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Messenger of Death (1988)

 -  Action | Crime | Thriller  -  1989 (Peru)
5.4
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Ratings: 5.4/10 from 1,190 users  
Reviews: 22 user | 12 critic

Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the... See full summary »

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Title: Messenger of Death (1988)

Messenger of Death (1988) on IMDb 5.4/10

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Cast

Cast overview, first billed only:
...
...
Jastra Watson
Laurence Luckinbill ...
Homer Foxx
...
Chief Barney Doyle
Marilyn Hassett ...
Josephine Fabrizio (as Marilyn Hasset)
Charles Dierkop ...
Orville Beecham
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Willis Beecham
...
Zenas Beecham
...
Trudy Pike
...
Junior Assassin
John Solari ...
Senior Assassin
...
Saul
...
Wiley
Duncan Gamble ...
Lieutenant Scully
Bert Williams ...
Sheriff Yates
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Storyline

Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the case, is taken into protective custody. Journalist Smith persuades him to help him in the investigation - and finds out about economic motives for the murder. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Taglines:

What the cops can't do, he will.

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

1989 (Peru)  »

Also Known As:

Avenging Angels  »

Box Office

Gross:

$3,074,681 (USA)
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Technical Specs

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This movie was Charles Bronson's second picture outside the 'Death Wish' franchise to feature the word 'Death' in the title. The first was Death Hunt (1981) made and released about seven years earlier. This was also the penultimate movie that featured the word 'Death' in the title for Bronson. The final time would be Death Wish V: The Face of Death (1994), where the word appears twice. Bronson made seven movies with this word in the title. See more »

Goofs

During the car chase, Smith's car is on the inside of one of the tankers on the first corner out of the tunnel, but in the next shot it's back in the middle of both tankers. See more »

Quotes

Garret Smith: [threatening] You're going to give us the name, yes?
Senior Assassin: No!
[gets kicked in the face]
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User Reviews

 
Blood and Water Don't Mix
21 November 2003 | by (brooklyn NY) – See all my reviews

Charles Bronson plays investigative reporter Garret Smith for the Denver Tribune in this motion picture about a blood feud between two brothers, of different Mormon sects. With outside political as well as economic overtones.

A decent story about religious jealousy and the behind the scenes politics of exploiting it. The feud between brothers Willis, Jeff Corey, and Zenas, John Ireland, Beecham is instigated when Willis' son's Orville's, Charles Dierkop, family is massacred. Willis believes that it was the work of Zenas and starts an all out war against his brother which ends with both brothers getting killed. But there's something else that has nothing to do with the feud between the brother's that's central to the story: A lake of artesian water under brother's Zenas' property that can be used to turn common and plentiful shale into valuable and scarce fuel oil.

Charles Bronson is still believable, at age 67, as the tough reporter that gets to the bottom of the story with his fists as well as his typewriter to uncover the truth about Orville's family being murdered. As well as who ordered it that instigated a war between his father and uncle and why.

With the exception of the beginning the movie "Messenger of Death" cuts down on the violence and concentrated more on the story which made the movie more interesting to watch. And also gave the audience more time to think who's behind the murders that happened to the Orville Beecham family which built up to a better then average ending.

The ending of "Messenger of Death" though a bit contrived and what seemed forced still tied the story together and made it believable. One of Charles Bronson's best later efforts when he was still effective as an action hero, or in this case an action reporter, on the screen.


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