A woman's ex-husband, who is the son of an Arab chieftain, kidnaps their teenage son and brings him back to Morocco, where the boy is to be made the leader of the tribe. The child's mother ... See full summary »
This musical is based on four short stories by Damon Runyon. In one tale, gambler Feet Samuels sells his body to science just as he realizes that Hortense loves him and that he would rather... See full summary »
A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who ... See full summary »
The assuming of responsibility by individuals, the use of science for man and not against him, the duty of truth to increase the stature of people, all together: these are the important ... See full summary »
A Mad Max-esque post apocalyptic world provides the backdrop for a brutal, futuristic game resembling football. Rutger Hauer plays a disgraced former star leading a rag tag group of "... See full summary »
Chicago cop goes to Poland to get the hoods who killed his brother. When he finds out they belong to the local outfit of the Russian mob, he takes on the outfit's boss as well as Dr. Lem who handles illegal organ trade for the mob.
Thomas Ian Griffith,
Olmi is one of Europe's last Old Masters in the art of film making. He is usually regarded as a belated neo-realist, but after you've seen "The Legend of the Holy Drinker", you will realize the label simply does not stick. This is a film about spirituality, about communion, one of the most deeply religious movies ever, whose only rivals might be Dreyer's "Ordet" or Bergman's rather pretentious "faith trilogy" ("Through a Glass Darkly", "Winter Light" and "The Silence"). However, you will not find Scandinavian mists or angst in Catholic Olmi's adaptation of the beautiful novella written, oddly enough, by a great Jewish novelist, Joseph Roth. Wine is a metaphor for life, and Paris is a metaphor for our urban world. In this symbolic universe, it takes a great actor to give flesh and blood to the character of Andreas, the holy drinker, a beggar endowed with an amazing sense of dignity. Rutger Hauer was the man for the job: this was his best performance: he was never better, and, to judge from the course his career has taken, I fear he will never be better than in this film. It is not a thriller, but it is thrilling. It takes its own leisurely pace, but goes very far, very deep indeed into the human soul. After so many insipid or unpalatable cinematic concoctions, treat yourself to this film: it truly is vintage stuff.
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