Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the... See full summary »
In this strange western version of JAWS, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations - dim, filthy,... See full summary »
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more prey than hunters, ... See full summary »
Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the case, is taken into protective custody. Journalist Smith persuades him to help him in the investigation - and finds out about economic motives for the murder. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The meaning and relevance of this movie's title is that it refers to a drawing featuring an avenging angel of death that is left at a crime scene at the beginning of the movie. The title also connects with Charles Bronson's vigilante screen persona made famous in the movie Death Wish (1974). It suggests that Bronson is a 'Messenger of Death', the word messenger also being a play on words with this, as his character is a journalist, a job which involves writing news articles, they being "messages" in a sense. See more »
During the car chase, Smith's car is on the inside of one of the tankers on the first corner out of the tunnel, but in the next shot it's back in the middle of both tankers. See more »
Easily skip-able Charles Bronson movie that starts out strongly but doesn't follow through. He unconvincingly plays a Denver reporter covering a case of a Mormon family living in the Colorado mountains who had nine members massacred, including five children. He then sets out to find the killer by visiting the eccentric community and finds that much of the evidence leads to a family feud between two brothers, along with ties to a water company. Why Chuck's character would feel so personally bent on dealing out vengeance when it's not his own flesh and blood didn't ever strike me as authentic. J. Lee Thompson directs (as usual) and manages to serve up some pretty scenery along with a good cast including John Ireland and Jeff Corey, but this is rather weak tea. ** out of ****
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