Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his former Sheriff partner. Written by
Keith Loh <firstname.lastname@example.org>
During filming of rednecks-vs-reporters scenes on a bridge over the Big Black River near Bovina, Mississippi, two extras were nearly killed by a train when they ventured from a holding area onto a tall concrete-arch railroad bridge. They narrowly escaped injury by huddling on a tiny pedestal on the bridge's edge. See more »
When Agents Ward and Anderson are fighting outside the hospital where Mrs. Pell is after being beaten by her husband, Ward pulls a gun on Anderson. We hear Ward cock his revolver. In a subsequent shot, while Ward still has his gun pointed at Anderson, we can see the hammer has not been pulled back as the sound effect would have indicated. See more »
What is it?
[seeing the car behind them]
What do they want?
I don't know... just pass me... pass me...
[trying to identify the following car]
Is it a cop?
I can't see.
[they are hit from behind]
What the fuck are these jokers playin' at?
Oh, they ain't playin', you better believe it.
[...] See more »
This film is a good,though not flawless representative of the turbulent 1960's south.The character representation is good,though taken to a bit of an extreme in places.Gene Hackman gives another knockout performance here,as he does always as does Willem Dafoe.The cast is great,though Gailard Sartain was a surprising choice as Sheriff Stuckey, given his penchant for appearing in the worst of films.It is based on a true story,and as we all know,true stories are never presented to perfection.It is,however,presented as well as it can be.This is a very gripping,edge of your seat film,and very well done.
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