The Last Temptation of Christ (1988) Poster


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Was judged so controversial by some French fundamentalist catholics that they went as far as torching a couple of cinemas releasing the film, both in Paris and Besançon, causing one death and several serious injuries among the audience.
Willem Dafoe could not see for three days because he got too many eye drops to dilate the pupils of his eyes in bright sunlight to achieve a superhuman effect.
The Jews have American accents (primarily from the New York region) while the Romans have British accents.
Martin Scorsese banned smoking from the set, both because he's a severe asthmatic, and to avoid any photographs being taken of actors playing Biblical characters - primarily Willem Dafoe, who smoked at the time - with cigarettes hanging out of their mouths.
Some historians claim Pontius Pilate was born in Scotland, where his father was posted as a Roman Centurion guard. On knowing this, Scottish comedian Billy Connolly suggested that David Bowie to play Pontius Pilate "as a Scotsman." Bowie did not accept this advice.
Universal Pictures agreed to produce the film if Scorsese then did a commercial film. That was Cape Fear (1991).
As of January 2002 the film cannot be shown on public television in Bulgaria. The National Television had scheduled it for showing but the Bulgarian Orthodox Church managed to get a forbidding order and the Council of Electronic Media banned it.
The movie was banned and/or censored in several countries including Argentina, Chile, Mexico, and Turkey. The film is still banned in Singapore and the Philippines [July 2010].
Director Martin Scorsese first read Nikos Kazantzakis's novel "The Last Temptation of Christ" after being given a copy by actress Barbara Hershey while he was directing her in Boxcar Bertha (1972), his second feature film, in 1972. When she read in a trade paper many years later that Scorsese was finally getting the opportunity to direct a film adaptation, she begged him to let her play the role of Mary Magdalene. To make sure she didn't feel that he was giving her the part as a favor for having recommended the book, he made her audition.
The script for this film sat in the office of Martin Scorsese's lawyer for at least 5 years prior to being made. Although Scorsese thought the film could be brilliant, he was concerned how the public might respond to the finished film. His lawyer agreed the script was brilliant and very "brave" but advised against making the movie because he did not think movie-goers were ready for such a story.
An avid fan of writer Nikos Kazantzakis, Jeff Bridges actively sought the role of Judas by personally writing to Martin Scorsese, a role which ultimately went to Harvey Keitel.
Director Martin Scorsese had wanted to make a film version on the life of Jesus Christ ever since his childhood.
Willem Dafoe filmed the scene where the cobras crawl into Jesus' hut with an extremely high fever.
To get the film made, director Martin Scorsese offered to shoot the picture in a minimal 58 days for a mere $7 million, which was half of its original budget when the picture was being developed at Paramount, upon which the Universal Studios green-lighted the production. Due to the time constraints for principal photography, Scorsese developed a "minimalist aesthetic", many scenes were improvised and worked out on the run with little rehearsal and preparation. Scorsese once commented: "We worked in a state of emergency".
A number of theater chains refused to screen the film. One of them, General Cinemas, later apologized to director Martin Scorsese for this. Similarly, when released on home video cassette and laserdisc in the USA, many video stores including Blockbuster Video did not carry the title because of the film's controversial reputation.
The film's disclaimer declares that the picture is not based on the Gospels and is a departure from the usual general depiction of the life of Jesus Christ from the Bible.
Rated #6 of the 25 most controversial movies of all time. Entertainment Weekly, 16 June 2006.
Reportedly, a church group offered to buy up all the prints of the picture for $10 million. Moreover, Campus Crusade for Christ's Bill Bright wanted to buy the negative of the picture from studio Universal Pictures so that it could be destroyed for good.
When the film was finally green-lit in the mid-1980 Martin Scorsese offered the role of Jesus to Aidan Quinn who had initially been cast during a previous attempt to make the film. Scorsese then considered both Eric Roberts and Christopher Walken before casting Willem Dafoe.
When Jesus is in the temple and Roman soldiers are coming after him in what appears to be all directions, it is the same five soldiers that are used in each shot. This was to save money as the film had a small budget.
Ed Harris was considered for the role of Jesus.
At a convention, Christopher Lloyd said that he was offered the role of one of the disciples, but turned it down. He says that he regrets that decision to this day.
The film attracted controversy not only in the United States, but also internationally due to the frontal nudity (especially from Jesus) in the crucifixion scenes, and the strong implication that Jesus had a sexual relationship with Mary Magdalene.
The filmmakers were given such a paltry budget for their controversial project that many economies had to be improvised. For example, actress Barbara Hershey, playing the role of Mary Magdalene, had to continually re-apply her own mendhi tattoos (which kept streaking in the desert heat) because there were not enough make-up artists to service everyone.
Martin Scorsese's friend and New Yorker's magazine critic Jay Cocks worked uncredited to revise the screenplay by Paul Schrader. Cocks' contribution could not be credited due to contractual obligations as well as WGA regulations, which Schrader himself admits that it was unfair.
The television premiere of the film on Channel 4 in the mid nineties used to hold the record for receiving the most complaints (1,554) about a broadcast on British television. That record was eclipsed by BBC2's broadcast of Jerry Springer: The Opera (2005) on 8 January 2005, which drew more than 50,000 complaints, many of which were submitted by Christians before the broadcast, offended by what they considered the blasphemous portrayal of Jesus in the programme.
The film was originally planned to be produced by Paramount Pictures, budgeted at $14 million and shot on location in Israel. The project was aborted at the last minute in December 1983 due to management at both the Paramount studio and its parent company Gulf + Western becoming nervous about the film from the many letters of protest from religious organizations and the picture's ever increasing production budget. The film was going to be Martin Scorsese's next film after The King of Comedy (1982) but when it got canceled went and made After Hours (1985) instead. Eventually, Universal Pictures and the theater chain Cineplex Odeon co-financed it with the budget cut down to 7 million dollars, and shot in Morocco.
The film was made and released about thirty-five years after its source novel of the same name by Nikos Kazantzakis was first published in 1953. Also known as "The Last Temptation", the novel was first published in English in 1960, director Martin Scorsese first optioned the film rights to the book during the late 1970s.
When Martin Scorsese was planning the movie circa 1983-84, Aidan Quinn was cast as Jesus, Sting was cast as Pontius Pilate, Vanity was cast as Mary Magdalene and Ray Davies was cast as Judas Iscariot.
Universal Pictures moved up the release date to take advantage of the publicity surrounding the picture.
The original production design concept was developed by Boris Leven who collaborated with Martin Scorsese since New York, New York (1977). However, Mr. Leven passed away in 1986 after completing The Color of Money (1986), and John Beard replaced him, with many of Mr. Leven's original designs forced to be abandoned due to the budgetary limitations.
As of 2012, the only Martin Scorsese film to ever get nominated for the Razzie Awards.
David Carradine claimed, in a 2003 Entertainment Weekly interview, to have been Martin Scorsese's first choice for the role of Jesus back in 1972.


Leo Marks:  The voice of Satan was provided by the screen writer of Peeping Tom (1960), a favorite inspiration for Martin Scorsese.

Director Trademark 

Martin Scorsese:  [New York]  Most of the apostles with speaking parts are played by actors from the New York City area. Martin Scorsese wanted the apostles to speak with urban New York accents because he saw the apostles as "street guys".


The trivia item below may give away important plot points.

According to director Martin Scorsese, the last shot was *not* intentional. The camera used to film this scene was faulty and light leaked in onto the film, causing a white-out at the exact point in the scene at which Jesus expires, and this was not discovered until the film was processed. Serendipity or divine intervention, take your pick.

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