| Robert Sean Leonard | ... | Jeremy Capello | |
| LeeAnne Locken | ... | Candy Andrews (as Lee Anne Locken) | |
| Cheryl Pollak | ... | Darla Blake | |
| Cecilia Peck | ... | Nora | |
| Fannie Flagg | ... | Mrs. Capello | |
| Kenneth Kimmins | ... | Mr. Capello | |
| Evan Mirand | ... | Ralph | |
| Michelle La Vigne | ... | Flo | |
| Harvey Christiansen | ... | George | |
| David Warner | ... | Professor McCarthy | |
| Paul Willson | ... | Grimsdyke | |
| Rene Auberjonois | ... | Modoc | |
| Erica Zeitlin | ... | Gloria | |
| Gary Chason | ... | Drivers Ed Instructor | |
| Kathy Bates | ... | Helen Blake (as Kathy D. Bates) | |
| John Chappell | ... | Buddy Blake | |
| Jill Bianchini | ... | Waitress | |
| J.P. Conroy | ... | Butcher | |
| Amelia Kinkade | ... | Brunette in Punk Bar (as Mimi Kincaide) | |
| E. Linda Moore | ... | Girl at Bar (as Linda Moore) | |
| Marianne Simpson | ... | Blonde in Punk Bar | |
| Staness Caroll | ... | Redhead in Punk Bar | |
| Ronnie Rondell Jr. | ... | Bouncer (as Ronald P. Rondell) | |
| Chris Wycliff | ... | Police Officer #1 | |
| Coy Sevier | ... | Police Officer #2 |
Directed by | |||
| Jimmy Huston | |||
Writing credits | ||
| Tab Murphy | (written by) | |
Produced by | |||
| Dennis Stuart Murphy | .... | producer (as Dennis Murphy) | |
| Tab Murphy | .... | associate producer | |
| Dennis Stuart Murphy | .... | associate producer (uncredited) | |
Original Music by | |||
| Steve Dorff | |||
Cinematography by | |||
| James Bartle | |||
Film Editing by | |||
| Janice Hampton | |||
| Gail Yasunaga | |||
Casting by | |||
| Pennie DuPont | (as Pennie du Pont) | ||
Production Design by | |||
| Michael Molly | |||
Set Decoration by | |||
| Jeanette Scott | |||
Costume Design by | |||
| Rona Lamont | |||
Makeup Department | |||
| Christy Belt | .... | hair stylist | |
| Christy Belt | .... | makeup artist | |
| Shirley Bukrey | .... | assistant makeup artist | |
Production Management | |||
| Ken Aguado | .... | executive in charge of production | |
| Tina Brawner | .... | production manager | |
| Matthew Irmas | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sanford Hampton | .... | first assistant director | |
| Kristi Morais | .... | second assistant director (as Kristie Morais) | |
| Blake Pratz | .... | additional second assistant director | |
| Spiro Razatos | .... | second unit director | |
Art Department | |||
| Jim Cavalucci | .... | scenic artist (as Jim Cavulucci) | |
| Walter T. Celestine Jr. | .... | carpenter (as Walter C. Celestine Jr.) | |
| Catherine Davis | .... | assistant property master | |
| Danny Everett | .... | art swing | |
| Barbara Haberecht | .... | leadman | |
| Richard G. Huston | .... | set designer (as Richard Huston) | |
| Jill Johnson | .... | second assistant property master | |
| Holly McDonald | .... | property master | |
| Rodney Rincon | .... | art swing | |
| Chuck Singleton | .... | construction coordinator | |
| Ivy Whisnant | .... | construction | |
Sound Department | |||
| Randle Akerson | .... | sound editor | |
| Mark Berger | .... | supervising re-recording mixer | |
| Carole Black | .... | assistant sound editor | |
| Stephen Bushelman | .... | supervising sound editor | |
| Norval D. Crutcher III | .... | assistant sound editor | |
| Norval D. Crutcher | .... | sound editor | |
| Samuel C. Crutcher | .... | supervising sound editor | |
| Tim Himes | .... | sound mixer | |
| John Paul Jones | .... | sound editor | |
| Rudy J. Lara | .... | apprentice sound editor | |
| Murray McFadden | .... | sound recording engineer | |
| Ron Meredith | .... | assistant sound editor | |
| Gary Mundheim | .... | sound editor | |
| Art Names | .... | sound mixer | |
| David Parker | .... | sound re-recording mixer | |
| Susan C. Smith | .... | boom operator | |
| Stephen Stalheim | .... | assistant sound editor (as Steve Stalheim) | |
| Beth Sterner | .... | sound editor | |
| Bob Waller | .... | boom operator | |
Stunts | |||
| Buzz Bundy | .... | stunts | |
| Eddy Donno | .... | stunts | |
| Christina Fong | .... | stunts (as Christina Fung) | |
| Greg Gault | .... | stunts (as Gregory G. Gault) | |
| Andy Gill | .... | stunts | |
| David M. Graves | .... | stunts | |
| Roy E. Harrison | .... | stunts (as Roy Harrison) | |
| Freddie Hice | .... | stunts (as Freddie Hile) | |
| Terry Jackson | .... | stunts | |
| J.D. Martin | .... | stunts: BMW specialist | |
| Bernie Pock | .... | stunts | |
| Spiro Razatos | .... | stunt coordinator | |
| Ronnie Rondell Jr. | .... | stunts (as Ronnie Rondell) | |
| Fred M. Warsh | .... | stunts | |
| Wendell Wasinger | .... | stunts: BMW specialist | |
| Fred Waugh | .... | stunts (as Fred M. Waugh) | |
| Al Wyatt Jr. | .... | stunts | |
Camera and Electrical Department | |||
| Doug Brennaman | .... | second assistant camera | |
| Shirley Bukrey | .... | still photographer | |
| Carl Christensen | .... | gaffer | |
| Brown Cooper | .... | first assistant camera | |
| Jim Dinn | .... | electrician | |
| Linda Field | .... | grip | |
| Austin Goss | .... | grip | |
| Andy Graham | .... | additional second assistant camera | |
| Steve Graves | .... | grip | |
| Jim Cody Harrington | .... | best boy grip | |
| Jeff 'Moose' Howery | .... | key grip (as Jeff Howery) | |
| Levie Isaacks | .... | camera operator | |
| George Mays | .... | best boy electric | |
| David Schmalz | .... | video assist operator | |
| Michael Vacker | .... | electrician | |
Casting Department | |||
| Ric Johnson | .... | casting: Houston | |
Costume and Wardrobe Department | |||
| Fran Allgood | .... | wardrobe supervisor | |
| Eva Prappas | .... | wardrobe assistant | |
| Scilla Scandiuzzi | .... | wardrobe assistant | |
| Bernie White | .... | tailor | |
Music Department | |||
| George Doering | .... | musician | |
| Larry Herbstritt | .... | orchestrator | |
| David Tweet | .... | assistant music editor | |
| Stan Witt | .... | music editor | |
Transportation Department | |||
| John Anderson | .... | driver | |
| Ray Bellamy | .... | transportation captain | |
| Amy Broad | .... | driver | |
| Homer G. Brown | .... | driver (as Homer Brown) | |
| Brad Grzesiek | .... | driver (as Brad Grzessieck) | |
| Bobby Keigley | .... | driver | |
| Michael Kern | .... | transportation coordinator | |
| Robert J. Manning | .... | driver (as Bob Manning) | |
| Lonnie Micks | .... | driver | |
| Jimmy Ray Pickens | .... | driver (as Jimmy Pickens) | |
Other crew | |||
| Linda Brattain | .... | assistant production accountant | |
| Carlos Compean | .... | production assistant | |
| Michael Davidson | .... | craft service | |
| Jock Evans | .... | production assistant | |
| Diedre Green | .... | production assistant | |
| Mike Harrowing | .... | location manager | |
| Travis Hasler | .... | production assistant | |
| Joe Kee | .... | production assistant | |
| Francine Lauzon | .... | production coordinator | |
| Kassie O'Connell | .... | assistant to producer | |
| Eagle Pennell | .... | location manager (as Eagle Penell) | |
| Alicia Rivera Frankl | .... | production accountant (as Alicia Alon) | |
| Frank Schnider | .... | production assistant | |
| Suzanne Sherrill | .... | assistant to director | |
| Randy Smith | .... | production assistant | |
| Nicholas Toth | .... | animal handler (as Nick Toth) | |
| Charlene Webb | .... | script supervisor | |
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| Carrie | Rebel Without a Cause | Easy A | American Graffiti | Totally F***ed Up |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Jeremy Capello is a teenager who has dreams about the gawky Darla Blake. A girl who doesn't think that highly of him, but there's also a beautiful Barbie-like cheerleader named Candy who's actually keen on him. So his best friend Ralph suggests that he should seek out someone unknown for a one-night stand to get this get his mind thinking straight. While, doing his job he encounters the mysterious Nora, who invites him over for the night. So Jeremy with little help from Ralph meets her, only to be bitten by her and a crazed loon (possibly the husband) break in. The day after Jeremy goes through some minor changes and finds out that Nora's place has been burnt down. Through the course he learns that these are vampire hunters after them, but they seem to think that Ralph is the vampire.
The mid-to-late 80s was a time for vampire films (and even teenage monster themes too). This pleasant little romp is the standard mould of these monster comedies (maybe one of the lesser ones), but surprisingly it makes for a decently breezy time-waster if you're looking for a little 1980s nostalgia in your viewing. It has some generally amusing moments, especially from Rene Auberjonois' sneaky vampire mentor role as Modoc and you can see David Warner is having a ball in his ripe crack-ball role of Prof. Leopold McCarthy, vampire hunter.
Most of the performances are reasonably charming. Robert Sean Leonard ("Dead Poet's Society" and who would probably be best known for the recent TV series "House") is delightfully good as Jeremy and Evan Mirand turns in a joyful performance as the loutish Ralph. A fetching Cheryl Pollack is fair as the geeky Darla. Fannie Flagg and Kenneth Kimmins trump in with marvellously tuneful performances as Jeremy's overly worried parents. Paul Wilson makes solid of Prof. Leonard's bumbling assistant Grimsdyke. Let me not forget the minor role of the seductively alluring Cecilia Peck (Gregory Pecks' daughter) as Nora. Oh and look out for a slender Kathy Bates. The variable cast had a witty script to play along with and most of it was quite satisfying when it came to the punch.
Director Jimmy Huston does a competent job without doing anything overtly special, but he gets a lot spirit and odd developments running through some humorous situations. It can get corny in parts and extremely sappy when it comes to its closing moral. A trailblazing 80s pop soundtrack (notably Blondie and Oingo Boingo) features strongly in the film's make-up with the utterly hip and catchy title tune, "The future's so bright (I've got to wear shades)" by the TIMBUK 3. The stereotypically lucid premise (which shares similarities with the Jim Carrey vampire flick, "Once Bitten") is routine and derivative, but still it has some nice touches and diverting trivia on the vampire mythology. None of this should sideswipe your entertainment of it, unless you're looking for something with more aggression amongst its bite. I guess you'll know if you're going to like it after the first 15 minutes.
It might be far from revolutionary (just look at the title and you should know what to expect), but there's just something endearing about this campy lightweight piece.