils and writing implements respectively) endlessly ... See full summary »
A memorably bizarre screen version of Lewis Carroll's novel 'Alice's Adventures in Wonderland', mixing one live actor (Alice) with a large variety of stop-motion animated creatures, ranging from the complex (the White Rabbit) to the incredibly simple (the Caterpillar, consisting of a sock, a couple of glass eyes and a pair of false teeth). The original story is followed reasonably faithfully, though those familiar with this director's other films won't be the least bit surprised by the numerous digressions into Svankmajer territory, living slabs of meat and all. As the opening narration says, it's a film made for children... perhaps? Written by
Michael Brooke <firstname.lastname@example.org>
Everytime Alice attempts to open up a drawer, the handle seems to break off. See more »
In the outdoor scene when Alice cuts her finger, she is obviously missing a front tooth. See more »
Alice thought to herself... Alice thought to herself 'Now you will see a film... made for children... perhaps... ' But, I nearly forgot... you must... close your eyes... otherwise... you won't see anything.
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Animation legend Jan Svankmajer applies his distinctive style to Lewis Carroll's most famous creation, crafting one of the most original and unforgettable takes on Alice's adventures ever put to film. Having previously adapted Carroll in his 1971 short film, "Jabberwocky," Svankmajer returns to the author's work with this amazing feature-length film. Employing a magnificent blend of live action and stop-motion animation, he uses many of Carroll's ideas as jumping-off points. Many of the characters are reconstructed as nightmarish abstracts of the way they have usually been depicted in previous adaptions. The white rabbit is a stuffed real rabbit who keeps his watch tucked in a sawdust-leaking gap in his chest. The Dormouse has been reduced to a creepy crawling foxlike hide, and the Caterpillar is a sock with eyeballs and teeth that sews its eyes shut when it sleeps. Although familiar characters such as the Mock Turtle and the Cheshire Cat are left out, Svankmajer's film is incredibly faithful to the book's sense of fantasy and absurdity. The minimal dialogue and pronounced sound effects also add to the overall unsettling mood. The key to truly appreciating this version is to forget the common associated imagery from other adaptions, and treat this as its own entity. Just as a dream makes a totally different impression on you than a person you describe it to (regardless of how well you describe it), this film is one man's surreal interpretation of another man's surreal description. The skull-headed birds, walking dolls, and broken-down furniture of Svankmajer's world make this a pretty disturbing telling of Alice's journey, but a masterful, enthralling, and undeniably unique one as well.
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