An undercover FBI agent falls in love with a recently widowed mafia wife seeking to start her life over after her husband's murder and who is also pursued by a libidinous mafia kingpin seeking to claim her for himself.
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Angela deMarco is unhappily married to high Mafia member Frank deMarco. When Frank is killed, Angela takes the opportunity to break free of the Mafia world entirely and start a new life. But Frank's boss, Tony Russo, begins to court the unresponsive Angela. The FBI begins surveillance on her, thinking her to be his new mistress. FBI agent Mike Downey goes undercover as Angela's neighbor, but soon finds himself attracted to Angela himself. Written by
In Miami, when Angela and Tony are exchanging jewelry on the balcony, we see a fuzzy mike cover in the bottom of the shot. See more »
Angela de Marco:
God, you people work just like the mob! There's no difference.
Regional Director Franklin:
Oh, there's a big difference, Mrs. de Marco. The mob is run by murdering, thieving, lying, cheating psychopaths. We work for the President of the United States of America.
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The first part of the end credits are outtakes edited from the movie and different angles of scenes that were in it. Director Demme said he was trying to recreate the movie with the last part of the credits-where 'Angela' and 'Mike' chase each other and dance around the steps of the NYC Supreme Court building being a coda. See more »
Michelle Pfeiffer and Matthew Modine are a joy to watch in this screwball comedy. Alec Baldwin, who was an up and coming star when the film was made, is a hoot. Dean Stockwell, in a sendup of John Gotti, is hysterical. But Mercedes Ruehl, as the paranoid and over the top Connie steals the movie.
Jonathan Demme, previously known for wacky comedies like "Something Wild" and "Melvin and Howard"-proves once again that he is a genius. I was not surprised at all when he went on to win the Oscar for directing "Silence of The Lambs." The performances he evokes from his actors in "Married" are inspired, and the audience is taken along for a wild and wooly ride.
One of the cutest, most endearing films of the 80's, it stands head and shoulders above many of the satires of its era.
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