An undercover FBI agent falls in love with a recently widowed mafia wife seeking to start her life over after her husband's murder and who is also pursued by a libidinous mafia kingpin seeking to claim her for himself.
Jonathan Demme directs this joyous relentlessly kitschy celebration of 50's America: opportunity, rock'n'roll, and the road. He follows three generations of women and the men they pick up, ... See full summary »
A girl is caught in a drug bust and sent to the hoosegow. The iron-handed superintendent takes exception to a skit performed by the girls and takes punitive steps, aided by the sadistic ... See full summary »
This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York ... See full summary »
Angela deMarco is unhappily married to high Mafia member Frank deMarco. When Frank is killed, Angela takes the opportunity to break free of the Mafia world entirely and start a new life. But Frank's boss, Tony Russo, begins to court the unresponsive Angela. The FBI begins surveillance on her, thinking her to be his new mistress. FBI agent Mike Downey goes undercover as Angela's neighbor, but soon finds himself attracted to Angela himself. Written by
After Angela has her haircut, she has a shirt/dress with brown spots, but seconds later, after crossing the road and going up to the corridor outside her apartment, she has a plain brown dress and a yellow zip top. See more »
There are numerous outtakes in the end credits, including one showing the carved headboard of the bed in which de Marco is sporting with his mistress, bearing the words "Veni, Veni, Veni" (I Came, I Came, I Came), parodying Caesar's famous quote. See more »
I had to write this review because the only user comments on file don't begin to do this film justice. For one thing, Michelle Pfeiffer is TERRIFIC in this role -- she demonstrates a marvelous comedic style we don't often get to see. (Maybe the other reviewer prefers her serious work, but I dispute the comment that Pfeiffer has "matured" beyond this role. It's a comedy, for goodness' sake!)
And yes, Alec Baldwin is quite good, but it's Matthew Modine who steals the picture! (He also has much more screen time.) Mercedes Ruehl and Dean Stockwell (as Tony 'The Tiger' Russo) are absolutely delicious. The plot is delightful, and sometimes manages to touch on some more somber issues, as all great comedies do.
In short, I've seen this hilarious film two or three times over the years, and thinking about it now makes me eager to watch it all over again!
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