| Christine Moore | ... | Cathy | |
| Gary Warner | ... | Bob | |
| Marina Taylor | ... | Monica | |
| Roy MacArthur | ... | Desmond | |
| Peter Oliver-Norman | ... | Steve | |
| Nancy Groff | ... | Rita | |
| Tom Billett | ... | Leo 'The Hammer' (as Thomas Billett) | |
| Carissa Channing | ... | Sally | |
| Dana Nardelli | ... | Young Cathy | |
| Lauren Ruane | ... | Ghost Child | |
| C.C. Banks | ... | Agnes | |
| Gil Newsom | ... | Phil | |
| Eva Baumann | ... | Guardian Angel | |
| Ruth Collins | ... | Jane (Model) | |
| Annie Grindlay | ... | Lulu (Model) (as Anne Grindlay) | |
| Gregory Sullivan | ... | Lurker 1 | |
| Timothy Rule | ... | Lurker 2 | |
| Jeanette Smith | ... | Lurker 3 | |
| Steve Villalobos | ... | Lurker 4 | |
| Lynne Nonnenmacher | ... | Lurker 5 | |
| Bonnie Sterner | ... | Lurker 6 | |
| Jeffrey Wallach | ... | Salesman | |
| Wayne Burcham | ... | John (Cathy's father) | |
| Jodi Armstrong | ... | Cathy's Friend | |
| Walter E. Sear | ... | Engineer (as Walter Sear) | |
| William Titus | ... | Asst. Engineer | |
| Elka Shapiro | ... | Jump-Rope Girl | |
| Dayna Shapiro | ... | Jump-Rope Girl | |
| Janeen Rossi | ... | Jump-Rope Girl | |
| Danielle Leonard | ... | Jump-Rope Girl | |
| Tara Lyn Catanzaro | ... | Jump-Rope Girl | |
| Deanna Rossi | ... | Jump-Rope Girl | |
| Christina Rossi | ... | Jump-Rope Girl | |
| Florence Galperin | ... | Woman in Menage | |
| Shana Seer Gaskill | ... | Musician | |
| Ric Frank | ... | Musician | |
| Moira Tobey | ... | Musician | |
| rest of cast listed alphabetically: | |||
| Rob Anderson | ... | Lurker (uncredited) | |
| Maitland McDonagh | ... | (uncredited) | |
| Debbie Rochon | ... | Evil Host (uncredited) | |
Directed by | |||
| Roberta Findlay | |||
Writing credits | ||
| Ed Kelleher | (written by) and | |
| Harriette Vidal | (written by) | |
Produced by | |||
| Walter E. Sear | .... | producer | |
Original Music by | |||
| Walter E. Sear | |||
Cinematography by | |||
| Roberta Findlay | (director of photography) | ||
Film Editing by | |||
| Roberta Findlay | |||
| Walter E. Sear | |||
Art Direction by | |||
| Jeffrey Wallach | |||
Costume Design by | |||
| Ivy Rosovsky | |||
| Jeffrey Wallach | |||
Makeup Department | |||
| Jean Carballo | .... | makeup artist (as Jeann Carballo) | |
| Ed French | .... | Lurker prosthetics | |
| Ed French | .... | special makeup effects artist | |
| Tom Lauten | .... | effects crew: Ed French | |
| Erik Schaper | .... | effects crew: Ed French | |
Production Management | |||
| Walter E. Sear | .... | production manager | |
Art Department | |||
| Ivy Rosovsky | .... | art department | |
| Jeffrey Wallach | .... | art department | |
Sound Department | |||
| William Titus | .... | sound | |
Camera and Electrical Department | |||
| Robert Burkhardt | .... | second grip | |
| Richard Eliano | .... | assistant camera | |
| David Phillips | .... | gaffer | |
| Ethan Phillips | .... | best boy | |
| Bob Podbielski | .... | key grip (as Robert Podbielski) | |
Editorial Department | |||
| Pete Spataro | .... | color timer (as Peter Spataro) | |
| Jay Wander | .... | negative cutter | |
Other crew | |||
| Juan Calderon | .... | craft service | |
| Jim Cirile | .... | assistant to producer (as James M. Cirile) | |
| Tony Landano | .... | laboratory consultant (as Anthony Landano) | |
| Willie Matos | .... | production assistant | |
| Jay Samuels | .... | production accountant: G.B. Tepper and Associates | |
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| Too Scared to Scream | Satan's Mistress | Carnival of Souls | The Sentinel | The Oracle |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
After emotionally / psychically being abused by her mother, Cathy would hear tales that the lurkers would come and get her if she was naughty. These lurkers were ghostly figures that hanged around the apartment building and only she saw. While, playing with friends the skipping rope strangely finds itself around Cathy's neck with little concern from the other children. Then a mysterious lady shows up and everything goes back to normal. Then we skip 15 years into the present where Cathy is in a relationship with a photographer, Bob. They're happily in love, but there's something lurking under the surface and Cathy starts getting recurring nightmares of her traumatic childhood.
Roberta Findley might not have a great rep behind her films, but surprisingly I enjoyed "The Oracle", which made me grabbed this particular flick. The shame was that I didn't quite get into this shonky trash, despite an interestingly offbeat concept. Sadly I found it quite tough going as its terribly talky without really going anywhere with the idea. Sure, chat is fine, but when it strings you along and along with even more lifeless chitchat. The overall silliness of it shows up strongly that your hoping it would break out the madness, but it hardly eventuates. When it does. It's not for long, and back to pointless chitchat we go. Throw in plenty of redundant build-ups and odd stretches that fill like nothing more than fillers to pad out the running time. This only dragged out the slow pace even more. It should have been more fun than it was, as I found myself to be either bored or baffled.
The plotting of the flat story was a convoluted jumble (It skips in between a whole lot of elements) with many uneventful happenings. It's a nasty little item that doesn't explicitly show it, but it's grim and mean-spirited in nature. After a genuinely creepy and tight opening couple minutes when Cathy was a child and throw in some motherly love. Some inspired touches creep up here. It never seemed quite sure where to go and its poor execution shows it up immensely. The look and feel of it is quite amateurish and it can't seem to shake it or work around it without embarrassingly telegraphing to us.
Now it's better to leave the moronic script alone! While, the overwrought music score is quite a groaner and like something that would fit nicely in a silent film. The only real component technical aspect had to be that it was actually pretty well shot and caught the grimy locations. The acting was very indifferent and Christine Moore in the lead role was the only one to give a reasonable turn. Roy MacArthur had a bit a fun with his performance and lightened it up when on screen.
This forgettable, drab feature definitely squanders every opportunity to make something fulfilling out of this idea.