| Faye Dunaway | ... | Helen Barton | |
| Daniel J. Travanti | ... | Morely Barton | |
| Kim Cattrall | ... | Alexa Schubb | |
| John Laughlin | ... | Jeff Schubb | |
| Ned Beatty | ... | Ellis | |
| Pedro De Pool | ... | Captain Mendoza | |
| Douglas Weiser | ... | Miller (as Doug Weiser) | |
| Vincent Fall | ... | Officer on Launch | |
| Michael Thompson | ... | Shore Patrol Officer | |
| Chick Bernhardt | ... | Young Morely | |
| Janet Constable | ... | Coast Guard Woman | |
| Mara Goodman | ... | Coast Guard Woman | |
| Armando Gonzales | ... | Paramedic | |
| Patrick Selts | ... | Paramedic (as Pat Selts) | |
| Rhonda Johnson | ... | Waitress in Bar | |
| Lynn Syvante | ... | Person on Dock | |
| Dana Mark | ... | Person on Dock | |
| Lori Bivins | ... | Person on Dock | |
| Tonda Weeder | ... | Person on Dock | |
| Kami Grigsby | ... | Person on Dock | |
| Debra Schuster | ... | Waitress | |
| rest of cast listed alphabetically: | |||
| Sherman 'Big Train' Bergman | ... | Cuban Soldier (uncredited) | |
| Michael J. Carnevale | ... | Passenger (uncredited) | |
Directed by | |||
| Roger Holzberg | |||
Writing credits | ||
| Roger Holzberg | (screenplay) & | |
| Douglas Weiser | (screenplay) (as Doug Weiser) | |
| Roger Holzberg | (story) | |
Produced by | |||
| Gary Barber | .... | executive producer | |
| Gregory Cascante | .... | executive producer | |
| Oscar L. Costo | .... | associate producer | |
| Mathew Hayden | .... | producer | |
| Dan Ireland | .... | executive producer | |
| Jack Lorenz | .... | line producer | |
| Wanda S. Rayle | .... | executive producer | |
| Duke Siotkas | .... | associate producer | |
| Frank D. Tolin | .... | associate producer | |
| Douglas Weiser | .... | co-producer (as Doug Weiser) | |
Original Music by | |||
| Paul Buckmaster | |||
| Al Gorgoni | |||
Cinematography by | |||
| Henry Vargas | |||
Film Editing by | |||
| Earl Watson | |||
Casting by | |||
| Carol L. Dudley | (as Carol Dudley) | ||
Production Design by | |||
| Jose Duarte | |||
Art Direction by | |||
| CarterLee Cullen | |||
Set Decoration by | |||
| Stitch Crisp | (as Jim 'Stich' Crisp) | ||
Costume Design by | |||
| Beverly Safier | |||
Makeup Department | |||
| Jane Carvell | .... | hair stylist: Ms. Dunaway | |
| Ken Diaz | .... | makeup supervisor | |
| Diane Maurno | .... | makeup artist | |
| Robin Siegel | .... | makeup artist | |
| Jack Solomon | .... | contact lens specialist (as Dr. Jack Solomon) | |
| Mary Ann Valdes | .... | hair stylist | |
Art Department | |||
| Dirk Brandon | .... | art department assistant | |
| Dirk Brandon | .... | props: underwater unit | |
| Eugene Bright | .... | propmaker (as W.E. Bright) | |
| Michael Bright | .... | propmaker | |
| Cathy Carlisle | .... | assistant property | |
| Daniel Carpio | .... | propmaker | |
| Harold Collins | .... | set construction | |
| Terry Crisp | .... | assistant set decorator | |
| Robert Cuevas | .... | propmaker | |
| Mychelle Deschamps | .... | set dresser | |
| Ellen Dyer | .... | art department coordinator | |
| José González | .... | scenic artist | |
| Harold Griner | .... | propmaker | |
| William Kellow | .... | propmaker | |
| Karen McKinnon | .... | art department assistant | |
| Beatrice Novoa | .... | assistant set dresser | |
| Skip Schields | .... | property master (as Skip Shields) | |
| Terry Sigman | .... | art department assistant | |
| Karen Westerfield | .... | storyboard artist | |
| O.C. Whiddon | .... | propmaker foreman | |
| John Balling | .... | scenic artist (uncredited) | |
Sound Department | |||
| Liv Apneseth | .... | apprentice sound editor | |
| Stephen Bushelman | .... | sound editor (as Steve Bushelman) | |
| David Campling | .... | sound editor | |
| Mark Ettel | .... | sound re-recording mixer | |
| Dan Finnerty | .... | sound editor | |
| Kim Fowler | .... | foley walker | |
| Cameron Frankley | .... | sound editor | |
| Jeff Gomillion | .... | sound re-recording mixer | |
| Tim Gomillion | .... | sound recordist | |
| Dale Greenshields | .... | adr mixer | |
| Duane Hensel | .... | foley walker | |
| James Hill | .... | assistant sound editor | |
| Joseph Holsen | .... | sound designer | |
| Joseph Holsen | .... | sound supervisor | |
| Martha Burns Holsen | .... | adr editor | |
| John Paul Jones | .... | foley artist (as John-Paul Jones) | |
| Charles McCann | .... | sound editor (as Charles W. McCann) | |
| T.A. Moore Jr. | .... | sound re-recording mixer | |
| John Neal | .... | foley artist | |
| Joan Rowe | .... | foley walker | |
| Jerry Trent | .... | foley walker | |
| Howard Warren | .... | sound mixer | |
| Scott Warren | .... | boom operator | |
| Mark Weber | .... | boom operator | |
| Cathy McKelvey | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| J.B. Jones | .... | special effects | |
| Ken Wheatley | .... | special effects props | |
| Bruce E. Merlin | .... | special effects foreman (uncredited) | |
Stunts | |||
| Tom Bahr | .... | stunts | |
| Cathy Carlisle | .... | stunts | |
| Alex Edlin | .... | stunts (as Alexander Edlin) | |
| Bobby J. Foxworth | .... | stunts (as Bobby Foxworth) | |
| Artie Malesci | .... | stunt coordinator | |
| Artie Malesci | .... | stunts | |
| Janet Constable | .... | stunt double (uncredited) | |
Casting Department | |||
| Marie Arnold | .... | casting: Miami | |
| Robert J. Ulrich | .... | casting assistant: Los Angeles (as Robert Ulrich) | |
Costume and Wardrobe Department | |||
| Dirk Brandon | .... | wardrobe: second unit | |
| Gayle Farber | .... | wardrobe assistant | |
| Nora Nelson | .... | first assistant wardrobe | |
| Michael Safier | .... | wardrobe supervisor | |
Editorial Department | |||
| Margo Ammidown | .... | apprentice editor | |
| Carolyn Calvert | .... | assistant editor (as Carolyn Horton) | |
| Terry Haggar | .... | color timer | |
| Carole Kaufman | .... | apprentice editor | |
| Elizabeth Marsh | .... | apprentice editor | |
| Toni Parras | .... | apprentice editor | |
Music Department | |||
| Terry Becker | .... | music recording engineer | |
| Adam Gorgoni | .... | composer: additional music | |
| Mark Heyes | .... | music coordinator | |
| David Hines | .... | music recording engineer | |
| Frank McKelvey | .... | music editor | |
| Mark Meyerson | .... | music coordinator | |
| Guy Moon | .... | synthesizer programmer | |
| David Schober | .... | music recording engineer | |
| Steve Tyrell | .... | music supervisor | |
Transportation Department | |||
| Ken Collins | .... | transportation coordinator | |
| Dan Dewey | .... | driver | |
| Chris Jensen | .... | driver | |
| Nanette Kinard | .... | driver | |
| Huey Laborde | .... | transportation captain | |
| Jim Stewart | .... | assistant transportation coordinator (as Jimmy Stewart) | |
| Fred Toledo Jr. | .... | driver | |
| Fred Toledo | .... | driver (as Fred Toledo Sr.) | |
| Loretta Williams | .... | driver | |
Thanks | |||
| Rodney Barreto | .... | the producers wish to thank | |
| Ernest Clark | .... | the producers wish to thank | |
| Dick Lazzara | .... | the producers wish to thank | |
| Janet E. Loftis | .... | the producers wish to thank | |
| Maria J. Peckos | .... | the producers wish to thank | |
| Mark Roche | .... | the producers wish to thank | |
| Karen Schaffer | .... | the producers wish to thank (as Karen Schafer) | |
| Steve Schmidt | .... | the producers wish to thank | |
| Susan Senk | .... | the producers wish to thank (as Susan Ilene Senk) | |
| Donna Smith | .... | the producers wish to thank | |
| Sherwood Weiser | .... | the producers wish to thank | |
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| Men of War | L.E.T.H.A.L. Ladies: Return to Savage Beach | Spellcaster | Creature from the Haunted Sea | Original Sin |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
I went to see this movie with several co-workers when it first came out in 1988. It was so bad that we were entertaining ourselves poking fun at it and decided to leave before it was over rather than waste our time any further. Ned Beatty's "performance" was especially comical. The manager of the theater was aware of the unintended humor we found in it and when our whole group got up to leave at once, he offered us all free passes to a future movie to entice us to return to his theater.