This movie features a character who is supposed to be the descendant of the character played by Steve McQueen in the television series of the same name. And like McQueen's Josh Randall, ... See full summary »
An environmentalist gets involved in transporting an accused killer (Ben) from an isolated Alaskan town to the authorities. Ben is determined to escape, and his fellow trappers are ready to... See full summary »
A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who ... See full summary »
After earth is taken over by an army of robots, the small number of humans left are forced into hiding. In the nuclear winter, only droids walk the face of the earth, in fear of the rumored... See full summary »
The assuming of responsibility by individuals, the use of science for man and not against him, the duty of truth to increase the stature of people, all together: these are the important ... See full summary »
Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley to spend Christmas vacation with his... See full summary »
Olmi is one of Europe's last Old Masters in the art of film making. He is usually regarded as a belated neo-realist, but after you've seen "The Legend of the Holy Drinker", you will realize the label simply does not stick. This is a film about spirituality, about communion, one of the most deeply religious movies ever, whose only rivals might be Dreyer's "Ordet" or Bergman's rather pretentious "faith trilogy" ("Through a Glass Darkly", "Winter Light" and "The Silence"). However, you will not find Scandinavian mists or angst in Catholic Olmi's adaptation of the beautiful novella written, oddly enough, by a great Jewish novelist, Joseph Roth. Wine is a metaphor for life, and Paris is a metaphor for our urban world. In this symbolic universe, it takes a great actor to give flesh and blood to the character of Andreas, the holy drinker, a beggar endowed with an amazing sense of dignity. Rutger Hauer was the man for the job: this was his best performance: he was never better, and, to judge from the course his career has taken, I fear he will never be better than in this film. It is not a thriller, but it is thrilling. It takes its own leisurely pace, but goes very far, very deep indeed into the human soul. After so many insipid or unpalatable cinematic concoctions, treat yourself to this film: it truly is vintage stuff.
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