The Music Teacher
(1988)
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The Music Teacher
(1988)
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| Cast overview, first billed only: | |||
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José van Dam | ... |
Joachim Dallayrac
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Anne Roussel | ... |
Sophie Maurier
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Philippe Volter | ... |
Jean Nilson
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Sylvie Fennec | ... |
Estelle Fischer
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| Patrick Bauchau | ... |
Prince Scotti
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Johan Leysen | ... |
François Manssaux
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Marc Schreiber | ... |
Arcas
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Alain Carre | ... |
Attendant
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David Ashman | ... |
English Critic
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Bob Bender | ... |
English Critic
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Jonathan Fox | ... |
English Critic
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Jeannette Bakker | ... |
Diva
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Philippe Drecq | ... |
Dandy
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Jean Gerardy | ... |
Old Man
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Yvette Merlin | ... |
Louise
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Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers, Sophie and Jean. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three. Based on their teacher's reputation, Sophie and Jean are invited to participate in a singing contest staged by Prince Scotti. Scotti's protege is set up to get revenge for Scotti's defeat at the hands of Dallayrac in a similar competition many years ago. The young students overcome Scotti's trickery to win the competition. Written by Kevin Kraynak <kevin@kraynakk.com>
Belgium's nominee for the Best Foreign Language Film Oscar of 1988 is an elegant highbrow crowd pleaser, in which music scores by Verdi, Mahler, Mozart et al get top billing over the actors, and not without good reason. World-renowned baritone Jose van Dam stars as a (surprise) world-renowned baritone, who for reasons never fully explained abruptly retires to train aspiring soprano Anne Roussel and (again for unclear reasons) a common thief with a raw singing talent. But what begins as a polite, continental variation of 'Pygmalion', with all the usual trappings of a turn-of-the-century period piece, works up considerable steam when, unknown to van Dam, his arch enemy Prince Scotti begins training his own protégé, hoping to match him against his rival's two pupils in a no-holds-barred aria duel (to the death?) It's a thrilling (if slightly ridiculous) climax, and goes a long way toward compensating for some of the film's earlier, nagging deficiencies. If for no one else, this is a must for classical music aficionados.