A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
An ex-bullfighter who gets turned on by killing, a lady lawyer with the same fetish and a young man driven insane by his religious upbringing - these are the main characters in this stylish... See full summary »
In Madrid, the housewife Gloria lives in a tiny apartment with her husband, the taxi driver and forger Antonio; her lunatic mother-in-law, who is addicted in bottled water and cupcakes; and... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police are looking for her because of her boyfriend's criminal activities. They talk to a female lawyer, who turns out to be the lover's new lover, and everyone's path keeps crossing each other's in a very complicated and confusing manner. Written by
Ed Sutton <firstname.lastname@example.org>
Pepa pushes the baggage cart at Lucia and it moves with a great deal of speed. However, in the next shot, it's obvious that the cart barely hits her, yet she falls as if it did. See more »
Hello. I'm the mother of the notorious Crossroads Killer. When my son comes home after one of his famous crimes, his clothes are just filthy.
[Pepa holds up a bloody shirt. The police arrive]
Where are the clothes your son wore...
At the time of the murder?
[Pepa takes a clean shirt out of the dryer]
Right here. Sparkling clean.
No trace of blood.
[Pepa holds up a box of detergent]
[...] See more »
Truly wonderful and insightful romp which alternates between tragedy and farce seamlessly without ever missing a beat. Excellent performances by the entire cast contribute mightily as does a first-class camp score. This was the first Almodovar film I ever saw, and it made it a requisite for me to see each new one as it comes out. The man is a genius!
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