Ryoko Itakura is a government tax agent who has just landed a big promotion. Her first assignment is to catch wheeler-dealer Hideki Gondo. She has a tough job, since in Japan tax evasion is... See full summary »
A sendup of the stereo-typical Japanese family: dad is a salaryman jerk, unable to relate to anyone; mom is a hopeless housewife; the older son is a moderate academic success; but the ... See full summary »
A radio play is going to go on air at a Tokyo radio station. It is a weepy melodrama written by housewife Miyako, who is the winner of the competition run by the station. Suddenly, the ... See full summary »
Tamio Moroi graduates from a prestigious university and obtains a job at the Camel Brewery in a distant town. He is keen to work hard, but is warned to take it easy and just appear as if he... See full summary »
Set in the last few years of the shogun's rule, this period/ensemble movie depicts the lives of the young and the restless at a whorehouse. The protagonist is Saheiji, a resourceful, witty ... See full summary »
Goro's supermarket is not doing well; the rival "Bargains Galore" threatens his business. A chance encounter with Hanako, an energetic woman he knew in grade school, results in big retail ... See full summary »
A malicious art critic attends to a private show at a remote gothic manor hoping to discover a new medium that will stun the art world. She is transported into four tales of murder, monsters and mayhem. And the final tale is her own.
Alan Rowe Kelly,
Anthony G. Sumner
When his wife is abducted by a group of blood-thirsty Vampires, John Croix is left to die in a forgotten region of the desert. It is here where an unspeakable evil exists. Now, by no choice... See full summary »
Juzo Itami's sequel to his popular 1988 comedy has energy to spare, but there's more than a hint of redundancy in the further adventures of his intrepid, freckle-faced tax agent and her one-woman war against corporate greed. The new film is even more exaggerated than its predecessor, with enough sex, skullduggery, intrigue, and action to fuel any three James Bond thrillers, but as with most sequels the novelty is gone, and the scenario is desperately over-plotted (to say the least). Contrary to the film's title the heroine herself doesn't even return until well into the second half-hour, and then in a more limited role. What made the character so appealing in the original was her resemblance to a pint-sized Popeye Doyle (with most of the same obsessions), but here's she's reduced to being just another cog in a very stylish, very busy machine, running more or less on autopilot.
0 of 0 people found this review helpful.
Was this review helpful to you?