According to director Martin Scorsese, the last shot was *not* intentional. The camera used to film this scene was faulty and light leaked in onto the film, causing a white-out at the exact point in the scene at which Jesus expires, and this was not discovered until the film was processed. Serendipity or divine intervention, take your pick.
Some historians claim Pontius Pilate was born in Scotland, where his father was posted as a Roman Centurion guard. On knowing this, Scottish comedian Billy Connolly tried to convince David Bowie to play Pontius Pilate "as a Scotsman." (Bowie did not.)
In the scene where Jesus is in the temple and Roman soldiers are coming after him in what appears to be all directions, it is the same five soldiers that are used in each shot. This was to save money as the film had a small budget.
Director Martin Scorsese first read Nikos Kazantzakis's novel "The Last Temptation of Christ" after being given a copy by actress Barbara Hershey while he was directing her in Boxcar Bertha, his second feature film, in 1972. When she read in a trade paper many years later that Scorsese was finally getting the opportunity to direct a film adaptation, she begged him to let her play the role of Mary Magdalene. To make sure she didn't feel that he was giving her the part as a favor for having recommended the book, he made her audition.
The filmmakers were given such a paltry budget for their controversial project that many economies had to be improvised. For example, actress Barbara Hershey, playing the role of Mary Magdalene, had to continually re-apply her own mendhi tattoos (which kept streaking in the desert heat) because there were not enough make-up artists to service everyone.
Martin Scorsese banned smoking from the set, both because he's a severe asthmatic, and to avoid any photographs being taken of the biblical characters - namely Willem Dafoe, who smoked at the time - with cigarettes hanging out of their mouths.
As of January 2002 the film cannot be shown on public television in Bulgaria. The National Television had scheduled it for showing but the Bulgarian Orthodox Church managed to get a forbidding order and the Council of Electronic Media banned it.
The television premiere of the film on Channel 4 in the mid nineties used to hold the record for receiving the most complaints (1,554) about a broadcast on British television. That record was eclipsed by BBC2's broadcast of "Jerry Springer - The Opera" on 8 January 2005, which drew more than 50,000 complaints, many of which were submitted by Christians before the broadcast, offended by what they considered the blasphemous portrayal of Jesus in the programme.
According to David Carradine in a 2003 Entertainment Weekly interview, in 1972 when Martin Scorsese first got the book from Barbara Hershey and thought of making it into a movie, Carradine was the person considered to play Jesus.
The film attracted controversy not only in the United States, but also internationally due to the frontal nudity (especially from Jesus) in the crucifixion scenes, and the fact that Jesus had a sexual relationship with Mary Magdalene.
The script for this film sat in the office of Martin Scorsese's lawyer for at least 5 years prior to being made. Although Scorsese thought the film could be brilliant, he was concerned how the public might respond to the finished film. His lawyer agreed the script was brilliant and very "brave" but advised against making the movie because he did not think movie-goers were ready for such a story.
Martin Scorsese's friend and New Yorker's magazine critic Jay Cocks worked uncredited to revise the screenplay by Paul Schrader. Cocks' contribution could not be credited due to contractual obligations as well as WGA regulations, which Schrader himself admits that it was unfair.
The film was originally planned to be produced by Paramount Pictures, budgeted at $14 million and shot on location in Israel. The project was aborted at the last minute in December 1983 due to management at both the Paramount studio and its parent company Gulf + Western becoming nervous about the film from the many letters of protest from religious organizations and the picture's ever increasing production budget. The film was going to be Martin Scorsese's next film after The King of Comedy but when it got canceled went and made After Hours instead. Eventually, Universal Pictures and the theater chain Cineplex Odeon co-financed it with the budget cut down to 7 million dollars, and shot in Morocco.
The original production design concept was developed by Boris Leven who collaborated with Martin Scorsese since 'New York, New York'. However, Mr. Leven passed away in 1986 after completing 'The Color of Money', and John Beard replaced him, with many of Mr. Leven's original designs forced to be abandoned due to the budgetary limitations.
Was judged so controversial by some French fundamentalist catholics that they went as far as torching a couple of cinemas releasing the film, both in Paris and Besançon, causing one death and several serious injuries among the audience.
Reportedly, a church group offered to buy up all the prints of the picture for $10 million. Moreover, Campus Crusade for Christ's Bill Bright wanted to buy the negative of the picture from studio Universal Pictures so that it could be destroyed for good.
A number of theater chains refused to screen the film. One of them, General Cinemas, later apologized to director Martin Scorsese for this. Similarly, when released on home video cassette and laserdisc in the USA, many video stores including Blockbuster Video did not carry the title because of the film's controversial reputation.
The film was made and released about thirty-five years after its source novel of the same name by Nikos Kazantzakis was first published in 1953. Also known as "The Last Temptation", the novel was first published in English in 1960, director Martin Scorsese first optioned the film rights to the book during the late 1970s.
To get the film made, director Martin Scorsese offered to shoot the picture in a minimal 58 days for a mere $7 million, which was half of its original budget when the picture was being developed at Paramount, upon which the Universal Studios green-lighted the production. Due to the time constraints for principal photography, Scorsese developed a "minimalist aesthetic", many scenes were improvised and worked out on the run with little rehearsal and preparation. Scorsese once commented: "We worked in a state of emergency".